Abstract: During the last decades, the performance of optical music recognition has been increasingly improving. However, and despite the 2-dimensional nature of music notation (e.g. notes have rhythm and pitch), most works treat musical scores as a sequence of symbols in one dimension, which make their recognition still a challenge. Thus, in this work we explore the use of graph neural networks for musical score recognition. First, because graphs are suited for n-dimensional representations, and second, because the combination of graphs with deep learning has shown a great performance in similar applications. Our methodology consists of: First, we will detect each isolated/atomic symbols (those that can not be decomposed in more graphical primitives) and the primitives that form a musical symbol. Then, we will build the graph taking as root node the notehead and as leaves those primitives or symbols that modify the note’s rhythm (stem, beam, flag) or pitch (flat, sharp, natural). Finally, the graph is translated into a human-readable character sequence for a final transcription and evaluation. Our method has been tested on more than five thousand measures, showing promising results.

Abstract: Scene Text Visual Question Answering (ST-VQA) has recently emerged as a hot research topic in Computer Vision. Current ST-VQA models have a big potential for many types of applications but lack the ability to perform well on more than one language at a time due to the lack of multilingual data, as well as the use of monolingual word embeddings for training. In this work, we explore the possibility to obtain bilingual and multilingual VQA models. In that regard, we use an already established VQA model that uses monolingual word embeddings as part of its pipeline and substitute them by FastText and BPEmb multilingual word embeddings that have been aligned to English. Our experiments demonstrate that it is possible to obtain bilingual and multilingual VQA models with a minimal loss in performance in languages not used during training, as well as a multilingual model trained in multiple languages that match the performance of the respective monolingual baselines.

Abstract: This four-volume set of LNCS 12821, LNCS 12822, LNCS 12823 and LNCS 12824, constitutes the refereed proceedings of the 16th International Conference on Document Analysis and Recognition, ICDAR 2021, held in Lausanne, Switzerland in September 2021. The 182 full papers were carefully reviewed and selected from 340 submissions, and are presented with 13 competition reports.
The papers are organized into the following topical sections: historical document analysis, document analysis systems, handwriting recognition, scene text detection and recognition, document image processing, natural language processing (NLP) for document understanding, and graphics, diagram and math recognition.

Abstract: Despite significant progress on current state-of-the-art image generation models, synthesis of document images containing multiple and complex object layouts is a challenging task. This paper presents a novel approach, called DocSynth, to automatically synthesize document images based on a given layout. In this work, given a spatial layout (bounding boxes with object categories) as a reference by the user, our proposed DocSynth model learns to generate a set of realistic document images consistent with the defined layout. Also, this framework has been adapted to this work as a superior baseline model for creating synthetic document image datasets for augmenting real data during training for document layout analysis tasks. Different sets of learning objectives have been also used to improve the model performance. Quantitatively, we also compare the generated results of our model with real data using standard evaluation metrics. The results highlight that our model can successfully generate realistic and diverse document images with multiple objects. We also present a comprehensive qualitative analysis summary of the different scopes of synthetic image generation tasks. Lastly, to our knowledge this is the first work of its kind.