Rahat Khan, Joost Van de Weijer, Fahad Shahbaz Khan, Damien Muselet, christophe Ducottet, & Cecile Barat. (2013). Discriminative Color Descriptors. In IEEE Conference on Computer Vision and Pattern Recognition (pp. 2866–2873).
Abstract: Color description is a challenging task because of large variations in RGB values which occur due to scene accidental events, such as shadows, shading, specularities, illuminant color changes, and changes in viewing geometry. Traditionally, this challenge has been addressed by capturing the variations in physics-based models, and deriving invariants for the undesired variations. The drawback of this approach is that sets of distinguishable colors in the original color space are mapped to the same value in the photometric invariant space. This results in a drop of discriminative power of the color description. In this paper we take an information theoretic approach to color description. We cluster color values together based on their discriminative power in a classification problem. The clustering has the explicit objective to minimize the drop of mutual information of the final representation. We show that such a color description automatically learns a certain degree of photometric invariance. We also show that a universal color representation, which is based on other data sets than the one at hand, can obtain competing performance. Experiments show that the proposed descriptor outperforms existing photometric invariants. Furthermore, we show that combined with shape description these color descriptors obtain excellent results on four challenging datasets, namely, PASCAL VOC 2007, Flowers-102, Stanford dogs-120 and Birds-200.
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Christophe Rigaud, Dimosthenis Karatzas, Joost Van de Weijer, Jean-Christophe Burie, & Jean-Marc Ogier. (2013). Automatic text localisation in scanned comic books. In Proceedings of the International Conference on Computer Vision Theory and Applications (pp. 814–819).
Abstract: Comic books constitute an important cultural heritage asset in many countries. Digitization combined with subsequent document understanding enable direct content-based search as opposed to metadata only search (e.g. album title or author name). Few studies have been done in this direction. In this work we detail a novel approach for the automatic text localization in scanned comics book pages, an essential step towards a fully automatic comics book understanding. We focus on speech text as it is semantically important and represents the majority of the text present in comics. The approach is compared with existing methods of text localization found in the literature and results are presented.
Keywords: Text localization; comics; text/graphic separation; complex background; unstructured document
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Christophe Rigaud, Dimosthenis Karatzas, Joost Van de Weijer, Jean-Christophe Burie, & Jean-Marc Ogier. (2013). An active contour model for speech balloon detection in comics. In 12th International Conference on Document Analysis and Recognition (pp. 1240–1244).
Abstract: Comic books constitute an important cultural heritage asset in many countries. Digitization combined with subsequent comic book understanding would enable a variety of new applications, including content-based retrieval and content retargeting. Document understanding in this domain is challenging as comics are semi-structured documents, combining semantically important graphical and textual parts. Few studies have been done in this direction. In this work we detail a novel approach for closed and non-closed speech balloon localization in scanned comic book pages, an essential step towards a fully automatic comic book understanding. The approach is compared with existing methods for closed balloon localization found in the literature and results are presented.
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Alicia Fornes, Xavier Otazu, & Josep Llados. (2013). Show through cancellation and image enhancement by multiresolution contrast processing. In 12th International Conference on Document Analysis and Recognition (pp. 200–204).
Abstract: Historical documents suffer from different types of degradation and noise such as background variation, uneven illumination or dark spots. In case of double-sided documents, another common problem is that the back side of the document usually interferes with the front side because of the transparency of the document or ink bleeding. This effect is called the show through phenomenon. Many methods are developed to solve these problems, and in the case of show-through, by scanning and matching both the front and back sides of the document. In contrast, our approach is designed to use only one side of the scanned document. We hypothesize that show-trough are low contrast components, while foreground components are high contrast ones. A Multiresolution Contrast (MC) decomposition is presented in order to estimate the contrast of features at different spatial scales. We cancel the show-through phenomenon by thresholding these low contrast components. This decomposition is also able to enhance the image removing shadowed areas by weighting spatial scales. Results show that the enhanced images improve the readability of the documents, allowing scholars both to recover unreadable words and to solve ambiguities.
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Javier Vazquez, Robert Benavente, & Maria Vanrell. (2012). Naming constraints constancy. In 2nd Joint AVA / BMVA Meeting on Biological and Machine Vision.
Abstract: Different studies have shown that languages from industrialized cultures
share a set of 11 basic colour terms: red, green, blue, yellow, pink, purple, brown, orange, black, white, and grey (Berlin & Kay, 1969, Basic Color Terms, University of California Press)( Kay & Regier, 2003, PNAS, 100, 9085-9089). Some of these studies have also reported the best representatives or focal values of each colour (Boynton and Olson, 1990, Vision Res. 30,1311–1317), (Sturges and Whitfield, 1995, CRA, 20:6, 364–376). Some further studies have provided us with fuzzy datasets for color naming by asking human observers to rate colours in terms of membership values (Benavente -et al-, 2006, CRA. 31:1, 48–56,). Recently, a computational model based on these human ratings has been developed (Benavente -et al-, 2008, JOSA-A, 25:10, 2582-2593). This computational model follows a fuzzy approach to assign a colour name to a particular RGB value. For example, a pixel with a value (255,0,0) will be named 'red' with membership 1, while a cyan pixel with a RGB value of (0, 200, 200) will be considered to be 0.5 green and 0.5 blue. In this work, we show how this colour naming paradigm can be applied to different computer vision tasks. In particular, we report results in colour constancy (Vazquez-Corral -et al-, 2012, IEEE TIP, in press) showing that the classical constraints on either illumination or surface reflectance can be substituted by
the statistical properties encoded in the colour names. [Supported by projects TIN2010-21771-C02-1, CSD2007-00018].
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Xavier Otazu, Olivier Penacchio, & Laura Dempere-Marco. (2012). An investigation into plausible neural mechanisms related to the the CIWaM computational model for brightness induction. In 2nd Joint AVA / BMVA Meeting on Biological and Machine Vision.
Abstract: Brightness induction is the modulation of the perceived intensity of an area by the luminance of surrounding areas. From a purely computational perspective, we built a low-level computational model (CIWaM) of early sensory processing based on multi-resolution wavelets with the aim of replicating brightness and colour (Otazu et al., 2010, Journal of Vision, 10(12):5) induction effects. Furthermore, we successfully used the CIWaM architecture to define a computational saliency model (Murray et al, 2011, CVPR, 433-440; Vanrell et al, submitted to AVA/BMVA'12). From a biological perspective, neurophysiological evidence suggests that perceived brightness information may be explicitly represented in V1. In this work we investigate possible neural mechanisms that offer a plausible explanation for such effects. To this end, we consider the model by Z.Li (Li, 1999, Network:Comput. Neural Syst., 10, 187-212) which is based on biological data and focuses on the part of V1 responsible for contextual influences, namely, layer 2-3 pyramidal cells, interneurons, and horizontal intracortical connections. This model has proven to account for phenomena such as visual saliency, which share with brightness induction the relevant effect of contextual influences (the ones modelled by CIWaM). In the proposed model, the input to the network is derived from a complete multiscale and multiorientation wavelet decomposition taken from the computational model (CIWaM).
This model successfully accounts for well known pyschophysical effects (among them: the White's and modied White's effects, the Todorovic, Chevreul, achromatic ring patterns, and grating induction effects) for static contexts and also for brigthness induction in dynamic contexts defined by modulating the luminance of surrounding areas. From a methodological point of view, we conclude that the results obtained by the computational model (CIWaM) are compatible with the ones obtained by the neurodynamical model proposed here.
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Jaime Moreno, & Xavier Otazu. (2011). Image compression algorithm based on Hilbert scanning of embedded quadTrees: an introduction of the Hi-SET coder. In IEEE International Conference on Multimedia and Expo (pp. 1–6).
Abstract: In this work we present an effective and computationally simple algorithm for image compression based on Hilbert Scanning of Embedded quadTrees (Hi-SET). It allows to represent an image as an embedded bitstream along a fractal function. Embedding is an important feature of modern image compression algorithms, in this way Salomon in [1, pg. 614] cite that another feature and perhaps a unique one is the fact of achieving the best quality for the number of bits input by the decoder at any point during the decoding. Hi-SET possesses also this latter feature. Furthermore, the coder is based on a quadtree partition strategy, that applied to image transformation structures such as discrete cosine or wavelet transform allows to obtain an energy clustering both in frequency and space. The coding algorithm is composed of three general steps, using just a list of significant pixels. The implementation of the proposed coder is developed for gray-scale and color image compression. Hi-SET compressed images are, on average, 6.20dB better than the ones obtained by other compression techniques based on the Hilbert scanning. Moreover, Hi-SET improves the image quality in 1.39dB and 1.00dB in gray-scale and color compression, respectively, when compared with JPEG2000 coder.
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Jaime Moreno, & Xavier Otazu. (2011). Image coder based on Hilbert scanning of embedded quadTrees. In Data Compression Conference (p. 470).
Abstract: In this work we present an effective and computationally simple algorithm for image compression based on Hilbert Scanning of Embedded quadTrees (Hi-SET). It allows to represent an image as an embedded bitstream along a fractal function. Embedding is an important feature of modern image compression algorithms, in this way Salomon in [1, pg. 614] cite that another feature and perhaps a unique one is the fact of achieving the best quality for the number of bits input by the decoder at any point during the decoding. Hi-SET possesses also this latter feature. Furthermore, the coder is based on a quadtree partition strategy, that applied to image transformation structures such as discrete cosine or wavelet transform allows to obtain an energy clustering both in frequency and space. The coding algorithm is composed of three general steps, using just a list of significant pixels.
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Jordi Roca, Maria Vanrell, & C. Alejandro Parraga. (2012). What is constant in colour constancy? In 6th European Conference on Colour in Graphics, Imaging and Vision (pp. 337–343).
Abstract: Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy
algorithms [3] for estimating the scene illuminant.
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Susana Alvarez. (2012). Revisión de la teoría de los Textons Enfoque computacional en color (Maria Vanrell, & Xavier Otazu, Eds.). Ph.D. thesis, Ediciones Graficas Rey, .
Abstract: El color y la textura son dos estímulos visuales importantes para la interpretación de las imágenes. La definición de descriptores computacionales que combinan estas dos características es aún un problema abierto. La dificultad se deriva esencialmente de la propia naturaleza de ambas, mientras que la textura es una propiedad de una región, el color es una propiedad de un punto.
Hasta ahora se han utilizado tres los tipos de aproximaciones para la combinación, (a) se describe la textura directamente en cada uno de los canales color, (b) se describen textura y color por separado y se combinan al final, y (c) la combinación se realiza con técnicas de aprendizaje automático. Considerando que este problema se resuelve en el sistema visual humano en niveles muy tempranos, en esta tesis se propone estudiar el problema a partir de la implementación directa de una teoría perceptual, la teoría de los textons, y explorar así su extensión a color.
Puesto que la teoría de los textons se basa en la descripción de la textura a partir de las densidades de los atributos locales, esto se adapta perfectamente al marco de trabajo de los descriptores holísticos (bag-of-words). Se han estudiado diversos descriptores basados en diferentes espacios de textons, y diferentes representaciones de las imágenes. Asimismo se ha estudiado la viabilidad de estos descriptores en una representación conceptual de nivel intermedio.
Los descriptores propuestos han demostrado ser muy eficientes en aplicaciones de recuperación y clasificación de imágenes, presentando ventajas en la generación de vocabularios. Los vocabularios se obtienen cuantificando directamente espacios de baja dimensión y la perceptualidad de estos espacios permite asociar semántica de bajo nivel a las palabras visuales. El estudio de los resultados permite concluir que si bien la aproximación holística es muy eficiente, la introducción de co-ocurrencia espacial de las propiedades de forma y color de los blobs de la imagen es un elemento clave para su combinación, hecho que no contradice las evidencias en percepción
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Naila Murray. (2012). Predicting Saliency and Aesthetics in Images: A Bottom-up Perspective (Xavier Otazu, & Maria Vanrell, Eds.). Ph.D. thesis, Ediciones Graficas Rey, .
Abstract: In Part 1 of the thesis, we hypothesize that salient and non-salient image regions can be estimated to be the regions which are enhanced or assimilated in standard low-level color image representations. We prove this hypothesis by adapting a low-level model of color perception into a saliency estimation model. This model shares the three main steps found in many successful models for predicting attention in a scene: convolution with a set of filters, a center-surround mechanism and spatial pooling to construct a saliency map. For such models, integrating spatial information and justifying the choice of various parameter values remain open problems. Our saliency model inherits a principled selection of parameters as well as an innate spatial pooling mechanism from the perception model on which it is based. This pooling mechanism has been fitted using psychophysical data acquired in color-luminance setting experiments. The proposed model outperforms the state-of-the-art at the task of predicting eye-fixations from two datasets. After demonstrating the effectiveness of our basic saliency model, we introduce an improved image representation, based on geometrical grouplets, that enhances complex low-level visual features such as corners and terminations, and suppresses relatively simpler features such as edges. With this improved image representation, the performance of our saliency model in predicting eye-fixations increases for both datasets.
In Part 2 of the thesis, we investigate the problem of aesthetic visual analysis. While a great deal of research has been conducted on hand-crafting image descriptors for aesthetics, little attention so far has been dedicated to the collection, annotation and distribution of ground truth data. Because image aesthetics is complex and subjective, existing datasets, which have few images and few annotations, have significant limitations. To address these limitations, we have introduced a new large-scale database for conducting Aesthetic Visual Analysis, which we call AVA. AVA contains more than 250,000 images, along with a rich variety of annotations. We investigate how the wealth of data in AVA can be used to tackle the challenge of understanding and assessing visual aesthetics by looking into several problems relevant for aesthetic analysis. We demonstrate that by leveraging the data in AVA, and using generic low-level features such as SIFT and color histograms, we can exceed state-of-the-art performance in aesthetic quality prediction tasks.
Finally, we entertain the hypothesis that low-level visual information in our saliency model can also be used to predict visual aesthetics by capturing local image characteristics such as feature contrast, grouping and isolation, characteristics thought to be related to universal aesthetic laws. We use the weighted center-surround responses that form the basis of our saliency model to create a feature vector that describes aesthetics. We also introduce a novel color space for fine-grained color representation. We then demonstrate that the resultant features achieve state-of-the-art performance on aesthetic quality classification.
As such, a promising contribution of this thesis is to show that several vision experiences – low-level color perception, visual saliency and visual aesthetics estimation – may be successfully modeled using a unified framework. This suggests a similar architecture in area V1 for both color perception and saliency and adds evidence to the hypothesis that visual aesthetics appreciation is driven in part by low-level cues.
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A. Ruiz, Joost Van de Weijer, & Xavier Binefa. (2014). Regularized Multi-Concept MIL for weakly-supervised facial behavior categorization. In 25th British Machine Vision Conference.
Abstract: We address the problem of estimating high-level semantic labels for videos of recorded people by means of analysing their facial expressions. This problem, to which we refer as facial behavior categorization, is a weakly-supervised learning problem where we do not have access to frame-by-frame facial gesture annotations but only weak-labels at the video level are available. Therefore, the goal is to learn a set of discriminative expressions and how they determine the video weak-labels. Facial behavior categorization can be posed as a Multi-Instance-Learning (MIL) problem and we propose a novel MIL method called Regularized Multi-Concept MIL to solve it. In contrast to previous approaches applied in facial behavior analysis, RMC-MIL follows a Multi-Concept assumption which allows different facial expressions (concepts) to contribute differently to the video-label. Moreover, to handle with the high-dimensional nature of facial-descriptors, RMC-MIL uses a discriminative approach to model the concepts and structured sparsity regularization to discard non-informative features. RMC-MIL is posed as a convex-constrained optimization problem where all the parameters are jointly learned using the Projected-Quasi-Newton method. In our experiments, we use two public data-sets to show the advantages of the Regularized Multi-Concept approach and its improvement compared to existing MIL methods. RMC-MIL outperforms state-of-the-art results in the UNBC data-set for pain detection.
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Fahad Shahbaz Khan, Joost Van de Weijer, Andrew Bagdanov, & Michael Felsberg. (2014). Scale Coding Bag-of-Words for Action Recognition. In 22nd International Conference on Pattern Recognition (pp. 1514–1519).
Abstract: Recognizing human actions in still images is a challenging problem in computer vision due to significant amount of scale, illumination and pose variation. Given the bounding box of a person both at training and test time, the task is to classify the action associated with each bounding box in an image.
Most state-of-the-art methods use the bag-of-words paradigm for action recognition. The bag-of-words framework employing a dense multi-scale grid sampling strategy is the de facto standard for feature detection. This results in a scale invariant image representation where all the features at multiple-scales are binned in a single histogram. We argue that such a scale invariant
strategy is sub-optimal since it ignores the multi-scale information
available with each bounding box of a person.
This paper investigates alternative approaches to scale coding for action recognition in still images. We encode multi-scale information explicitly in three different histograms for small, medium and large scale visual-words. Our first approach exploits multi-scale information with respect to the image size. In our second approach, we encode multi-scale information relative to the size of the bounding box of a person instance. In each approach, the multi-scale histograms are then concatenated into a single representation for action classification. We validate our approaches on the Willow dataset which contains seven action categories: interacting with computer, photography, playing music,
riding bike, riding horse, running and walking. Our results clearly suggest that the proposed scale coding approaches outperform the conventional scale invariant technique. Moreover, we show that our approach obtains promising results compared to more complex state-of-the-art methods.
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Marc Serra, Olivier Penacchio, Robert Benavente, Maria Vanrell, & Dimitris Samaras. (2014). The Photometry of Intrinsic Images. In 27th IEEE Conference on Computer Vision and Pattern Recognition (pp. 1494–1501).
Abstract: Intrinsic characterization of scenes is often the best way to overcome the illumination variability artifacts that complicate most computer vision problems, from 3D reconstruction to object or material recognition. This paper examines the deficiency of existing intrinsic image models to accurately account for the effects of illuminant color and sensor characteristics in the estimation of intrinsic images and presents a generic framework which incorporates insights from color constancy research to the intrinsic image decomposition problem. The proposed mathematical formulation includes information about the color of the illuminant and the effects of the camera sensors, both of which modify the observed color of the reflectance of the objects in the scene during the acquisition process. By modeling these effects, we get a “truly intrinsic” reflectance image, which we call absolute reflectance, which is invariant to changes of illuminant or camera sensors. This model allows us to represent a wide range of intrinsic image decompositions depending on the specific assumptions on the geometric properties of the scene configuration and the spectral properties of the light source and the acquisition system, thus unifying previous models in a single general framework. We demonstrate that even partial information about sensors improves significantly the estimated reflectance images, thus making our method applicable for a wide range of sensors. We validate our general intrinsic image framework experimentally with both synthetic data and natural images.
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M. Danelljan, Fahad Shahbaz Khan, Michael Felsberg, & Joost Van de Weijer. (2014). Adaptive color attributes for real-time visual tracking. In 27th IEEE Conference on Computer Vision and Pattern Recognition (pp. 1090–1097).
Abstract: Visual tracking is a challenging problem in computer vision. Most state-of-the-art visual trackers either rely on luminance information or use simple color representations for image description. Contrary to visual tracking, for object
recognition and detection, sophisticated color features when combined with luminance have shown to provide excellent performance. Due to the complexity of the tracking problem, the desired color feature should be computationally
efficient, and possess a certain amount of photometric invariance while maintaining high discriminative power.
This paper investigates the contribution of color in a tracking-by-detection framework. Our results suggest that color attributes provides superior performance for visual tracking. We further propose an adaptive low-dimensional
variant of color attributes. Both quantitative and attributebased evaluations are performed on 41 challenging benchmark color sequences. The proposed approach improves the baseline intensity-based tracker by 24% in median distance precision. Furthermore, we show that our approach outperforms
state-of-the-art tracking methods while running at more than 100 frames per second.
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C. Alejandro Parraga. (2014). Color Vision, Computational Methods for. In Dieter Jaeger, & Ranu Jung (Eds.), Encyclopedia of Computational Neuroscience (pp. 1–11). Springer-Verlag Berlin Heidelberg.
Abstract: The study of color vision has been aided by a whole battery of computational methods that attempt to describe the mechanisms that lead to our perception of colors in terms of the information-processing properties of the visual system. Their scope is highly interdisciplinary, linking apparently dissimilar disciplines such as mathematics, physics, computer science, neuroscience, cognitive science, and psychology. Since the sensation of color is a feature of our brains, computational approaches usually include biological features of neural systems in their descriptions, from retinal light-receptor interaction to subcortical color opponency, cortical signal decoding, and color categorization. They produce hypotheses that are usually tested by behavioral or psychophysical experiments.
Keywords: Color computational vision; Computational neuroscience of color
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C. Alejandro Parraga. (2015). Perceptual Psychophysics. In G.Cristobal, M.Keil, & L.Perrinet (Eds.), Biologically-Inspired Computer Vision: Fundamentals and Applications.
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Olivier Penacchio, Xavier Otazu, A. wilkins, & J. Harris. (2015). Uncomfortable images prevent lateral interactions in the cortex from providing a sparse code. In European Conference on Visual Perception ECVP2015.
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