Jordi Roca, C. Alejandro Parraga, & Maria Vanrell. (2012). Predicting categorical colour perception in successive colour constancy. In Perception (Vol. 41, 138).
Abstract: Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple
affine matrix model, adjusted to the chromatic setting results.
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Jordi Roca, Maria Vanrell, & C. Alejandro Parraga. (2012). What is constant in colour constancy? In 6th European Conference on Colour in Graphics, Imaging and Vision (pp. 337–343).
Abstract: Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy
algorithms [3] for estimating the scene illuminant.
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Marc Serra, Olivier Penacchio, Robert Benavente, & Maria Vanrell. (2012). Names and Shades of Color for Intrinsic Image Estimation. In 25th IEEE Conference on Computer Vision and Pattern Recognition (pp. 278–285). IEEE Xplore.
Abstract: In the last years, intrinsic image decomposition has gained attention. Most of the state-of-the-art methods are based on the assumption that reflectance changes come along with strong image edges. Recently, user intervention in the recovery problem has proved to be a remarkable source of improvement. In this paper, we propose a novel approach that aims to overcome the shortcomings of pure edge-based methods by introducing strong surface descriptors, such as the color-name descriptor which introduces high-level considerations resembling top-down intervention. We also use a second surface descriptor, termed color-shade, which allows us to include physical considerations derived from the image formation model capturing gradual color surface variations. Both color cues are combined by means of a Markov Random Field. The method is quantitatively tested on the MIT ground truth dataset using different error metrics, achieving state-of-the-art performance.
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Marc Serra, Olivier Penacchio, Robert Benavente, Maria Vanrell, & Dimitris Samaras. (2014). The Photometry of Intrinsic Images. In 27th IEEE Conference on Computer Vision and Pattern Recognition (pp. 1494–1501).
Abstract: Intrinsic characterization of scenes is often the best way to overcome the illumination variability artifacts that complicate most computer vision problems, from 3D reconstruction to object or material recognition. This paper examines the deficiency of existing intrinsic image models to accurately account for the effects of illuminant color and sensor characteristics in the estimation of intrinsic images and presents a generic framework which incorporates insights from color constancy research to the intrinsic image decomposition problem. The proposed mathematical formulation includes information about the color of the illuminant and the effects of the camera sensors, both of which modify the observed color of the reflectance of the objects in the scene during the acquisition process. By modeling these effects, we get a “truly intrinsic” reflectance image, which we call absolute reflectance, which is invariant to changes of illuminant or camera sensors. This model allows us to represent a wide range of intrinsic image decompositions depending on the specific assumptions on the geometric properties of the scene configuration and the spectral properties of the light source and the acquisition system, thus unifying previous models in a single general framework. We demonstrate that even partial information about sensors improves significantly the estimated reflectance images, thus making our method applicable for a wide range of sensors. We validate our general intrinsic image framework experimentally with both synthetic data and natural images.
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Maria Vanrell. (1997). Exploring the space of behaviour of a texture perception algorithm.
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Maria Vanrell, Felipe Lumbreras, A. Pujol, Ramon Baldrich, Josep Llados, & Juan J. Villanueva. (2001). Colour Normalisation Based on Background Information..
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Maria Vanrell, & Jordi Vitria. (1993). Mathematical Morphology, Granulometries and Texture Perception..
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Maria Vanrell, & Jordi Vitria. (1997). Optimal 3x3 decomposable disks for morphological transformations. Image and Vision Computing, 15(2): 845–854.
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Maria Vanrell, Jordi Vitria, & Xavier Roca. (1997). A multidimensional scaling approach to explore the behavior of a texture perception algorithm. Machine Vision and Applications, 9, 262–271.
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Maria Vanrell, Jordi Vitria, & Xavier Roca. (1993). A General Morphological Framework for Perceptual Texture Discrimination based on Granulometries..
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Maria Vanrell, Naila Murray, Robert Benavente, C. Alejandro Parraga, Xavier Otazu, & Ramon Baldrich. (2011). Perception Based Representations for Computational Colour. In Alain Trémeau S. T. Raimondo Schettini (Ed.), 3rd International Workshop on Computational Color Imaging (Vol. 6626, pp. 16–30). LNCS. Springer-Verlag.
Abstract: The perceived colour of a stimulus is dependent on multiple factors stemming out either from the context of the stimulus or idiosyncrasies of the observer. The complexity involved in combining these multiple effects is the main reason for the gap between classical calibrated colour spaces from colour science and colour representations used in computer vision, where colour is just one more visual cue immersed in a digital image where surfaces, shadows and illuminants interact seemingly out of control. With the aim to advance a few steps towards bridging this gap we present some results on computational representations of colour for computer vision. They have been developed by introducing perceptual considerations derived from the interaction of the colour of a point with its context. We show some techniques to represent the colour of a point influenced by assimilation and contrast effects due to the image surround and we show some results on how colour saliency can be derived in real images. We outline a model for automatic assignment of colour names to image points directly trained on psychophysical data. We show how colour segments can be perceptually grouped in the image by imposing shading coherence in the colour space.
Keywords: colour perception, induction, naming, psychophysical data, saliency, segmentation
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Maria Vanrell, Ramon Baldrich, Anna Salvatella, Robert Benavente, & Francesc Tous. (2004). Induction operators for a computational colour-texture representation. Computer Vision and Image Understanding, 94(1–3):92–114, ISSN: 1077–3142 (IF: 0.651).
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Naila Murray, Maria Vanrell, Xavier Otazu, & C. Alejandro Parraga. (2011). Saliency Estimation Using a Non-Parametric Low-Level Vision Model. In IEEE conference on Computer Vision and Pattern Recognition (pp. 433–440).
Abstract: Many successful models for predicting attention in a scene involve three main steps: convolution with a set of filters, a center-surround mechanism and spatial pooling to construct a saliency map. However, integrating spatial information and justifying the choice of various parameter values remain open problems. In this paper we show that an efficient model of color appearance in human vision, which contains a principled selection of parameters as well as an innate spatial pooling mechanism, can be generalized to obtain a saliency model that outperforms state-of-the-art models. Scale integration is achieved by an inverse wavelet transform over the set of scale-weighted center-surround responses. The scale-weighting function (termed ECSF) has been optimized to better replicate psychophysical data on color appearance, and the appropriate sizes of the center-surround inhibition windows have been determined by training a Gaussian Mixture Model on eye-fixation data, thus avoiding ad-hoc parameter selection. Additionally, we conclude that the extension of a color appearance model to saliency estimation adds to the evidence for a common low-level visual front-end for different visual tasks.
Keywords: Gaussian mixture model;ad hoc parameter selection;center-surround inhibition windows;center-surround mechanism;color appearance model;convolution;eye-fixation data;human vision;innate spatial pooling mechanism;inverse wavelet transform;low-level visual front-end;nonparametric low-level vision model;saliency estimation;saliency map;scale integration;scale-weighted center-surround response;scale-weighting function;visual task;Gaussian processes;biology;biology computing;colour vision;computer vision;visual perception;wavelet transforms
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Naila Murray, Maria Vanrell, Xavier Otazu, & C. Alejandro Parraga. (2013). Low-level SpatioChromatic Grouping for Saliency Estimation. TPAMI - IEEE Transactions on Pattern Analysis and Machine Intelligence, 35(11), 2810–2816.
Abstract: We propose a saliency model termed SIM (saliency by induction mechanisms), which is based on a low-level spatiochromatic model that has successfully predicted chromatic induction phenomena. In so doing, we hypothesize that the low-level visual mechanisms that enhance or suppress image detail are also responsible for making some image regions more salient. Moreover, SIM adds geometrical grouplets to enhance complex low-level features such as corners, and suppress relatively simpler features such as edges. Since our model has been fitted on psychophysical chromatic induction data, it is largely nonparametric. SIM outperforms state-of-the-art methods in predicting eye fixations on two datasets and using two metrics.
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