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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Recurrent Neural Networks |
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Conference Article |
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2017 |
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14th IAPR International Workshop on Graphics Recognition |
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25-26 |
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Optical Music Recognition; Recurrent Neural Network; Long Short-Term Memory |
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Optical Music Recognition is the task of transcribing a music score into a machine readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level |
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DAG; 600.097; 601.302; 600.121 |
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Admin @ si @ BRC2017 |
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3056 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Long Short-Term Memory Networks |
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Book Chapter |
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2018 |
Publication |
Graphics Recognition. Current Trends and Evolutions |
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11009 |
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81-95 |
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Keywords |
Optical Music Recognition; Recurrent Neural Network; Long ShortTerm Memory |
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Abstract |
Optical Music Recognition refers to the task of transcribing the image of a music score into a machine-readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level. The experimental results are promising, showing the benefits of our approach. |
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Springer |
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A. Fornes, B. Lamiroy |
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978-3-030-02283-9 |
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GREC |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRC2018 |
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3227 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
From Optical Music Recognition to Handwritten Music Recognition: a Baseline |
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Journal Article |
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2019 |
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Pattern Recognition Letters |
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PRL |
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123 |
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1-8 |
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Optical Music Recognition (OMR) is the branch of document image analysis that aims to convert images of musical scores into a computer-readable format. Despite decades of research, the recognition of handwritten music scores, concretely the Western notation, is still an open problem, and the few existing works only focus on a specific stage of OMR. In this work, we propose a full Handwritten Music Recognition (HMR) system based on Convolutional Recurrent Neural Networks, data augmentation and transfer learning, that can serve as a baseline for the research community. |
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DAG; 600.097; 601.302; 601.330; 600.140; 600.121 |
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Admin @ si @ BRC2019 |
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3275 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
Towards the recognition of compound music notes in handwritten music scores |
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Conference Article |
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2016 |
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15th international conference on Frontiers in Handwriting Recognition |
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The recognition of handwritten music scores still remains an open problem. The existing approaches can only deal with very simple handwritten scores mainly because of the variability in the handwriting style and the variability in the composition of groups of music notes (i.e. compound music notes). In this work we focus on this second problem and propose a method based on perceptual grouping for the recognition of compound music notes. Our method has been tested using several handwritten music scores of the CVC-MUSCIMA database and compared with a commercial Optical Music Recognition (OMR) software. Given that our method is learning-free, the obtained results are promising. |
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Shenzhen; China; October 2016 |
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2167-6445 |
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ICFHR |
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DAG; 600.097 |
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Admin @ si @ BRF2016 |
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2903 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
A Starting Point for Handwritten Music Recognition |
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Conference Article |
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Year |
2018 |
Publication |
1st International Workshop on Reading Music Systems |
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5-6 |
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Keywords |
Optical Music Recognition; Long Short-Term Memory; Convolutional Neural Networks; MUSCIMA++; CVCMUSCIMA |
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In the last years, the interest in Optical Music Recognition (OMR) has reawakened, especially since the appearance of deep learning. However, there are very few works addressing handwritten scores. In this work we describe a full OMR pipeline for handwritten music scores by using Convolutional and Recurrent Neural Networks that could serve as a baseline for the research community. |
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Paris; France; September 2018 |
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WORMS |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRF2018 |
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3223 |
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Author |
Asma Bensalah; Pau Riba; Alicia Fornes; Josep Llados |
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Title |
Shoot less and Sketch more: An Efficient Sketch Classification via Joining Graph Neural Networks and Few-shot Learning |
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Conference Article |
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2019 |
Publication |
13th IAPR International Workshop on Graphics Recognition |
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80-85 |
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Sketch classification; Convolutional Neural Network; Graph Neural Network; Few-shot learning |
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Abstract |
With the emergence of the touchpad devices and drawing tablets, a new era of sketching started afresh. However, the recognition of sketches is still a tough task due to the variability of the drawing styles. Moreover, in some application scenarios there is few labelled data available for training,
which imposes a limitation for deep learning architectures. In addition, in many cases there is a need to generate models able to adapt to new classes. In order to cope with these limitations, we propose a method based on few-shot learning and graph neural networks for classifying sketches aiming for an efficient neural model. We test our approach with several databases of
sketches, showing promising results. |
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Sydney; Australia; September 2019 |
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GREC |
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DAG; 600.140; 601.302; 600.121 |
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Admin @ si @ BRF2019 |
Serial |
3354 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
Musigraph: Optical Music Recognition Through Object Detection and Graph Neural Network |
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Conference Article |
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2022 |
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Frontiers in Handwriting Recognition. International Conference on Frontiers in Handwriting Recognition (ICFHR2022) |
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13639 |
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171-184 |
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Keywords |
Object detection; Optical music recognition; Graph neural network |
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During the last decades, the performance of optical music recognition has been increasingly improving. However, and despite the 2-dimensional nature of music notation (e.g. notes have rhythm and pitch), most works treat musical scores as a sequence of symbols in one dimension, which make their recognition still a challenge. Thus, in this work we explore the use of graph neural networks for musical score recognition. First, because graphs are suited for n-dimensional representations, and second, because the combination of graphs with deep learning has shown a great performance in similar applications. Our methodology consists of: First, we will detect each isolated/atomic symbols (those that can not be decomposed in more graphical primitives) and the primitives that form a musical symbol. Then, we will build the graph taking as root node the notehead and as leaves those primitives or symbols that modify the note’s rhythm (stem, beam, flag) or pitch (flat, sharp, natural). Finally, the graph is translated into a human-readable character sequence for a final transcription and evaluation. Our method has been tested on more than five thousand measures, showing promising results. |
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December 04 – 07, 2022; Hyderabad, India |
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ICFHR |
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DAG; 600.162; 600.140; 602.230 |
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Admin @ si @ BRF2022b |
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3740 |
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Author |
R. Bertrand; Oriol Ramos Terrades; P. Gomez-Kramer; P. Franco; Jean-Marc Ogier |
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Title |
A Conditional Random Field model for font forgery detection |
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Conference Article |
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2015 |
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13th International Conference on Document Analysis and Recognition ICDAR2015 |
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576 - 580 |
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Nowadays, document forgery is becoming a real issue. A large amount of documents that contain critical information as payment slips, invoices or contracts, are constantly subject to fraudster manipulation because of the lack of security regarding this kind of document. Previously, a system to detect fraudulent documents based on its intrinsic features has been presented. It was especially designed to retrieve copy-move forgery and imperfection due to fraudster manipulation. However, when a set of characters is not present in the original document, copy-move forgery is not feasible. Hence, the fraudster will use a text toolbox to add or modify information in the document by imitating the font or he will cut and paste characters from another document where the font properties are similar. This often results in font type errors. Thus, a clue to detect document forgery consists of finding characters, words or sentences in a document with font properties different from their surroundings. To this end, we present in this paper an automatic forgery detection method based on document font features. Using the Conditional Random Field a measurement of probability that a character belongs to a specific font is made by comparing the character font features to a knowledge database. Then, the character is classified as a genuine or a fake one by comparing its probability to belong to a certain font type with those of the neighboring characters. |
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Nancy; France; August 2015 |
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DAG; 600.077 |
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Admin @ si @ BRG2015 |
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2725 |
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Author |
Albert Berenguel; Oriol Ramos Terrades; Josep Llados; Cristina Cañero |
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Title |
Banknote counterfeit detection through background texture printing analysis |
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2016 |
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12th IAPR Workshop on Document Analysis Systems |
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This paper is focused on the detection of counterfeit photocopy banknotes. The main difficulty is to work on a real industrial scenario without any constraint about the acquisition device and with a single image. The main contributions of this paper are twofold: first the adaptation and performance evaluation of existing approaches to classify the genuine and photocopy banknotes using background texture printing analysis, which have not been applied into this context before. Second, a new dataset of Euro banknotes images acquired with several cameras under different luminance conditions to evaluate these methods. Experiments on the proposed algorithms show that mixing SIFT features and sparse coding dictionaries achieves quasi perfect classification using a linear SVM with the created dataset. Approaches using dictionaries to cover all possible texture variations have demonstrated to be robust and outperform the state-of-the-art methods using the proposed benchmark. |
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Rumania; May 2016 |
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DAG; 600.061; 601.269; 600.097 |
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Admin @ si @ BRL2016 |
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2950 |
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Author |
Albert Berenguel; Oriol Ramos Terrades; Josep Llados; Cristina Cañero |
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Title |
Evaluation of Texture Descriptors for Validation of Counterfeit Documents |
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Conference Article |
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2017 |
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14th International Conference on Document Analysis and Recognition |
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1237-1242 |
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This paper describes an exhaustive comparative analysis and evaluation of different existing texture descriptor algorithms to differentiate between genuine and counterfeit documents. We include in our experiments different categories of algorithms and compare them in different scenarios with several counterfeit datasets, comprising banknotes and identity documents. Computational time in the extraction of each descriptor is important because the final objective is to use it in a real industrial scenario. HoG and CNN based descriptors stands out statistically over the rest in terms of the F1-score/time ratio performance. |
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2379-2140 |
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DAG; 600.061; 601.269; 600.097; 600.121 |
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Admin @ si @ BRL2017 |
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3092 |
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