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Josep Llados, & Dorothea Blostein. (2007). Special Issue on Graphics Recognition. IJDAR - International Journal on Document Analysis and Recognition, 1–2.
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Marçal Rusiñol, & Josep Llados. (2009). A Performance Evaluation Protocol for Symbol Spotting Systems in Terms of Recognition and Location Indices. IJDAR - International Journal on Document Analysis and Recognition, 12(2), 83–96.
Abstract: Symbol spotting systems are intended to retrieve regions of interest from a document image database where the queried symbol is likely to be found. They shall have the ability to recognize and locate graphical symbols in a single step. In this paper, we present a set of measures to evaluate the performance of a symbol spotting system in terms of recognition abilities, location accuracy and scalability. We show that the proposed measures allow to determine the weaknesses and strengths of different methods. In particular we have tested a symbol spotting method based on a set of four different off-the-shelf shape descriptors.
Keywords: Performance evaluation; Symbol Spotting; Graphics Recognition
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Alicia Fornes, Josep Llados, Gemma Sanchez, & Dimosthenis Karatzas. (2010). Rotation Invariant Hand-Drawn Symbol Recognition based on a Dynamic Time Warping Model. IJDAR - International Journal on Document Analysis and Recognition, 13(3), 229–241.
Abstract: One of the major difficulties of handwriting symbol recognition is the high variability among symbols because of the different writer styles. In this paper, we introduce a robust approach for describing and recognizing hand-drawn symbols tolerant to these writer style differences. This method, which is invariant to scale and rotation, is based on the dynamic time warping (DTW) algorithm. The symbols are described by vector sequences, a variation of the DTW distance is used for computing the matching distance, and K-Nearest Neighbor is used to classify them. Our approach has been evaluated in two benchmarking scenarios consisting of hand-drawn symbols. Compared with state-of-the-art methods for symbol recognition, our method shows higher tolerance to the irregular deformations induced by hand-drawn strokes.
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Mathieu Nicolas Delalandre, Ernest Valveny, Tony Pridmore, & Dimosthenis Karatzas. (2010). Generation of Synthetic Documents for Performance Evaluation of Symbol Recognition & Spotting Systems. IJDAR - International Journal on Document Analysis and Recognition, 13(3), 187–207.
Abstract: This paper deals with the topic of performance evaluation of symbol recognition & spotting systems. We propose here a new approach to the generation of synthetic graphics documents containing non-isolated symbols in a real context. This approach is based on the definition of a set of constraints that permit us to place the symbols on a pre-defined background according to the properties of a particular domain (architecture, electronics, engineering, etc.). In this way, we can obtain a large amount of images resembling real documents by simply defining the set of constraints and providing a few pre-defined backgrounds. As documents are synthetically generated, the groundtruth (the location and the label of every symbol) becomes automatically available. We have applied this approach to the generation of a large database of architectural drawings and electronic diagrams, which shows the flexibility of the system. Performance evaluation experiments of a symbol localization system show that our approach permits to generate documents with different features that are reflected in variation of localization results.
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Alicia Fornes, Josep Llados, Gemma Sanchez, Xavier Otazu, & Horst Bunke. (2010). A Combination of Features for Symbol-Independent Writer Identification in Old Music Scores. IJDAR - International Journal on Document Analysis and Recognition, 13(4), 243–259.
Abstract: The aim of writer identification is determining the writer of a piece of handwriting from a set of writers. In this paper, we present an architecture for writer identification in old handwritten music scores. Even though an important amount of music compositions contain handwritten text, the aim of our work is to use only music notation to determine the author. The main contribution is therefore the use of features extracted from graphical alphabets. Our proposal consists in combining the identification results of two different approaches, based on line and textural features. The steps of the ensemble architecture are the following. First of all, the music sheet is preprocessed for removing the staff lines. Then, music lines and texture images are generated for computing line features and textural features. Finally, the classification results are combined for identifying the writer. The proposed method has been tested on a database of old music scores from the seventeenth to nineteenth centuries, achieving a recognition rate of about 92% with 20 writers.
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