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Jon Almazan, Alicia Fornes and Ernest Valveny. 2011. A Non-Rigid Feature Extraction Method for Shape Recognition. 11th International Conference on Document Analysis and Recognition.987–991.
Abstract: This paper presents a methodology for shape recognition that focuses on dealing with the difficult problem of large deformations. The proposed methodology consists in a novel feature extraction technique, which uses a non-rigid representation adaptable to the shape. This technique employs a deformable grid based on the computation of geometrical centroids that follows a region partitioning algorithm. Then, a feature vector is extracted by computing pixel density measures around these geometrical centroids. The result is a shape descriptor that adapts its representation to the given shape and encodes the pixel density distribution. The validity of the method when dealing with large deformations has been experimentally shown over datasets composed of handwritten shapes. It has been applied to signature verification and shape recognition tasks demonstrating high accuracy and low computational cost.
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Lluis Pere de las Heras, Joan Mas, Gemma Sanchez and Ernest Valveny. 2011. Wall Patch-Based Segmentation in Architectural Floorplans. 11th International Conference on Document Analysis and Recognition.1270–1274.
Abstract: Segmentation of architectural floor plans is a challenging task, mainly because of the large variability in the notation between different plans. In general, traditional techniques, usually based on analyzing and grouping structural primitives obtained by vectorization, are only able to handle a reduced range of similar notations. In this paper we propose an alternative patch-based segmentation approach working at pixel level, without need of vectorization. The image is divided into a set of patches and a set of features is extracted for every patch. Then, each patch is assigned to a visual word of a previously learned vocabulary and given a probability of belonging to each class of objects. Finally, a post-process assigns the final label for every pixel. This approach has been applied to the detection of walls on two datasets of architectural floor plans with different notations, achieving high accuracy rates.
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Alicia Fornes, Anjan Dutta, Albert Gordo and Josep Llados. 2011. The ICDAR 2011 Music Scores Competition: Staff Removal and Writer Identification. 11th International Conference on Document Analysis and Recognition.1511–1515.
Abstract: In the last years, there has been a growing interest in the analysis of handwritten music scores. In this sense, our goal has been to foster the interest in the analysis of handwritten music scores by the proposal of two different competitions: Staff removal and Writer Identification. Both competitions have been tested on the CVC-MUSCIMA database: a ground-truth of handwritten music score images. This paper describes the competition details, including the dataset and ground-truth, the evaluation metrics, and a short description of the participants, their methods, and the obtained results.
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Albert Gordo, Florent Perronnin and Ernest Valveny. 2012. Document classification using multiple views. 10th IAPR International Workshop on Document Analysis Systems. IEEE Computer Society Washington, 33–37.
Abstract: The combination of multiple features or views when representing documents or other kinds of objects usually leads to improved results in classification (and retrieval) tasks. Most systems assume that those views will be available both at training and test time. However, some views may be too `expensive' to be available at test time. In this paper, we consider the use of Canonical Correlation Analysis to leverage `expensive' views that are available only at training time. Experimental results show that this information may significantly improve the results in a classification task.
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Josep Llados and Marçal Rusiñol. 2014. Graphics Recognition Techniques. In D. Doermann and K. Tombre, eds. Handbook of Document Image Processing and Recognition. Springer London, 489–521.
Abstract: This chapter describes the most relevant approaches for the analysis of graphical documents. The graphics recognition pipeline can be splitted into three tasks. The low level or lexical task extracts the basic units composing the document. The syntactic level is focused on the structure, i.e., how graphical entities are constructed, and involves the location and classification of the symbols present in the document. The third level is a functional or semantic level, i.e., it models what the graphical symbols do and what they mean in the context where they appear. This chapter covers the lexical level, while the next two chapters are devoted to the syntactic and semantic level, respectively. The main problems reviewed in this chapter are raster-to-vector conversion (vectorization algorithms) and the separation of text and graphics components. The research and industrial communities have provided standard methods achieving reasonable performance levels. Hence, graphics recognition techniques can be considered to be in a mature state from a scientific point of view. Additionally this chapter provides insights on some related problems, namely, the extraction and recognition of dimensions in engineering drawings, and the recognition of hatched and tiled patterns. Both problems are usually associated, even integrated, in the vectorization process.
Keywords: Dimension recognition; Graphics recognition; Graphic-rich documents; Polygonal approximation; Raster-to-vector conversion; Texture-based primitive extraction; Text-graphics separation
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Salvatore Tabbone and Oriol Ramos Terrades. 2014. An Overview of Symbol Recognition. In D. Doermann and K. Tombre, eds. Handbook of Document Image Processing and Recognition. Springer London, 523–551.
Abstract: According to the Cambridge Dictionaries Online, a symbol is a sign, shape, or object that is used to represent something else. Symbol recognition is a subfield of general pattern recognition problems that focuses on identifying, detecting, and recognizing symbols in technical drawings, maps, or miscellaneous documents such as logos and musical scores. This chapter aims at providing the reader an overview of the different existing ways of describing and recognizing symbols and how the field has evolved to attain a certain degree of maturity.
Keywords: Pattern recognition; Shape descriptors; Structural descriptors; Symbolrecognition; Symbol spotting
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A.Kesidis and Dimosthenis Karatzas. 2014. Logo and Trademark Recognition. In D. Doermann and K. Tombre, eds. Handbook of Document Image Processing and Recognition. Springer London, 591–646.
Abstract: The importance of logos and trademarks in nowadays society is indisputable, variably seen under a positive light as a valuable service for consumers or a negative one as a catalyst of ever-increasing consumerism. This chapter discusses the technical approaches for enabling machines to work with logos, looking into the latest methodologies for logo detection, localization, representation, recognition, retrieval, and spotting in a variety of media. This analysis is presented in the context of three different applications covering the complete depth and breadth of state of the art techniques. These are trademark retrieval systems, logo recognition in document images, and logo detection and removal in images and videos. This chapter, due to the very nature of logos and trademarks, brings together various facets of document image analysis spanning graphical and textual content, while it links document image analysis to other computer vision domains, especially when it comes to the analysis of real-scene videos and images.
Keywords: Logo recognition; Logo removal; Logo spotting; Trademark registration; Trademark retrieval systems
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Alicia Fornes and Gemma Sanchez. 2014. Analysis and Recognition of Music Scores. In D. Doermann and K. Tombre, eds. Handbook of Document Image Processing and Recognition. Springer London, 749–774.
Abstract: The analysis and recognition of music scores has attracted the interest of researchers for decades. Optical Music Recognition (OMR) is a classical research field of Document Image Analysis and Recognition (DIAR), whose aim is to extract information from music scores. Music scores contain both graphical and textual information, and for this reason, techniques are closely related to graphics recognition and text recognition. Since music scores use a particular diagrammatic notation that follow the rules of music theory, many approaches make use of context information to guide the recognition and solve ambiguities. This chapter overviews the main Optical Music Recognition (OMR) approaches. Firstly, the different methods are grouped according to the OMR stages, namely, staff removal, music symbol recognition, and syntactical analysis. Secondly, specific approaches for old and handwritten music scores are reviewed. Finally, online approaches and commercial systems are also commented.
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Antonio Lopez, Atsushi Imiya, Tomas Pajdla and Jose Manuel Alvarez. Computer Vision in Vehicle Technology: Land, Sea & Air.
Abstract: A unified view of the use of computer vision technology for different types of vehicles
Computer Vision in Vehicle Technology focuses on computer vision as on-board technology, bringing together fields of research where computer vision is progressively penetrating: the automotive sector, unmanned aerial and underwater vehicles. It also serves as a reference for researchers of current developments and challenges in areas of the application of computer vision, involving vehicles such as advanced driver assistance (pedestrian detection, lane departure warning, traffic sign recognition), autonomous driving and robot navigation (with visual simultaneous localization and mapping) or unmanned aerial vehicles (obstacle avoidance, landscape classification and mapping, fire risk assessment).
The overall role of computer vision for the navigation of different vehicles, as well as technology to address on-board applications, is analysed.
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Antonio Clavelli and Dimosthenis Karatzas. 2009. Text Segmentation in Colour Posters from the Spanish Civil War Era. 10th International Conference on Document Analysis and Recognition.181–185.
Abstract: The extraction of textual content from colour documents of a graphical nature is a complicated task. The text can be rendered in any colour, size and orientation while the existence of complex background graphics with repetitive patterns can make its localization and segmentation extremely difficult.
Here, we propose a new method for extracting textual content from such colour images that makes no assumption as to the size of the characters, their orientation or colour, while it is tolerant to characters that do not follow a straight baseline. We evaluate this method on a collection of documents with historical
connotations: the Posters from the Spanish Civil War.
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