Abstract: The broad access to digital cameras, personal computers and Internet, has lead to the generation of large volumes of data in digital form. If we want an effective usage of this huge amount of data, we need automatic tools to allow the retrieval of relevant information. Image data is a particular type of information that requires specific techniques of description and indexing. The computer vision field that studies these kind of techniques is called Content-Based Image Retrieval (CBIR). Instead of using text-based descriptions, a system of CBIR deals on properties that are inherent in the images themselves. Hence, the feature-based description provides a universal via of image expression in contrast with the more than 6000 languages spoken in the world.
Nowadays, the CBIR is a dynamic focus of research that has derived in important applications for many professional groups. The potential fields of application can be such diverse as: the medical domain, the crime prevention, the protection of the intel- lectual property, the journalism, the graphic design, the web search, the preservation of cultural heritage, etc.
The definition on the role of the user is a key point in the development of a CBIR application. The user is in charge to formulate the queries from which the images are retrieved. We have centered our attention on the image retrieval techniques that use queries based on pictorial information. We have identified a taxonomy composed by four main query paradigms: query-by-selection, query-by-iconic-composition, query- by-sketch and query-by-paint. Each one of these paradigms allows a different degree of user expressivity. From a simple image selection, to a complete painting of the query, the user takes control of the input in the CBIR system.
Along the chapters of this thesis we have analyzed the influence that each query paradigm imposes in the internal operations of a CBIR system. Moreover, we have proposed a set of contributions that we have exemplified in the context of a final application.

Abstract: The specific problem of symbol recognition in graphical documents requires additional techniques to those developed for character recognition. The most well-known obstacle is the so-called Sayre paradox: Correct recognition requires good segmentation, yet improvement in segmentation is achieved using information provided by the recognition process. This dilemma can be avoided by techniques that identify sets of regions containing useful information. Such symbol-spotting methods allow the detection of symbols in maps or technical drawings without having to fully segment or fully recognize the entire content.
This unique text/reference provides a complete, integrated and large-scale solution to the challenge of designing a robust symbol-spotting method for collections of graphic-rich documents. The book examines a number of features and descriptors, from basic photometric descriptors commonly used in computer vision techniques to those specific to graphical shapes, presenting a methodology which can be used in a wide variety of applications. Additionally, readers are supplied with an insight into the problem of performance evaluation of spotting methods. Some very basic knowledge of pattern recognition, document image analysis and graphics recognition is assumed.

Abstract: Determining the authorship of a document, namely writer identification, can be an important source of information for document categorization. Contrary to text documents, the identification of the writer of graphical documents is still a challenge. In this paper we present a robust approach for writer identification in a particular kind of graphical documents, old music scores. This approach adapts the bag of visual terms method for coping with graphic documents. The identification is performed only using the graphical music notation. For this purpose, we generate a graphic vocabulary without recognizing any music symbols, and consequently, avoiding the difficulties in the recognition of hand-drawn symbols in old and degraded documents. The proposed method has been tested on a database of old music scores from the 17th to 19th centuries, achieving very high identification rates.

Abstract: Sketch recognition is a discipline which has gained an increasing interest in the last
20 years. This is due to the appearance of new devices such as PDA, Tablet PC’s
or digital pen & paper protocols. From the wide range of sketched documents we
focus on those that represent structured documents such as: architectural floor-plans,
engineering drawing, UML diagrams, etc. To recognize and understand these kinds
of documents, first we have to recognize the different compounding symbols and then
we have to identify the relations between these elements. From the way that a sketch
is captured, there are two categories: on-line and off-line. On-line input modes refer
to draw directly on a PDA or a Tablet PC’s while off-line input modes refer to scan
a previously drawn sketch.
This thesis is an overlapping of three different areas on Computer Science: Pattern
Recognition, Document Analysis and Human-Computer Interaction. The aim of this
thesis is to interpret sketched documents independently on whether they are captured
on-line or off-line. For this reason, the proposed approach should contain the following
features. First, as we are working with sketches the elements present in our input
contain distortions. Second, as we would work in on-line or off-line input modes, the
order in the input of the primitives is indifferent. Finally, the proposed method should
be applied in real scenarios, its response time must be slow.
To interpret a sketched document we propose a syntactic approach. A syntactic
approach is composed of two correlated components: a grammar and a parser. The
grammar allows describing the different elements on the document as well as their
relations. The parser, given a document checks whether it belongs to the language
generated by the grammar or not. Thus, the grammar should be able to cope with
the distortions appearing on the instances of the elements. Moreover, it would be
necessary to define a symbol independently of the order of their primitives. Concerning to the parser when analyzing 2D sentences, it does not assume an order in the
primitives. Then, at each new primitive in the input, the parser searches among the
previous analyzed symbols candidates to produce a valid reduction.
Taking into account these features, we have proposed a grammar based on Adjacency Grammars. This kind of grammars defines their productions as a multiset
of symbols rather than a list. This allows describing a symbol without an order in
their components. To cope with distortion we have proposed a distortion model.
This distortion model is an attributed estimated over the constraints of the grammar and passed through the productions. This measure gives an idea on how far is the
symbol from its ideal model. In addition to the distortion on the constraints other
distortions appear when working with sketches. These distortions are: overtracing,
overlapping, gaps or spurious strokes. Some grammatical productions have been defined to cope with these errors. Concerning the recognition, we have proposed an
incremental parser with an indexation mechanism. Incremental parsers analyze the
input symbol by symbol given a response to the user when a primitive is analyzed.
This makes incremental parser suitable to work in on-line as well as off-line input
modes. The parser has been adapted with an indexation mechanism based on a spatial division. This indexation mechanism allows setting the primitives in the space
and reducing the search to a neighbourhood.
A third contribution is a grammatical inference algorithm. This method given a
set of symbols captures the production describing it. In the field of formal languages,
different approaches has been proposed but in the graphical domain not so much work
is done in this field. The proposed method is able to capture the production from
a set of symbol although they are drawn in different order. A matching step based
on the Haussdorff distance and the Hungarian method has been proposed to match
the primitives of the different symbols. In addition the proposed approach is able to
capture the variability in the parameters of the constraints.
From the experimental results, we may conclude that we have proposed a robust
approach to describe and recognize sketches. Moreover, the addition of new symbols
to the alphabet is not restricted to an expert. Finally, the proposed approach has
been used in two real scenarios obtaining a good performance.