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Alicia Fornes, Josep Llados, Oriol Ramos Terrades and Marçal Rusiñol. 2016. La Visió per Computador com a Eina per a la Interpretació Automàtica de Fonts Documentals.
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Arnau Baro, Pau Riba and Alicia Fornes. 2016. Towards the recognition of compound music notes in handwritten music scores. 15th international conference on Frontiers in Handwriting Recognition.
Abstract: The recognition of handwritten music scores still remains an open problem. The existing approaches can only deal with very simple handwritten scores mainly because of the variability in the handwriting style and the variability in the composition of groups of music notes (i.e. compound music notes). In this work we focus on this second problem and propose a method based on perceptual grouping for the recognition of compound music notes. Our method has been tested using several handwritten music scores of the CVC-MUSCIMA database and compared with a commercial Optical Music Recognition (OMR) software. Given that our method is learning-free, the obtained results are promising.
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Joana Maria Pujadas-Mora, Alicia Fornes, Josep Llados and Anna Cabre. 2016. Bridging the gap between historical demography and computing: tools for computer-assisted transcription and the analysis of demographic sources. In K.Matthijs, S.Hin, H.Matsuo and J.Kok, eds. The future of historical demography. Upside down and inside out. Acco Publishers, 127–131.
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Oriol Vicente, Alicia Fornes and Ramon Valdes. 2016. The Digital Humanities Network of the UABCie: a smart structure of research and social transference for the digital humanities. Digital Humanities Centres: Experiences and Perspectives.
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Veronica Romero, Alicia Fornes, Enrique Vidal and Joan Andreu Sanchez. 2016. Using the MGGI Methodology for Category-based Language Modeling in Handwritten Marriage Licenses Books. 15th international conference on Frontiers in Handwriting Recognition.
Abstract: Handwritten marriage licenses books have been used for centuries by ecclesiastical and secular institutions to register marriages. The information contained in these historical documents is useful for demography studies and
genealogical research, among others. Despite the generally simple structure of the text in these documents, automatic transcription and semantic information extraction is difficult due to the distinct and evolutionary vocabulary, which is composed mainly of proper names that change along the time. In previous
works we studied the use of category-based language models to both improve the automatic transcription accuracy and make easier the extraction of semantic information. Here we analyze the main causes of the semantic errors observed in previous results and apply a Grammatical Inference technique known as MGGI to improve the semantic accuracy of the language model obtained. Using this language model, full handwritten text recognition experiments have been carried out, with results supporting the interest of the proposed approach.
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Hana Jarraya, Muhammad Muzzamil Luqman and Jean-Yves Ramel. 2017. Improving Fuzzy Multilevel Graph Embedding Technique by Employing Topological Node Features: An Application to Graphics Recognition. In B. Lamiroy and R Dueire Lins, eds. Graphics Recognition. Current Trends and Challenges. Springer. (LNCS.)
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Hana Jarraya, Oriol Ramos Terrades and Josep Llados. 2017. Graph Embedding through Probabilistic Graphical Model applied to Symbolic Graphs. 8th Iberian Conference on Pattern Recognition and Image Analysis.
Abstract: We propose a new Graph Embedding (GEM) method that takes advantages of structural pattern representation. It models an Attributed Graph (AG) as a Probabilistic Graphical Model (PGM). Then, it learns the parameters of this PGM presented by a vector. This vector is a signature of AG in a lower dimensional vectorial space. We apply Structured Support Vector Machines (SSVM) to process classification task. As first tentative, results on the GREC dataset are encouraging enough to go further on this direction.
Keywords: Attributed Graph; Probabilistic Graphical Model; Graph Embedding; Structured Support Vector Machines
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Lasse Martensson, Anders Hast and Alicia Fornes. 2017. Word Spotting as a Tool for Scribal Attribution. 2nd Conference of the association of Digital Humanities in the Nordic Countries.87–89.
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Pau Riba, Alicia Fornes and Josep Llados. 2017. Towards the Alignment of Handwritten Music Scores. In Bart Lamiroy and R Dueire Lins, eds. International Workshop on Graphics Recognition. GREC 2015.Graphic Recognition. Current Trends and Challenges.103–116. (LNCS.)
Abstract: It is very common to nd dierent versions of the same music work in archives of Opera Theaters. These dierences correspond to modications and annotations from the musicians. From the musicologist point of view, these variations are very interesting and deserve study.
This paper explores the alignment of music scores as a tool for automatically detecting the passages that contain such dierences. Given the diculties in the recognition of handwritten music scores, our goal is to align the music scores and at the same time, avoid the recognition of music elements as much as possible. After removing the sta lines, braces and ties, the bar lines are detected. Then, the bar units are described as a whole using the Blurred Shape Model. The bar units alignment is performed by using Dynamic Time Warping. The analysis of the alignment path is used to detect the variations in the music scores. The method has been evaluated on a subset of the CVC-MUSCIMA dataset, showing encouraging results.
Keywords: Optical Music Recognition; Handwritten Music Scores; Dynamic Time Warping alignment
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Thanh Ha Do, Salvatore Tabbone and Oriol Ramos Terrades. 2016. Spotting Symbol over Graphical Documents Via Sparsity in Visual Vocabulary. Recent Trends in Image Processing and Pattern Recognition.
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