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Author  |
Asma Bensalah; Alicia Fornes; Cristina Carmona_Duarte; Josep Llados |
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Title |
Easing Automatic Neurorehabilitation via Classification and Smoothness Analysis |
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Conference Article |
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Year |
2022 |
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Intertwining Graphonomics with Human Movements. 20th International Conference of the International Graphonomics Society, IGS 2022 |
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13424 |
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336-348 |
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Neurorehabilitation; Upper-lim; Movement classification; Movement smoothness; Deep learning; Jerk |
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Assessing the quality of movements for post-stroke patients during the rehabilitation phase is vital given that there is no standard stroke rehabilitation plan for all the patients. In fact, it depends basically on the patient’s functional independence and its progress along the rehabilitation sessions. To tackle this challenge and make neurorehabilitation more agile, we propose an automatic assessment pipeline that starts by recognising patients’ movements by means of a shallow deep learning architecture, then measuring the movement quality using jerk measure and related measures. A particularity of this work is that the dataset used is clinically relevant, since it represents movements inspired from Fugl-Meyer a well common upper-limb clinical stroke assessment scale for stroke patients. We show that it is possible to detect the contrast between healthy and patients movements in terms of smoothness, besides achieving conclusions about the patients’ progress during the rehabilitation sessions that correspond to the clinicians’ findings about each case. |
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June 7-9, 2022, Las Palmas de Gran Canaria, Spain |
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DAG; 600.121; 600.162; 602.230; 600.140 |
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Admin @ si @ BFC2022 |
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3738 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Recurrent Neural Networks |
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Conference Article |
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Year |
2017 |
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14th IAPR International Workshop on Graphics Recognition |
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25-26 |
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Optical Music Recognition; Recurrent Neural Network; Long Short-Term Memory |
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Optical Music Recognition is the task of transcribing a music score into a machine readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level |
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ICDAR |
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DAG; 600.097; 601.302; 600.121 |
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Admin @ si @ BRC2017 |
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3056 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
Optical Music Recognition by Long Short-Term Memory Networks |
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Book Chapter |
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2018 |
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Graphics Recognition. Current Trends and Evolutions |
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11009 |
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81-95 |
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Optical Music Recognition; Recurrent Neural Network; Long ShortTerm Memory |
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Optical Music Recognition refers to the task of transcribing the image of a music score into a machine-readable format. Many music scores are written in a single staff, and therefore, they could be treated as a sequence. Therefore, this work explores the use of Long Short-Term Memory (LSTM) Recurrent Neural Networks for reading the music score sequentially, where the LSTM helps in keeping the context. For training, we have used a synthetic dataset of more than 40000 images, labeled at primitive level. The experimental results are promising, showing the benefits of our approach. |
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Springer |
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A. Fornes, B. Lamiroy |
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978-3-030-02283-9 |
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GREC |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRC2018 |
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3227 |
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Author |
Arnau Baro; Pau Riba; Jorge Calvo-Zaragoza; Alicia Fornes |
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Title |
From Optical Music Recognition to Handwritten Music Recognition: a Baseline |
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Journal Article |
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2019 |
Publication |
Pattern Recognition Letters |
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PRL |
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123 |
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1-8 |
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Optical Music Recognition (OMR) is the branch of document image analysis that aims to convert images of musical scores into a computer-readable format. Despite decades of research, the recognition of handwritten music scores, concretely the Western notation, is still an open problem, and the few existing works only focus on a specific stage of OMR. In this work, we propose a full Handwritten Music Recognition (HMR) system based on Convolutional Recurrent Neural Networks, data augmentation and transfer learning, that can serve as a baseline for the research community. |
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DAG; 600.097; 601.302; 601.330; 600.140; 600.121 |
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Admin @ si @ BRC2019 |
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3275 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
Towards the recognition of compound music notes in handwritten music scores |
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Conference Article |
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2016 |
Publication |
15th international conference on Frontiers in Handwriting Recognition |
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The recognition of handwritten music scores still remains an open problem. The existing approaches can only deal with very simple handwritten scores mainly because of the variability in the handwriting style and the variability in the composition of groups of music notes (i.e. compound music notes). In this work we focus on this second problem and propose a method based on perceptual grouping for the recognition of compound music notes. Our method has been tested using several handwritten music scores of the CVC-MUSCIMA database and compared with a commercial Optical Music Recognition (OMR) software. Given that our method is learning-free, the obtained results are promising. |
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Shenzhen; China; October 2016 |
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2167-6445 |
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ICFHR |
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DAG; 600.097 |
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Admin @ si @ BRF2016 |
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2903 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
A Starting Point for Handwritten Music Recognition |
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Conference Article |
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Year |
2018 |
Publication |
1st International Workshop on Reading Music Systems |
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5-6 |
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Keywords |
Optical Music Recognition; Long Short-Term Memory; Convolutional Neural Networks; MUSCIMA++; CVCMUSCIMA |
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In the last years, the interest in Optical Music Recognition (OMR) has reawakened, especially since the appearance of deep learning. However, there are very few works addressing handwritten scores. In this work we describe a full OMR pipeline for handwritten music scores by using Convolutional and Recurrent Neural Networks that could serve as a baseline for the research community. |
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Paris; France; September 2018 |
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WORMS |
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DAG; 600.097; 601.302; 601.330; 600.121 |
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Admin @ si @ BRF2018 |
Serial |
3223 |
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Author |
Arnau Baro; Pau Riba; Alicia Fornes |
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Title |
Musigraph: Optical Music Recognition Through Object Detection and Graph Neural Network |
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Conference Article |
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Year |
2022 |
Publication |
Frontiers in Handwriting Recognition. International Conference on Frontiers in Handwriting Recognition (ICFHR2022) |
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13639 |
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171-184 |
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Keywords |
Object detection; Optical music recognition; Graph neural network |
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During the last decades, the performance of optical music recognition has been increasingly improving. However, and despite the 2-dimensional nature of music notation (e.g. notes have rhythm and pitch), most works treat musical scores as a sequence of symbols in one dimension, which make their recognition still a challenge. Thus, in this work we explore the use of graph neural networks for musical score recognition. First, because graphs are suited for n-dimensional representations, and second, because the combination of graphs with deep learning has shown a great performance in similar applications. Our methodology consists of: First, we will detect each isolated/atomic symbols (those that can not be decomposed in more graphical primitives) and the primitives that form a musical symbol. Then, we will build the graph taking as root node the notehead and as leaves those primitives or symbols that modify the note’s rhythm (stem, beam, flag) or pitch (flat, sharp, natural). Finally, the graph is translated into a human-readable character sequence for a final transcription and evaluation. Our method has been tested on more than five thousand measures, showing promising results. |
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December 04 – 07, 2022; Hyderabad, India |
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ICFHR |
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DAG; 600.162; 600.140; 602.230 |
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Admin @ si @ BRF2022b |
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3740 |
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Author |
Arnau Baro; Jialuo Chen; Alicia Fornes; Beata Megyesi |
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Title |
Towards a generic unsupervised method for transcription of encoded manuscripts |
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Conference Article |
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2019 |
Publication |
3rd International Conference on Digital Access to Textual Cultural Heritage |
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73-78 |
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A. Baró, J. Chen, A. Fornés, B. Megyesi. |
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Historical ciphers, a special type of manuscripts, contain encrypted information, important for the interpretation of our history. The first step towards decipherment is to transcribe the images, either manually or by automatic image processing techniques. Despite the improvements in handwritten text recognition (HTR) thanks to deep learning methodologies, the need of labelled data to train is an important limitation. Given that ciphers often use symbol sets across various alphabets and unique symbols without any transcription scheme available, these supervised HTR techniques are not suitable to transcribe ciphers. In this paper we propose an un-supervised method for transcribing encrypted manuscripts based on clustering and label propagation, which has been successfully applied to community detection in networks. We analyze the performance on ciphers with various symbol sets, and discuss the advantages and drawbacks compared to supervised HTR methods. |
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Brussels; May 2019 |
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DATeCH |
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DAG; 600.097; 600.140; 600.121 |
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Admin @ si @ BCF2019 |
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3276 |
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Author |
Arnau Baro; Carles Badal; Pau Torras; Alicia Fornes |
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Title |
Handwritten Historical Music Recognition through Sequence-to-Sequence with Attention Mechanism |
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Conference Article |
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2022 |
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3rd International Workshop on Reading Music Systems (WoRMS2021) |
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55-59 |
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Optical Music Recognition; Digits; Image Classification |
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Despite decades of research in Optical Music Recognition (OMR), the recognition of old handwritten music scores remains a challenge because of the variabilities in the handwriting styles, paper degradation, lack of standard notation, etc. Therefore, the research in OMR systems adapted to the particularities of old manuscripts is crucial to accelerate the conversion of music scores existing in archives into digital libraries, fostering the dissemination and preservation of our music heritage. In this paper we explore the adaptation of sequence-to-sequence models with attention mechanism (used in translation and handwritten text recognition) and the generation of specific synthetic data for recognizing old music scores. The experimental validation demonstrates that our approach is promising, especially when compared with long short-term memory neural networks. |
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July 23, 2021, Alicante (Spain) |
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WoRMS |
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DAG; 600.121; 600.162; 602.230; 600.140 |
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Admin @ si @ BBT2022 |
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3734 |
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Author |
Arnau Baro; Alicia Fornes; Carles Badal |
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Handwritten Historical Music Recognition by Sequence-to-Sequence with Attention Mechanism |
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Conference Article |
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2020 |
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17th International Conference on Frontiers in Handwriting Recognition |
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Despite decades of research in Optical Music Recognition (OMR), the recognition of old handwritten music scores remains a challenge because of the variabilities in the handwriting styles, paper degradation, lack of standard notation, etc. Therefore, the research in OMR systems adapted to the particularities of old manuscripts is crucial to accelerate the conversion of music scores existing in archives into digital libraries, fostering the dissemination and preservation of our music heritage. In this paper we explore the adaptation of sequence-to-sequence models with attention mechanism (used in translation and handwritten text recognition) and the generation of specific synthetic data for recognizing old music scores. The experimental validation demonstrates that our approach is promising, especially when compared with long short-term memory neural networks. |
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Virtual ICFHR; September 2020 |
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ICFHR |
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DAG; 600.140; 600.121 |
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Admin @ si @ BFB2020 |
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3448 |
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