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Asma Bensalah, Pau Riba, Alicia Fornes and Josep Llados. 2019. Shoot less and Sketch more: An Efficient Sketch Classification via Joining Graph Neural Networks and Few-shot Learning. 13th IAPR International Workshop on Graphics Recognition.80–85.
Abstract: With the emergence of the touchpad devices and drawing tablets, a new era of sketching started afresh. However, the recognition of sketches is still a tough task due to the variability of the drawing styles. Moreover, in some application scenarios there is few labelled data available for training,
which imposes a limitation for deep learning architectures. In addition, in many cases there is a need to generate models able to adapt to new classes. In order to cope with these limitations, we propose a method based on few-shot learning and graph neural networks for classifying sketches aiming for an efficient neural model. We test our approach with several databases of
sketches, showing promising results.
Keywords: Sketch classification; Convolutional Neural Network; Graph Neural Network; Few-shot learning
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Arnau Baro, Pau Riba and Alicia Fornes. 2018. A Starting Point for Handwritten Music Recognition. 1st International Workshop on Reading Music Systems.5–6.
Abstract: In the last years, the interest in Optical Music Recognition (OMR) has reawakened, especially since the appearance of deep learning. However, there are very few works addressing handwritten scores. In this work we describe a full OMR pipeline for handwritten music scores by using Convolutional and Recurrent Neural Networks that could serve as a baseline for the research community.
Keywords: Optical Music Recognition; Long Short-Term Memory; Convolutional Neural Networks; MUSCIMA++; CVCMUSCIMA
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Arnau Baro, Pau Riba and Alicia Fornes. 2016. Towards the recognition of compound music notes in handwritten music scores. 15th international conference on Frontiers in Handwriting Recognition.
Abstract: The recognition of handwritten music scores still remains an open problem. The existing approaches can only deal with very simple handwritten scores mainly because of the variability in the handwriting style and the variability in the composition of groups of music notes (i.e. compound music notes). In this work we focus on this second problem and propose a method based on perceptual grouping for the recognition of compound music notes. Our method has been tested using several handwritten music scores of the CVC-MUSCIMA database and compared with a commercial Optical Music Recognition (OMR) software. Given that our method is learning-free, the obtained results are promising.
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Arnau Baro, Pau Riba, Jorge Calvo-Zaragoza and Alicia Fornes. 2019. From Optical Music Recognition to Handwritten Music Recognition: a Baseline. PRL, 123, 1–8.
Abstract: Optical Music Recognition (OMR) is the branch of document image analysis that aims to convert images of musical scores into a computer-readable format. Despite decades of research, the recognition of handwritten music scores, concretely the Western notation, is still an open problem, and the few existing works only focus on a specific stage of OMR. In this work, we propose a full Handwritten Music Recognition (HMR) system based on Convolutional Recurrent Neural Networks, data augmentation and transfer learning, that can serve as a baseline for the research community.
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Arnau Baro, Pau Riba, Jorge Calvo-Zaragoza and Alicia Fornes. 2018. Optical Music Recognition by Long Short-Term Memory Networks. In A. Fornes, B.L., ed. Graphics Recognition. Current Trends and Evolutions. Springer, 81–95. (LNCS.)
Abstract: Optical Music Recognition refers to the task of transcribing the image of a music score into a machine-readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level. The experimental results are promising, showing the benefits of our approach.
Keywords: Optical Music Recognition; Recurrent Neural Network; Long ShortTerm Memory
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Arnau Baro, Pau Riba, Jorge Calvo-Zaragoza and Alicia Fornes. 2017. Optical Music Recognition by Recurrent Neural Networks. 14th IAPR International Workshop on Graphics Recognition.25–26.
Abstract: Optical Music Recognition is the task of transcribing a music score into a machine readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level
Keywords: Optical Music Recognition; Recurrent Neural Network; Long Short-Term Memory
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Q. Bao, Marçal Rusiñol, M.Coustaty, Muhammad Muzzamil Luqman, C.D. Tran and Jean-Marc Ogier. 2016. Delaunay triangulation-based features for Camera-based document image retrieval system. 12th IAPR Workshop on Document Analysis Systems.1–6.
Abstract: In this paper, we propose a new feature vector, named DElaunay TRIangulation-based Features (DETRIF), for real-time camera-based document image retrieval. DETRIF is computed based on the geometrical constraints from each pair of adjacency triangles in delaunay triangulation which is constructed from centroids of connected components. Besides, we employ a hashing-based indexing system in order to evaluate the performance of DETRIF and to compare it with other systems such as LLAH and SRIF. The experimentation is carried out on two datasets comprising of 400 heterogeneous-content complex linguistic map images (huge size, 9800 X 11768 pixels resolution)and 700 textual document images.
Keywords: Camera-based Document Image Retrieval; Delaunay Triangulation; Feature descriptors; Indexing
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Asma Bensalah, Antonio Parziale, Giuseppe De Gregorio, Angelo Marcelli, Alicia Fornes and Josep Llados. 2023. I Can’t Believe It’s Not Better: In-air Movement for Alzheimer Handwriting Synthetic Generation. 21st International Graphonomics Conference.136–148.
Abstract: During recent years, there here has been a boom in terms of deep learning use for handwriting analysis and recognition. One main application for handwriting analysis is early detection and diagnosis in the health field. Unfortunately, most real case problems still suffer a scarcity of data, which makes difficult the use of deep learning-based models. To alleviate this problem, some works resort to synthetic data generation. Lately, more works are directed towards guided data synthetic generation, a generation that uses the domain and data knowledge to generate realistic data that can be useful to train deep learning models. In this work, we combine the domain knowledge about the Alzheimer’s disease for handwriting and use it for a more guided data generation. Concretely, we have explored the use of in-air movements for synthetic data generation.
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Carlos Boned Riera and Oriol Ramos Terrades. 2022. Discriminative Neural Variational Model for Unbalanced Classification Tasks in Knowledge Graph. 26th International Conference on Pattern Recognition.2186–2191.
Abstract: Nowadays the paradigm of link discovery problems has shown significant improvements on Knowledge Graphs. However, method performances are harmed by the unbalanced nature of this classification problem, since many methods are easily biased to not find proper links. In this paper we present a discriminative neural variational auto-encoder model, called DNVAE from now on, in which we have introduced latent variables to serve as embedding vectors. As a result, the learnt generative model approximate better the underlying distribution and, at the same time, it better differentiate the type of relations in the knowledge graph. We have evaluated this approach on benchmark knowledge graph and Census records. Results in this last data set are quite impressive since we reach the highest possible score in the evaluation metrics. However, further experiments are still needed to deeper evaluate the performance of the method in more challenging tasks.
Keywords: Measurement; Couplings; Semantics; Ear; Benchmark testing; Data models; Pattern recognition
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Ali Furkan Biten, Andres Mafla, Lluis Gomez and Dimosthenis Karatzas. 2022. Is An Image Worth Five Sentences? A New Look into Semantics for Image-Text Matching. Winter Conference on Applications of Computer Vision.1391–1400.
Abstract: The task of image-text matching aims to map representations from different modalities into a common joint visual-textual embedding. However, the most widely used datasets for this task, MSCOCO and Flickr30K, are actually image captioning datasets that offer a very limited set of relationships between images and sentences in their ground-truth annotations. This limited ground truth information forces us to use evaluation metrics based on binary relevance: given a sentence query we consider only one image as relevant. However, many other relevant images or captions may be present in the dataset. In this work, we propose two metrics that evaluate the degree of semantic relevance of retrieved items, independently of their annotated binary relevance. Additionally, we incorporate a novel strategy that uses an image captioning metric, CIDEr, to define a Semantic Adaptive Margin (SAM) to be optimized in a standard triplet loss. By incorporating our formulation to existing models, a large improvement is obtained in scenarios where available training data is limited. We also demonstrate that the performance on the annotated image-caption pairs is maintained while improving on other non-annotated relevant items when employing the full training set. The code for our new metric can be found at github. com/furkanbiten/ncsmetric and the model implementation at github. com/andrespmd/semanticadaptive_margin.
Keywords: Measurement; Training; Integrated circuits; Annotations; Semantics; Training data; Semisupervised learning
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