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| Author | Javier Vazquez; Robert Benavente; Maria Vanrell |
 
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| Title | Naming constraints constancy | Type | Conference Article | |||
| Year | 2012 | Publication | 2nd Joint AVA / BMVA Meeting on Biological and Machine Vision | Abbreviated Journal | ||
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| Abstract | Different studies have shown that languages from industrialized cultures
share a set of 11 basic colour terms: red, green, blue, yellow, pink, purple, brown, orange, black, white, and grey (Berlin & Kay, 1969, Basic Color Terms, University of California Press)( Kay & Regier, 2003, PNAS, 100, 9085-9089). Some of these studies have also reported the best representatives or focal values of each colour (Boynton and Olson, 1990, Vision Res. 30,1311–1317), (Sturges and Whitfield, 1995, CRA, 20:6, 364–376). Some further studies have provided us with fuzzy datasets for color naming by asking human observers to rate colours in terms of membership values (Benavente -et al-, 2006, CRA. 31:1, 48–56,). Recently, a computational model based on these human ratings has been developed (Benavente -et al-, 2008, JOSA-A, 25:10, 2582-2593). This computational model follows a fuzzy approach to assign a colour name to a particular RGB value. For example, a pixel with a value (255,0,0) will be named 'red' with membership 1, while a cyan pixel with a RGB value of (0, 200, 200) will be considered to be 0.5 green and 0.5 blue. In this work, we show how this colour naming paradigm can be applied to different computer vision tasks. In particular, we report results in colour constancy (Vazquez-Corral -et al-, 2012, IEEE TIP, in press) showing that the classical constraints on either illumination or surface reflectance can be substituted by the statistical properties encoded in the colour names. [Supported by projects TIN2010-21771-C02-1, CSD2007-00018]. |
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| Area | Expedition | Conference | AV A | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ VBV2012 | Serial | 2131 | |||
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| Author | Ivet Rafegas; Maria Vanrell |
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| Title | Colour Visual Coding in trained Deep Neural Networks | Type | Abstract | |||
| Year | 2016 | Publication | European Conference on Visual Perception | Abbreviated Journal | ||
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| Address | Barcelona; Spain; August 2016 | |||||
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| Area | Expedition | Conference | ECVP | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ RaV2016b | Serial | 2895 | |||
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| Author | Ivet Rafegas; Maria Vanrell |
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| Title | Color representation in CNNs: parallelisms with biological vision | Type | Conference Article | |||
| Year | 2017 | Publication | ICCV Workshop on Mutual Benefits ofr Cognitive and Computer Vision | Abbreviated Journal | ||
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| Abstract | Convolutional Neural Networks (CNNs) trained for object recognition tasks present representational capabilities approaching to primate visual systems [1]. This provides a computational framework to explore how image features
are efficiently represented. Here, we dissect a trained CNN [2] to study how color is represented. We use a classical methodology used in physiology that is measuring index of selectivity of individual neurons to specific features. We use ImageNet Dataset [20] images and synthetic versions of them to quantify color tuning properties of artificial neurons to provide a classification of the network population. We conclude three main levels of color representation showing some parallelisms with biological visual systems: (a) a decomposition in a circular hue space to represent single color regions with a wider hue sampling beyond the first layer (V2), (b) the emergence of opponent low-dimensional spaces in early stages to represent color edges (V1); and (c) a strong entanglement between color and shape patterns representing object-parts (e.g. wheel of a car), objectshapes (e.g. faces) or object-surrounds configurations (e.g. blue sky surrounding an object) in deeper layers (V4 or IT). |
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| Address | Venice; Italy; October 2017 | |||||
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| Area | Expedition | Conference | ICCV-MBCC | |||
| Notes | CIC; 600.087; 600.051 | Approved | no | |||
| Call Number | Admin @ si @ RaV2017 | Serial | 2984 | |||
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| Author | Hassan Ahmed Sial; Ramon Baldrich; Maria Vanrell; Dimitris Samaras |
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| Title | Light Direction and Color Estimation from Single Image with Deep Regression | Type | Conference Article | |||
| Year | 2020 | Publication | London Imaging Conference | Abbreviated Journal | ||
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| Abstract | We present a method to estimate the direction and color of the scene light source from a single image. Our method is based on two main ideas: (a) we use a new synthetic dataset with strong shadow effects with similar constraints to the SID dataset; (b) we define a deep architecture trained on the mentioned dataset to estimate the direction and color of the scene light source. Apart from showing good performance on synthetic images, we additionally propose a preliminary procedure to obtain light positions of the Multi-Illumination dataset, and, in this way, we also prove that our trained model achieves good performance when it is applied to real scenes. | |||||
| Address | Virtual; September 2020 | |||||
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| Area | Expedition | Conference | LIM | |||
| Notes | CIC; 600.118; 600.140; | Approved | no | |||
| Call Number | Admin @ si @ SBV2020 | Serial | 3460 | |||
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| Author | Sagnik Das; Hassan Ahmed Sial; Ke Ma; Ramon Baldrich; Maria Vanrell; Dimitris Samaras |
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| Title | Intrinsic Decomposition of Document Images In-the-Wild | Type | Conference Article | |||
| Year | 2020 | Publication | 31st British Machine Vision Conference | Abbreviated Journal | ||
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| Abstract | Automatic document content processing is affected by artifacts caused by the shape
of the paper, non-uniform and diverse color of lighting conditions. Fully-supervised methods on real data are impossible due to the large amount of data needed. Hence, the current state of the art deep learning models are trained on fully or partially synthetic images. However, document shadow or shading removal results still suffer because: (a) prior methods rely on uniformity of local color statistics, which limit their application on real-scenarios with complex document shapes and textures and; (b) synthetic or hybrid datasets with non-realistic, simulated lighting conditions are used to train the models. In this paper we tackle these problems with our two main contributions. First, a physically constrained learning-based method that directly estimates document reflectance based on intrinsic image formation which generalizes to challenging illumination conditions. Second, a new dataset that clearly improves previous synthetic ones, by adding a large range of realistic shading and diverse multi-illuminant conditions, uniquely customized to deal with documents in-the-wild. The proposed architecture works in two steps. First, a white balancing module neutralizes the color of the illumination on the input image. Based on the proposed multi-illuminant dataset we achieve a good white-balancing in really difficult conditions. Second, the shading separation module accurately disentangles the shading and paper material in a self-supervised manner where only the synthetic texture is used as a weak training signal (obviating the need for very costly ground truth with disentangled versions of shading and reflectance). The proposed approach leads to significant generalization of document reflectance estimation in real scenes with challenging illumination. We extensively evaluate on the real benchmark datasets available for intrinsic image decomposition and document shadow removal tasks. Our reflectance estimation scheme, when used as a pre-processing step of an OCR pipeline, shows a 21% improvement of character error rate (CER), thus, proving the practical applicability. The data and code will be available at: https://github.com/cvlab-stonybrook/DocIIW. |
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| Address | Virtual; September 2020 | |||||
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| Area | Expedition | Conference | BMVC | |||
| Notes | CIC; 600.087; 600.140; 600.118 | Approved | no | |||
| Call Number | Admin @ si @ DSM2020 | Serial | 3461 | |||
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| Author | Xavier Otazu; C. Alejandro Parraga; Maria Vanrell |
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| Title | Towards a unified chromatic inducction model | Type | Journal Article | |||
| Year | 2010 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 10 | Issue | 12:5 | Pages |
1-24 | |
| Keywords | Visual system; Color induction; Wavelet transform | |||||
| Abstract | In a previous work (X. Otazu, M. Vanrell, & C. A. Párraga, 2008b), we showed how several brightness induction effects can be predicted using a simple multiresolution wavelet model (BIWaM). Here we present a new model for chromatic induction processes (termed Chromatic Induction Wavelet Model or CIWaM), which is also implemented on a multiresolution framework and based on similar assumptions related to the spatial frequency and the contrast surround energy of the stimulus. The CIWaM can be interpreted as a very simple extension of the BIWaM to the chromatic channels, which in our case are defined in the MacLeod-Boynton (lsY) color space. This new model allows us to unify both chromatic assimilation and chromatic contrast effects in a single mathematical formulation. The predictions of the CIWaM were tested by means of several color and brightness induction experiments, which showed an acceptable agreement between model predictions and psychophysical data. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ OPV2010 | Serial | 1450 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Chromatic settings and the structural color constancy index | Type | Journal Article | |||
| Year | 2013 | Publication | Journal of Vision | Abbreviated Journal | JV | |
| Volume | 13 | Issue | 4-3 | Pages |
1-26 | |
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| Abstract | Color constancy is usually measured by achromatic setting, asymmetric matching, or color naming paradigms, whose results are interpreted in terms of indexes and models that arguably do not capture the full complexity of the phenomenon. Here we propose a new paradigm, chromatic setting, which allows a more comprehensive characterization of color constancy through the measurement of multiple points in color space under immersive adaptation. We demonstrated its feasibility by assessing the consistency of subjects' responses over time. The paradigm was applied to two-dimensional (2-D) Mondrian stimuli under three different illuminants, and the results were used to fit a set of linear color constancy models. The use of multiple colors improved the precision of more complex linear models compared to the popular diagonal model computed from gray. Our results show that a diagonal plus translation matrix that models mechanisms other than cone gain might be best suited to explain the phenomenon. Additionally, we calculated a number of color constancy indices for several points in color space, and our results suggest that interrelations among colors are not as uniform as previously believed. To account for this variability, we developed a new structural color constancy index that takes into account the magnitude and orientation of the chromatic shift in addition to the interrelations among colors and memory effects. | |||||
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| Notes | CIC; 600.052; 600.051; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ RPV2013 | Serial | 2288 | |||
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| Author | Javier Vazquez; J. Kevin O'Regan; Maria Vanrell; Graham D. Finlayson |
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| Title | A new spectrally sharpened basis to predict colour naming, unique hues, and hue cancellation | Type | Journal Article | |||
| Year | 2012 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 12 | Issue | 6 (7) | Pages |
1-14 | |
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| Abstract | When light is reflected off a surface, there is a linear relation between the three human photoreceptor responses to the incoming light and the three photoreceptor responses to the reflected light. Different colored surfaces have different linear relations. Recently, Philipona and O'Regan (2006) showed that when this relation is singular in a mathematical sense, then the surface is perceived as having a highly nameable color. Furthermore, white light reflected by that surface is perceived as corresponding precisely to one of the four psychophysically measured unique hues. However, Philipona and O'Regan's approach seems unrelated to classical psychophysical models of color constancy. In this paper we make this link. We begin by transforming cone sensors to spectrally sharpened counterparts. In sharp color space, illumination change can be modeled by simple von Kries type scalings of response values within each of the spectrally sharpened response channels. In this space, Philipona and O'Regan's linear relation is captured by a simple Land-type color designator defined by dividing reflected light by incident light. This link between Philipona and O'Regan's theory and Land's notion of color designator gives the model biological plausibility. We then show that Philipona and O'Regan's singular surfaces are surfaces which are very close to activating only one or only two of such newly defined spectrally sharpened sensors, instead of the usual three. Closeness to zero is quantified in a new simplified measure of singularity which is also shown to relate to the chromaticness of colors. As in Philipona and O'Regan's original work, our new theory accounts for a large variety of psychophysical color data. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ VOV2012 | Serial | 1998 | |||
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| Author | Hassan Ahmed Sial; Ramon Baldrich; Maria Vanrell |
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| Title | Deep intrinsic decomposition trained on surreal scenes yet with realistic light effects | Type | Journal Article | |||
| Year | 2020 | Publication | Journal of the Optical Society of America A | Abbreviated Journal | JOSA A | |
| Volume | 37 | Issue | 1 | Pages |
1-15 | |
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| Abstract | Estimation of intrinsic images still remains a challenging task due to weaknesses of ground-truth datasets, which either are too small or present non-realistic issues. On the other hand, end-to-end deep learning architectures start to achieve interesting results that we believe could be improved if important physical hints were not ignored. In this work, we present a twofold framework: (a) a flexible generation of images overcoming some classical dataset problems such as larger size jointly with coherent lighting appearance; and (b) a flexible architecture tying physical properties through intrinsic losses. Our proposal is versatile, presents low computation time, and achieves state-of-the-art results. | |||||
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| Notes | CIC; 600.140; 600.12; 600.118 | Approved | no | |||
| Call Number | Admin @ si @ SBV2019 | Serial | 3311 | |||
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| Author | Ivet Rafegas; Maria Vanrell |
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| Title | Color encoding in biologically-inspired convolutional neural networks | Type | Journal Article | |||
| Year | 2018 | Publication | Vision Research | Abbreviated Journal | VR | |
| Volume | 151 | Issue | Pages |
7-17 | ||
| Keywords | Color coding; Computer vision; Deep learning; Convolutional neural networks | |||||
| Abstract | Convolutional Neural Networks have been proposed as suitable frameworks to model biological vision. Some of these artificial networks showed representational properties that rival primate performances in object recognition. In this paper we explore how color is encoded in a trained artificial network. It is performed by estimating a color selectivity index for each neuron, which allows us to describe the neuron activity to a color input stimuli. The index allows us to classify whether they are color selective or not and if they are of a single or double color. We have determined that all five convolutional layers of the network have a large number of color selective neurons. Color opponency clearly emerges in the first layer, presenting 4 main axes (Black-White, Red-Cyan, Blue-Yellow and Magenta-Green), but this is reduced and rotated as we go deeper into the network. In layer 2 we find a denser hue sampling of color neurons and opponency is reduced almost to one new main axis, the Bluish-Orangish coinciding with the dataset bias. In layers 3, 4 and 5 color neurons are similar amongst themselves, presenting different type of neurons that detect specific colored objects (e.g., orangish faces), specific surrounds (e.g., blue sky) or specific colored or contrasted object-surround configurations (e.g. blue blob in a green surround). Overall, our work concludes that color and shape representation are successively entangled through all the layers of the studied network, revealing certain parallelisms with the reported evidences in primate brains that can provide useful insight into intermediate hierarchical spatio-chromatic representations. | |||||
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| Notes | CIC; 600.051; 600.087 | Approved | no | |||
| Call Number | Admin @ si @RaV2018 | Serial | 3114 | |||
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| Author | Maria Vanrell; Naila Murray; Robert Benavente; C. Alejandro Parraga; Xavier Otazu; Ramon Baldrich |
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| Title | Perception Based Representations for Computational Colour | Type | Conference Article | |||
| Year | 2011 | Publication | 3rd International Workshop on Computational Color Imaging | Abbreviated Journal | ||
| Volume | 6626 | Issue | Pages |
16-30 | ||
| Keywords | colour perception, induction, naming, psychophysical data, saliency, segmentation | |||||
| Abstract | The perceived colour of a stimulus is dependent on multiple factors stemming out either from the context of the stimulus or idiosyncrasies of the observer. The complexity involved in combining these multiple effects is the main reason for the gap between classical calibrated colour spaces from colour science and colour representations used in computer vision, where colour is just one more visual cue immersed in a digital image where surfaces, shadows and illuminants interact seemingly out of control. With the aim to advance a few steps towards bridging this gap we present some results on computational representations of colour for computer vision. They have been developed by introducing perceptual considerations derived from the interaction of the colour of a point with its context. We show some techniques to represent the colour of a point influenced by assimilation and contrast effects due to the image surround and we show some results on how colour saliency can be derived in real images. We outline a model for automatic assignment of colour names to image points directly trained on psychophysical data. We show how colour segments can be perceptually grouped in the image by imposing shading coherence in the colour space. | |||||
| Address | Milan, Italy | |||||
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| Publisher | Springer-Verlag | Place of Publication | Editor | Raimondo Schettini, Shoji Tominaga, Alain Trémeau | ||
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| Series Editor | Series Title | Abbreviated Series Title | LNCS | |||
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| ISSN | ISBN | 978-3-642-20403-6 | Medium | |||
| Area | Expedition | Conference | CCIW | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ VMB2011 | Serial | 1733 | |||
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| Author | Javier Vazquez; G. D. Finlayson; Maria Vanrell |
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| Title | A compact singularity function to predict WCS data and unique hues | Type | Conference Article | |||
| Year | 2010 | Publication | 5th European Conference on Colour in Graphics, Imaging and Vision and 12th International Symposium on Multispectral Colour Science | Abbreviated Journal | ||
| Volume | Issue | Pages |
33–38 | |||
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| Abstract | Understanding how colour is used by the human vision system is a widely studied research field. The field, though quite advanced, still faces important unanswered questions. One of them is the explanation of the unique hues and the assignment of color names. This problem addresses the fact of different perceptual status for different colors.
Recently, Philipona and O'Regan have proposed a biological model that allows to extract the reflection properties of any surface independently of the lighting conditions. These invariant properties are the basis to compute a singularity index that predicts the asymmetries presented in unique hues and basic color categories psychophysical data, therefore is giving a further step in their explanation. In this paper we build on their formulation and propose a new singularity index. This new formulation equally accounts for the location of the 4 peaks of the World colour survey and has two main advantages. First, it is a simple elegant numerical measure (the Philipona measurement is a rather cumbersome formula). Second, we develop a colour-based explanation for the measure. |
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| Address | Joensuu, Finland | |||||
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| ISSN | ISBN | 9781617388897 | Medium | |||
| Area | Expedition | Conference | CGIV/MCS | |||
| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ VFV2010 | Serial | 1324 | |||
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| Author | Robert Benavente; C. Alejandro Parraga; Maria Vanrell |
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| Title | Colour categories boundaries are better defined in contextual conditions | Type | Journal Article | |||
| Year | 2009 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 38 | Issue | Pages |
36 | ||
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| Abstract | In a previous experiment [Parraga et al, 2009 Journal of Imaging Science and Technology 53(3)] the boundaries between basic colour categories were measured by asking subjects to categorize colour samples presented in isolation (ie on a dark background) using a YES/NO paradigm. Results showed that some boundaries (eg green – blue) were very diffuse and the subjects' answers presented bimodal distributions, which were attributed to the emergence of non-basic categories in those regions (eg turquoise). To confirm these results we performed a new experiment focussed on the boundaries where bimodal distributions were more evident. In this new experiment rectangular colour samples were presented surrounded by random colour patches to simulate contextual conditions on a calibrated CRT monitor. The names of two neighbouring colours were shown at the bottom of the screen and subjects selected the boundary between these colours by controlling the chromaticity of the central patch, sliding it across these categories' frontier. Results show that in this new experimental paradigm, the formerly uncertain inter-colour category boundaries are better defined and the dispersions (ie the bimodal distributions) that occurred in the previous experiment disappear. These results may provide further support to Berlin and Kay's basic colour terms theory. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ BPV2009 | Serial | 1192 | |||
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| Author | A.Gonzalez; Robert Benavente; Olivier Penacchio; Javier Vazquez; Maria Vanrell; C. Alejandro Parraga |
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| Title | Coloresia: An Interactive Colour Perception Device for the Visually Impaired | Type | Book Chapter | |||
| Year | 2013 | Publication | Multimodal Interaction in Image and Video Applications | Abbreviated Journal | ||
| Volume | 48 | Issue | Pages |
47-66 | ||
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| Abstract | A significative percentage of the human population suffer from impairments in their capacity to distinguish or even see colours. For them, everyday tasks like navigating through a train or metro network map becomes demanding. We present a novel technique for extracting colour information from everyday natural stimuli and presenting it to visually impaired users as pleasant, non-invasive sound. This technique was implemented inside a Personal Digital Assistant (PDA) portable device. In this implementation, colour information is extracted from the input image and categorised according to how human observers segment the colour space. This information is subsequently converted into sound and sent to the user via speakers or headphones. In the original implementation, it is possible for the user to send its feedback to reconfigure the system, however several features such as these were not implemented because the current technology is limited.We are confident that the full implementation will be possible in the near future as PDA technology improves. | |||||
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| Publisher | Springer Berlin Heidelberg | Place of Publication | Editor | |||
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| ISSN | 1868-4394 | ISBN | 978-3-642-35931-6 | Medium | ||
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| Notes | CIC; 600.052; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ GBP2013 | Serial | 2266 | |||
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