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G.Thorvaldsen; Joana Maria Pujadas-Mora; T.Andersen ; L.Eikvil; Josep Llados; Alicia Fornes; Anna Cabre |
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Title |
A Tale of two Transcriptions |
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2015 |
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Historical Life Course Studies |
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2 |
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1-19 |
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Nominative Sources; Census; Vital Records; Computer Vision; Optical Character Recognition; Word Spotting |
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Abstract |
non-indexed
This article explains how two projects implement semi-automated transcription routines: for census sheets in Norway and marriage protocols from Barcelona. The Spanish system was created to transcribe the marriage license books from 1451 to 1905 for the Barcelona area; one of the world’s longest series of preserved vital records. Thus, in the Project “Five Centuries of Marriages” (5CofM) at the Autonomous University of Barcelona’s Center for Demographic Studies, the Barcelona Historical Marriage Database has been built. More than 600,000 records were transcribed by 150 transcribers working online. The Norwegian material is cross-sectional as it is the 1891 census, recorded on one sheet per person. This format and the underlining of keywords for several variables made it more feasible to semi-automate data entry than when many persons are listed on the same page. While Optical Character Recognition (OCR) for printed text is scientifically mature, computer vision research is now focused on more difficult problems such as handwriting recognition. In the marriage project, document analysis methods have been proposed to automatically recognize the marriage licenses. Fully automatic recognition is still a challenge, but some promising results have been obtained. In Spain, Norway and elsewhere the source material is available as scanned pictures on the Internet, opening up the possibility for further international cooperation concerning automating the transcription of historic source materials. Like what is being done in projects to digitize printed materials, the optimal solution is likely to be a combination of manual transcription and machine-assisted recognition also for hand-written sources. |
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2352-6343 |
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DAG; 600.077; 602.006 |
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Admin @ si @ TPA2015 |
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2582 |
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Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
Musigraph: Optical Music Recognition Through Object Detection and Graph Neural Network |
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Conference Article |
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2022 |
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Frontiers in Handwriting Recognition. International Conference on Frontiers in Handwriting Recognition (ICFHR2022) |
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13639 |
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171-184 |
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Keywords |
Object detection; Optical music recognition; Graph neural network |
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Abstract |
During the last decades, the performance of optical music recognition has been increasingly improving. However, and despite the 2-dimensional nature of music notation (e.g. notes have rhythm and pitch), most works treat musical scores as a sequence of symbols in one dimension, which make their recognition still a challenge. Thus, in this work we explore the use of graph neural networks for musical score recognition. First, because graphs are suited for n-dimensional representations, and second, because the combination of graphs with deep learning has shown a great performance in similar applications. Our methodology consists of: First, we will detect each isolated/atomic symbols (those that can not be decomposed in more graphical primitives) and the primitives that form a musical symbol. Then, we will build the graph taking as root node the notehead and as leaves those primitives or symbols that modify the note’s rhythm (stem, beam, flag) or pitch (flat, sharp, natural). Finally, the graph is translated into a human-readable character sequence for a final transcription and evaluation. Our method has been tested on more than five thousand measures, showing promising results. |
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December 04 – 07, 2022; Hyderabad, India |
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ICFHR |
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DAG; 600.162; 600.140; 602.230 |
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Admin @ si @ BRF2022b |
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3740 |
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Author |
Katerine Diaz; Jesus Martinez del Rincon; Marçal Rusiñol; Aura Hernandez-Sabate |
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Title |
Feature Extraction by Using Dual-Generalized Discriminative Common Vectors |
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2019 |
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Journal of Mathematical Imaging and Vision |
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JMIV |
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61 |
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3 |
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331-351 |
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Online feature extraction; Generalized discriminative common vectors; Dual learning; Incremental learning; Decremental learning |
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In this paper, a dual online subspace-based learning method called dual-generalized discriminative common vectors (Dual-GDCV) is presented. The method extends incremental GDCV by exploiting simultaneously both the concepts of incremental and decremental learning for supervised feature extraction and classification. Our methodology is able to update the feature representation space without recalculating the full projection or accessing the previously processed training data. It allows both adding information and removing unnecessary data from a knowledge base in an efficient way, while retaining the previously acquired knowledge. The proposed method has been theoretically proved and empirically validated in six standard face recognition and classification datasets, under two scenarios: (1) removing and adding samples of existent classes, and (2) removing and adding new classes to a classification problem. Results show a considerable computational gain without compromising the accuracy of the model in comparison with both batch methodologies and other state-of-art adaptive methods. |
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DAG; ADAS; 600.084; 600.118; 600.121; 600.129 |
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Admin @ si @ DRR2019 |
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3172 |
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Author |
Arnau Baro; Carles Badal; Pau Torras; Alicia Fornes |
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Title |
Handwritten Historical Music Recognition through Sequence-to-Sequence with Attention Mechanism |
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Conference Article |
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2022 |
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3rd International Workshop on Reading Music Systems (WoRMS2021) |
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55-59 |
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Optical Music Recognition; Digits; Image Classification |
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Despite decades of research in Optical Music Recognition (OMR), the recognition of old handwritten music scores remains a challenge because of the variabilities in the handwriting styles, paper degradation, lack of standard notation, etc. Therefore, the research in OMR systems adapted to the particularities of old manuscripts is crucial to accelerate the conversion of music scores existing in archives into digital libraries, fostering the dissemination and preservation of our music heritage. In this paper we explore the adaptation of sequence-to-sequence models with attention mechanism (used in translation and handwritten text recognition) and the generation of specific synthetic data for recognizing old music scores. The experimental validation demonstrates that our approach is promising, especially when compared with long short-term memory neural networks. |
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July 23, 2021, Alicante (Spain) |
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WoRMS |
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DAG; 600.121; 600.162; 602.230; 600.140 |
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Call Number |
Admin @ si @ BBT2022 |
Serial |
3734 |
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Author |
Adria Rico; Alicia Fornes |
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Title |
Camera-based Optical Music Recognition using a Convolutional Neural Network |
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Conference Article |
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Year |
2017 |
Publication |
12th IAPR International Workshop on Graphics Recognition |
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27-28 |
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optical music recognition; document analysis; convolutional neural network; deep learning |
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Optical Music Recognition (OMR) consists in recognizing images of music scores. Contrary to expectation, the current OMR systems usually fail when recognizing images of scores captured by digital cameras and smartphones. In this work, we propose a camera-based OMR system based on Convolutional Neural Networks, showing promising preliminary results |
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GREC |
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DAG;600.097; 600.121 |
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Admin @ si @ RiF2017 |
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3059 |
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Author |
Pau Riba; Alicia Fornes; Josep Llados |
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Title |
Towards the Alignment of Handwritten Music Scores |
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Book Chapter |
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Year |
2017 |
Publication |
International Workshop on Graphics Recognition. GREC 2015.Graphic Recognition. Current Trends and Challenges |
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9657 |
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103-116 |
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Keywords |
Optical Music Recognition; Handwritten Music Scores; Dynamic Time Warping alignment |
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Abstract |
It is very common to nd di erent versions of the same music work in archives of Opera Theaters. These di erences correspond to modi cations and annotations from the musicians. From the musicologist point of view, these variations are very interesting and deserve study.
This paper explores the alignment of music scores as a tool for automatically detecting the passages that contain such di erences. Given the diculties in the recognition of handwritten music scores, our goal is to align the music scores and at the same time, avoid the recognition of music elements as much as possible. After removing the sta lines, braces and ties, the bar lines are detected. Then, the bar units are described as a whole using the Blurred Shape Model. The bar units alignment is performed by using Dynamic Time Warping. The analysis of the alignment path is used to detect the variations in the music scores. The method has been evaluated on a subset of the CVC-MUSCIMA dataset, showing encouraging results. |
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Bart Lamiroy; R Dueire Lins |
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978-3-319-52158-9 |
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DAG; 600.097; 602.006; 600.121 |
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Admin @ si @ RFL2017 |
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2955 |
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Pau Torras; Arnau Baro; Alicia Fornes; Lei Kang |
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Title |
Improving Handwritten Music Recognition through Language Model Integration |
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Conference Article |
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2022 |
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4th International Workshop on Reading Music Systems (WoRMS2022) |
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42-46 |
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optical music recognition; historical sources; diversity; music theory; digital humanities |
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Handwritten Music Recognition, especially in the historical domain, is an inherently challenging endeavour; paper degradation artefacts and the ambiguous nature of handwriting make recognising such scores an error-prone process, even for the current state-of-the-art Sequence to Sequence models. In this work we propose a way of reducing the production of statistically implausible output sequences by fusing a Language Model into a recognition Sequence to Sequence model. The idea is leveraging visually-conditioned and context-conditioned output distributions in order to automatically find and correct any mistakes that would otherwise break context significantly. We have found this approach to improve recognition results to 25.15 SER (%) from a previous best of 31.79 SER (%) in the literature. |
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November 18, 2022 |
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WoRMS |
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DAG; 600.121; 600.162; 602.230 |
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Admin @ si @ TBF2022 |
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3735 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
A Starting Point for Handwritten Music Recognition |
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2018 |
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1st International Workshop on Reading Music Systems |
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5-6 |
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Optical Music Recognition; Long Short-Term Memory; Convolutional Neural Networks; MUSCIMA++; CVCMUSCIMA |
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In the last years, the interest in Optical Music Recognition (OMR) has reawakened, especially since the appearance of deep learning. However, there are very few works addressing handwritten scores. In this work we describe a full OMR pipeline for handwritten music scores by using Convolutional and Recurrent Neural Networks that could serve as a baseline for the research community. |
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Paris; France; September 2018 |
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WORMS |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRF2018 |
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3223 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Recurrent Neural Networks |
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Conference Article |
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2017 |
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14th IAPR International Workshop on Graphics Recognition |
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25-26 |
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Optical Music Recognition; Recurrent Neural Network; Long Short-Term Memory |
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Optical Music Recognition is the task of transcribing a music score into a machine readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level |
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ICDAR |
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DAG; 600.097; 601.302; 600.121 |
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Admin @ si @ BRC2017 |
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3056 |
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Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Long Short-Term Memory Networks |
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2018 |
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Graphics Recognition. Current Trends and Evolutions |
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11009 |
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81-95 |
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Optical Music Recognition; Recurrent Neural Network; Long ShortTerm Memory |
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Optical Music Recognition refers to the task of transcribing the image of a music score into a machine-readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level. The experimental results are promising, showing the benefits of our approach. |
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Springer |
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A. Fornes, B. Lamiroy |
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978-3-030-02283-9 |
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GREC |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRC2018 |
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3227 |
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