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| Author | Xavier Otazu |
 
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| Title | Perceptual tone-mapping operator based on multiresolution contrast decomposition | Type | Abstract | |||
Year  |
2012 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 41 | Issue | Pages | 86 | ||
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| Abstract | Tone-mapping operators (TMO) are used to display high dynamic range(HDR) images in low dynamic range (LDR) displays. Many computational and biologically inspired approaches have been used in the literature, being many of them based on multiresolution decompositions. In this work, a simple two stage model for TMO is presented. The first stage is a novel multiresolution contrast decomposition, which is inspired in a pyramidal contrast decomposition (Peli, 1990 Journal of the Optical Society of America7(10), 2032-2040).
This novel multiresolution decomposition represents the Michelson contrast of the image at different spatial scales. This multiresolution contrast representation, applied on the intensity channel of an opponent colour decomposition, is processed by a non-linear saturating model of V1 neurons (Albrecht et al, 2002 Journal ofNeurophysiology 88(2) 888-913). This saturation model depends on the visual frequency, and it has been modified in order to include information from the extended Contrast Sensitivity Function (e-CSF) (Otazu et al, 2010 Journal ofVision10(12) 5). A set of HDR images in Radiance RGBE format (from CIS HDR Photographic Survey and Greg Ward database) have been used to test the model, obtaining a set of LDR images. The resulting LDR images do not show the usual halo or color modification artifacts. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Ota2012 | Serial | 2179 | |||
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| Author | Olivier Penacchio; Laura Dempere-Marco; Xavier Otazu |
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| Title | Switching off brightness induction through induction-reversed images | Type | Abstract | |||
| Year |
2012 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 41 | Issue | Pages | 208 | ||
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| Abstract | Brightness induction is the modulation of the perceived intensity of an
area by the luminance of surrounding areas. Although V1 is traditionally regarded as an area mostly responsive to retinal information, neurophysiological evidence suggests that it may explicitly represent brightness information. In this work, we investigate possible neural mechanisms underlying brightness induction. To this end, we consider the model by Z Li (1999 Computation and Neural Systems10187-212) which is constrained by neurophysiological data and focuses on the part of V1 responsible for contextual influences. This model, which has proven to account for phenomena such as contour detection and preattentive segmentation, shares with brightness induction the relevant effect of contextual influences. Importantly, the input to our network model derives from a complete multiscale and multiorientation wavelet decomposition, which makes it possible to recover an image reflecting the perceived luminance and successfully accounts for well known psychophysical effects for both static and dynamic contexts. By further considering inverse problem techniques we define induction-reversed images: given a target image, we build an image whose perceived luminance matches the actual luminance of the original stimulus, thus effectively canceling out brightness induction effects. We suggest that induction-reversed images may help remove undesired perceptual effects and can find potential applications in fields such as radiological image interpretation |
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PDO2012a | Serial | 2180 | |||
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| Author | Olivier Penacchio; Laura Dempere-Marco; Xavier Otazu |
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| Title | A Neurodynamical Model Of Brightness Induction In V1 Following Static And Dynamic Contextual Influences | Type | Abstract | |||
| Year |
2012 | Publication | 8th Federation of European Neurosciences | Abbreviated Journal | ||
| Volume | 6 | Issue | Pages | 63-64 | ||
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| Abstract | Brightness induction is the modulation of the perceived intensity of an area by the luminance of surrounding areas. Although striate cortex is traditionally regarded as an area mostly responsive to ensory (i.e. retinal) information,
neurophysiological evidence suggests that perceived brightness information mightbe explicitly represented in V1. Such evidence has been observed both in anesthetised cats where neuronal response modulations have been found to follow luminance changes outside the receptive felds and in human fMRI measurements. In this work, possible neural mechanisms that ofer a plausible explanation for such phenomenon are investigated. To this end, we consider the model proposed by Z.Li (Li, Network:Comput. Neural Syst., 10 (1999)) which is based on neurophysiological evidence and focuses on the part of V1 responsible for contextual infuences, i.e. layer 2-3 pyramidal cells, interneurons, and horizontal intracortical connections. This model has reproduced other phenomena such as contour detection and preattentive segmentation, which share with brightness induction the relevant efect of contextual infuences. We have extended the original model such that the input to the network is obtained from a complete multiscale and multiorientation wavelet decomposition, thereby allowing the recovery of an image refecting the perceived intensity. The proposed model successfully accounts for well known psychophysical efects for static contexts (among them: the White's and modifed White's efects, the Todorovic, Chevreul, achromatic ring patterns, and grating induction efects) and also for brigthness induction in dynamic contexts defned by modulating the luminance of surrounding areas (e.g. the brightness of a static central area is perceived to vary in antiphase to the sinusoidal luminance changes of its surroundings). This work thus suggests that intra-cortical interactions in V1 could partially explain perceptual brightness induction efects and reveals how a common general architecture may account for several different fundamental processes emerging early in the visual processing pathway. |
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| Area | Expedition | Conference | FENS | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PDO2012b | Serial | 2181 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Predicting categorical colour perception in successive colour constancy | Type | Abstract | |||
| Year |
2012 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 41 | Issue | Pages | 138 | ||
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| Abstract | Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple affine matrix model, adjusted to the chromatic setting results. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ RPV2012 | Serial | 2188 | |||
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| Author | Jordi Roca; Maria Vanrell; C. Alejandro Parraga |
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| Title | What is constant in colour constancy? | Type | Conference Article | |||
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2012 | Publication | 6th European Conference on Colour in Graphics, Imaging and Vision | Abbreviated Journal | ||
| Volume | Issue | Pages | 337-343 | |||
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| Abstract | Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy algorithms [3] for estimating the scene illuminant. |
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| ISSN | ISBN | 9781622767014 | Medium | |||
| Area | Expedition | Conference | CGIV | |||
| Notes | CIC | Approved | no | |||
| Call Number | RVP2012 | Serial | 2189 | |||
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| Author | Susana Alvarez |
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| Title | Revisión de la teoría de los Textons Enfoque computacional en color | Type | Book Whole | |||
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2012 | Publication | PhD Thesis, Universitat Autonoma de Barcelona-CVC | Abbreviated Journal | ||
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| Abstract | El color y la textura son dos estímulos visuales importantes para la interpretación de las imágenes. La definición de descriptores computacionales que combinan estas dos características es aún un problema abierto. La dificultad se deriva esencialmente de la propia naturaleza de ambas, mientras que la textura es una propiedad de una región, el color es una propiedad de un punto.
Hasta ahora se han utilizado tres los tipos de aproximaciones para la combinación, (a) se describe la textura directamente en cada uno de los canales color, (b) se describen textura y color por separado y se combinan al final, y (c) la combinación se realiza con técnicas de aprendizaje automático. Considerando que este problema se resuelve en el sistema visual humano en niveles muy tempranos, en esta tesis se propone estudiar el problema a partir de la implementación directa de una teoría perceptual, la teoría de los textons, y explorar así su extensión a color. Puesto que la teoría de los textons se basa en la descripción de la textura a partir de las densidades de los atributos locales, esto se adapta perfectamente al marco de trabajo de los descriptores holísticos (bag-of-words). Se han estudiado diversos descriptores basados en diferentes espacios de textons, y diferentes representaciones de las imágenes. Asimismo se ha estudiado la viabilidad de estos descriptores en una representación conceptual de nivel intermedio. Los descriptores propuestos han demostrado ser muy eficientes en aplicaciones de recuperación y clasificación de imágenes, presentando ventajas en la generación de vocabularios. Los vocabularios se obtienen cuantificando directamente espacios de baja dimensión y la perceptualidad de estos espacios permite asociar semántica de bajo nivel a las palabras visuales. El estudio de los resultados permite concluir que si bien la aproximación holística es muy eficiente, la introducción de co-ocurrencia espacial de las propiedades de forma y color de los blobs de la imagen es un elemento clave para su combinación, hecho que no contradice las evidencias en percepción |
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| Corporate Author | Thesis | Ph.D. thesis | ||||
| Publisher | Ediciones Graficas Rey | Place of Publication | Editor | Maria Vanrell;Xavier Otazu | ||
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| Notes | CIC | Approved | no | |||
| Call Number | Alv2012b | Serial | 2216 | |||
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| Author | Naila Murray |
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| Title | Predicting Saliency and Aesthetics in Images: A Bottom-up Perspective | Type | Book Whole | |||
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2012 | Publication | PhD Thesis, Universitat Autonoma de Barcelona-CVC | Abbreviated Journal | ||
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| Abstract | In Part 1 of the thesis, we hypothesize that salient and non-salient image regions can be estimated to be the regions which are enhanced or assimilated in standard low-level color image representations. We prove this hypothesis by adapting a low-level model of color perception into a saliency estimation model. This model shares the three main steps found in many successful models for predicting attention in a scene: convolution with a set of filters, a center-surround mechanism and spatial pooling to construct a saliency map. For such models, integrating spatial information and justifying the choice of various parameter values remain open problems. Our saliency model inherits a principled selection of parameters as well as an innate spatial pooling mechanism from the perception model on which it is based. This pooling mechanism has been fitted using psychophysical data acquired in color-luminance setting experiments. The proposed model outperforms the state-of-the-art at the task of predicting eye-fixations from two datasets. After demonstrating the effectiveness of our basic saliency model, we introduce an improved image representation, based on geometrical grouplets, that enhances complex low-level visual features such as corners and terminations, and suppresses relatively simpler features such as edges. With this improved image representation, the performance of our saliency model in predicting eye-fixations increases for both datasets.
In Part 2 of the thesis, we investigate the problem of aesthetic visual analysis. While a great deal of research has been conducted on hand-crafting image descriptors for aesthetics, little attention so far has been dedicated to the collection, annotation and distribution of ground truth data. Because image aesthetics is complex and subjective, existing datasets, which have few images and few annotations, have significant limitations. To address these limitations, we have introduced a new large-scale database for conducting Aesthetic Visual Analysis, which we call AVA. AVA contains more than 250,000 images, along with a rich variety of annotations. We investigate how the wealth of data in AVA can be used to tackle the challenge of understanding and assessing visual aesthetics by looking into several problems relevant for aesthetic analysis. We demonstrate that by leveraging the data in AVA, and using generic low-level features such as SIFT and color histograms, we can exceed state-of-the-art performance in aesthetic quality prediction tasks. Finally, we entertain the hypothesis that low-level visual information in our saliency model can also be used to predict visual aesthetics by capturing local image characteristics such as feature contrast, grouping and isolation, characteristics thought to be related to universal aesthetic laws. We use the weighted center-surround responses that form the basis of our saliency model to create a feature vector that describes aesthetics. We also introduce a novel color space for fine-grained color representation. We then demonstrate that the resultant features achieve state-of-the-art performance on aesthetic quality classification. As such, a promising contribution of this thesis is to show that several vision experiences – low-level color perception, visual saliency and visual aesthetics estimation – may be successfully modeled using a unified framework. This suggests a similar architecture in area V1 for both color perception and saliency and adds evidence to the hypothesis that visual aesthetics appreciation is driven in part by low-level cues. |
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| Corporate Author | Thesis | Ph.D. thesis | ||||
| Publisher | Ediciones Graficas Rey | Place of Publication | Editor | Xavier Otazu;Maria Vanrell | ||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Mur2012 | Serial | 2212 | |||
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| Author | Jordi Roca |
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| Title | Constancy and inconstancy in categorical colour perception | Type | Book Whole | |||
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2012 | Publication | PhD Thesis, Universitat Autonoma de Barcelona-CVC | Abbreviated Journal | ||
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| Abstract | To recognise objects is perhaps the most important task an autonomous system, either biological or artificial needs to perform. In the context of human vision, this is partly achieved by recognizing the colour of surfaces despite changes in the wavelength distribution of the illumination, a property called colour constancy. Correct surface colour recognition may be adequately accomplished by colour category matching without the need to match colours precisely, therefore categorical colour constancy is likely to play an important role for object identification to be successful. The main aim of this work is to study the relationship between colour constancy and categorical colour perception. Previous studies of colour constancy have shown the influence of factors such the spatio-chromatic properties of the background, individual observer's performance, semantics, etc. However there is very little systematic study of these influences. To this end, we developed a new approach to colour constancy which includes both individual observers' categorical perception, the categorical structure of the background, and their interrelations resulting in a more comprehensive characterization of the phenomenon. In our study, we first developed a new method to analyse the categorical structure of 3D colour space, which allowed us to characterize individual categorical colour perception as well as quantify inter-individual variations in terms of shape and centroid location of 3D categorical regions. Second, we developed a new colour constancy paradigm, termed chromatic setting, which allows measuring the precise location of nine categorically-relevant points in colour space under immersive illumination. Additionally, we derived from these measurements a new colour constancy index which takes into account the magnitude and orientation of the chromatic shift, memory effects and the interrelations among colours and a model of colour naming tuned to each observer/adaptation state. Our results lead to the following conclusions: (1) There exists large inter-individual variations in the categorical structure of colour space, and thus colour naming ability varies significantly but this is not well predicted by low-level chromatic discrimination ability; (2) Analysis of the average colour naming space suggested the need for an additional three basic colour terms (turquoise, lilac and lime) for optimal colour communication; (3) Chromatic setting improved the precision of more complex linear colour constancy models and suggested that mechanisms other than cone gain might be best suited to explain colour constancy; (4) The categorical structure of colour space is broadly stable under illuminant changes for categorically balanced backgrounds; (5) Categorical inconstancy exists for categorically unbalanced backgrounds thus indicating that categorical information perceived in the initial stages of adaptation may constrain further categorical perception. | |||||
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| Corporate Author | Thesis | Ph.D. thesis | ||||
| Publisher | Place of Publication | Editor | Maria Vanrell;C. Alejandro Parraga | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Roc2012 | Serial | 2893 | |||
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| Author | Joost Van de Weijer; Fahad Shahbaz Khan |
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| Title | Fusing Color and Shape for Bag-of-Words Based Object Recognition | Type | Conference Article | |||
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2013 | Publication | 4th Computational Color Imaging Workshop | Abbreviated Journal | ||
| Volume | 7786 | Issue | Pages | 25-34 | ||
| Keywords | Object Recognition; color features; bag-of-words; image classification | |||||
| Abstract | In this article we provide an analysis of existing methods for the incorporation of color in bag-of-words based image representations. We propose a list of desired properties on which bases fusing methods can be compared. We discuss existing methods and indicate shortcomings of the two well-known fusing methods, namely early and late fusion. Several recent works have addressed these shortcomings by exploiting top-down information in the bag-of-words pipeline: color attention which is motivated from human vision, and Portmanteau vocabularies which are based on information theoretic compression of product vocabularies. We point out several remaining challenges in cue fusion and provide directions for future research. | |||||
| Address | Chiba; Japan; March 2013 | |||||
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| Publisher | Springer Berlin Heidelberg | Place of Publication | Editor | |||
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| ISSN | 0302-9743 | ISBN | 978-3-642-36699-4 | Medium | ||
| Area | Expedition | Conference | CCIW | |||
| Notes | CIC; 600.048 | Approved | no | |||
| Call Number | Admin @ si @ WeK2013 | Serial | 2283 | |||
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| Author | Joost Van de Weijer; Fahad Shahbaz Khan; Marc Masana |
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| Title | Interactive Visual and Semantic Image Retrieval | Type | Book Chapter | |||
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2013 | Publication | Multimodal Interaction in Image and Video Applications | Abbreviated Journal | ||
| Volume | 48 | Issue | Pages | 31-35 | ||
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| Abstract | One direct consequence of recent advances in digital visual data generation and the direct availability of this information through the World-Wide Web, is a urgent demand for efficient image retrieval systems. The objective of image retrieval is to allow users to efficiently browse through this abundance of images. Due to the non-expert nature of the majority of the internet users, such systems should be user friendly, and therefore avoid complex user interfaces. In this chapter we investigate how high-level information provided by recently developed object recognition techniques can improve interactive image retrieval. Wel apply a bagof- word based image representation method to automatically classify images in a number of categories. These additional labels are then applied to improve the image retrieval system. Next to these high-level semantic labels, we also apply a low-level image description to describe the composition and color scheme of the scene. Both descriptions are incorporated in a user feedback image retrieval setting. The main objective is to show that automatic labeling of images with semantic labels can improve image retrieval results. | |||||
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| Publisher | Springer Berlin Heidelberg | Place of Publication | Editor | Angel Sappa; Jordi Vitria | ||
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| ISSN | 1868-4394 | ISBN | 978-3-642-35931-6 | Medium | ||
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| Notes | CIC; 605.203; 600.048 | Approved | no | |||
| Call Number | Admin @ si @ WKC2013 | Serial | 2284 | |||
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| Author | Fahad Shahbaz Khan; Muhammad Anwer Rao; Joost Van de Weijer; Andrew Bagdanov; Antonio Lopez; Michael Felsberg |
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| Title | Coloring Action Recognition in Still Images | Type | Journal Article | |||
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2013 | Publication | International Journal of Computer Vision | Abbreviated Journal | IJCV | |
| Volume | 105 | Issue | 3 | Pages | 205-221 | |
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| Abstract | In this article we investigate the problem of human action recognition in static images. By action recognition we intend a class of problems which includes both action classification and action detection (i.e. simultaneous localization and classification). Bag-of-words image representations yield promising results for action classification, and deformable part models perform very well object detection. The representations for action recognition typically use only shape cues and ignore color information. Inspired by the recent success of color in image classification and object detection, we investigate the potential of color for action classification and detection in static images. We perform a comprehensive evaluation of color descriptors and fusion approaches for action recognition. Experiments were conducted on the three datasets most used for benchmarking action recognition in still images: Willow, PASCAL VOC 2010 and Stanford-40. Our experiments demonstrate that incorporating color information considerably improves recognition performance, and that a descriptor based on color names outperforms pure color descriptors. Our experiments demonstrate that late fusion of color and shape information outperforms other approaches on action recognition. Finally, we show that the different color–shape fusion approaches result in complementary information and combining them yields state-of-the-art performance for action classification. | |||||
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| Publisher | Springer US | Place of Publication | Editor | |||
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| ISSN | 0920-5691 | ISBN | Medium | |||
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| Notes | CIC; ADAS; 600.057; 600.048 | Approved | no | |||
| Call Number | Admin @ si @ KRW2013 | Serial | 2285 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Chromatic settings and the structural color constancy index | Type | Journal Article | |||
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2013 | Publication | Journal of Vision | Abbreviated Journal | JV | |
| Volume | 13 | Issue | 4-3 | Pages | 1-26 | |
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| Abstract | Color constancy is usually measured by achromatic setting, asymmetric matching, or color naming paradigms, whose results are interpreted in terms of indexes and models that arguably do not capture the full complexity of the phenomenon. Here we propose a new paradigm, chromatic setting, which allows a more comprehensive characterization of color constancy through the measurement of multiple points in color space under immersive adaptation. We demonstrated its feasibility by assessing the consistency of subjects' responses over time. The paradigm was applied to two-dimensional (2-D) Mondrian stimuli under three different illuminants, and the results were used to fit a set of linear color constancy models. The use of multiple colors improved the precision of more complex linear models compared to the popular diagonal model computed from gray. Our results show that a diagonal plus translation matrix that models mechanisms other than cone gain might be best suited to explain the phenomenon. Additionally, we calculated a number of color constancy indices for several points in color space, and our results suggest that interrelations among colors are not as uniform as previously believed. To account for this variability, we developed a new structural color constancy index that takes into account the magnitude and orientation of the chromatic shift in addition to the interrelations among colors and memory effects. | |||||
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| Notes | CIC; 600.052; 600.051; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ RPV2013 | Serial | 2288 | |||
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| Author | Naila Murray; Maria Vanrell; Xavier Otazu; C. Alejandro Parraga |
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| Title | Low-level SpatioChromatic Grouping for Saliency Estimation | Type | Journal Article | |||
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2013 | Publication | IEEE Transactions on Pattern Analysis and Machine Intelligence | Abbreviated Journal | TPAMI | |
| Volume | 35 | Issue | 11 | Pages | 2810-2816 | |
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| Abstract | We propose a saliency model termed SIM (saliency by induction mechanisms), which is based on a low-level spatiochromatic model that has successfully predicted chromatic induction phenomena. In so doing, we hypothesize that the low-level visual mechanisms that enhance or suppress image detail are also responsible for making some image regions more salient. Moreover, SIM adds geometrical grouplets to enhance complex low-level features such as corners, and suppress relatively simpler features such as edges. Since our model has been fitted on psychophysical chromatic induction data, it is largely nonparametric. SIM outperforms state-of-the-art methods in predicting eye fixations on two datasets and using two metrics. | |||||
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| ISSN | 0162-8828 | ISBN | Medium | |||
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| Notes | CIC; 600.051; 600.052; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ MVO2013 | Serial | 2289 | |||
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| Author | Shida Beigpour |
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| Title | Illumination and object reflectance modeling | Type | Book Whole | |||
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2013 | Publication | PhD Thesis, Universitat Autonoma de Barcelona-CVC | Abbreviated Journal | ||
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| Abstract | More realistic and accurate models of the scene illumination and object reflectance can greatly improve the quality of many computer vision and computer graphics tasks. Using such model, a more profound knowledge about the interaction of light with object surfaces can be established which proves crucial to a variety of computer vision applications. In the current work, we investigate the various existing approaches to illumination and reflectance modeling and form an analysis on their shortcomings in capturing the complexity of real-world scenes. Based on this analysis we propose improvements to different aspects of reflectance and illumination estimation in order to more realistically model the real-world scenes in the presence of complex lighting phenomena (i.e, multiple illuminants, interreflections and shadows). Moreover, we captured our own multi-illuminant dataset which consists of complex scenes and illumination conditions both outdoor and in laboratory conditions. In addition we investigate the use of synthetic data to facilitate the construction of datasets and improve the process of obtaining ground-truth information. | |||||
| Address | Barcelona | |||||
| Corporate Author | Thesis | Ph.D. thesis | ||||
| Publisher | Ediciones Graficas Rey | Place of Publication | Editor | Joost Van de Weijer;Ernest Valveny | ||
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| ISSN | ISBN | Medium | ||||
| Area | Expedition | Conference | ||||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Bei2013 | Serial | 2267 | |||
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| Author | A.Gonzalez; Robert Benavente; Olivier Penacchio; Javier Vazquez; Maria Vanrell; C. Alejandro Parraga |
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| Title | Coloresia: An Interactive Colour Perception Device for the Visually Impaired | Type | Book Chapter | |||
| Year |
2013 | Publication | Multimodal Interaction in Image and Video Applications | Abbreviated Journal | ||
| Volume | 48 | Issue | Pages | 47-66 | ||
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| Abstract | A significative percentage of the human population suffer from impairments in their capacity to distinguish or even see colours. For them, everyday tasks like navigating through a train or metro network map becomes demanding. We present a novel technique for extracting colour information from everyday natural stimuli and presenting it to visually impaired users as pleasant, non-invasive sound. This technique was implemented inside a Personal Digital Assistant (PDA) portable device. In this implementation, colour information is extracted from the input image and categorised according to how human observers segment the colour space. This information is subsequently converted into sound and sent to the user via speakers or headphones. In the original implementation, it is possible for the user to send its feedback to reconfigure the system, however several features such as these were not implemented because the current technology is limited.We are confident that the full implementation will be possible in the near future as PDA technology improves. | |||||
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| Publisher | Springer Berlin Heidelberg | Place of Publication | Editor | |||
| Language | Summary Language | Original Title | ||||
| Series Editor | Series Title | Abbreviated Series Title | ||||
| Series Volume | Series Issue | Edition | ||||
| ISSN | 1868-4394 | ISBN | 978-3-642-35931-6 | Medium | ||
| Area | Expedition | Conference | ||||
| Notes | CIC; 600.052; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ GBP2013 | Serial | 2266 | |||
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| Author | Rahat Khan; Joost Van de Weijer; Dimosthenis Karatzas; Damien Muselet |
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| Title | Towards multispectral data acquisition with hand-held devices | Type | Conference Article | |||
| Year |
2013 | Publication | 20th IEEE International Conference on Image Processing | Abbreviated Journal | ||
| Volume | Issue | Pages | 2053 - 2057 | |||
| Keywords | Multispectral; mobile devices; color measurements | |||||
| Abstract | We propose a method to acquire multispectral data with handheld devices with front-mounted RGB cameras. We propose to use the display of the device as an illuminant while the camera captures images illuminated by the red, green and
blue primaries of the display. Three illuminants and three response functions of the camera lead to nine response values which are used for reflectance estimation. Results are promising and show that the accuracy of the spectral reconstruction improves in the range from 30-40% over the spectral reconstruction based on a single illuminant. Furthermore, we propose to compute sensor-illuminant aware linear basis by discarding the part of the reflectances that falls in the sensorilluminant null-space. We show experimentally that optimizing reflectance estimation on these new basis functions decreases the RMSE significantly over basis functions that are independent to sensor-illuminant. We conclude that, multispectral data acquisition is potentially possible with consumer hand-held devices such as tablets, mobiles, and laptops, opening up applications which are currently considered to be unrealistic. |
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| Address | Melbourne; Australia; September 2013 | |||||
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| Language | Summary Language | Original Title | ||||
| Series Editor | Series Title | Abbreviated Series Title | ||||
| Series Volume | Series Issue | Edition | ||||
| ISSN | ISBN | Medium | ||||
| Area | Expedition | Conference | ICIP | |||
| Notes | CIC; DAG; 600.048 | Approved | no | |||
| Call Number | Admin @ si @ KWK2013b | Serial | 2265 | |||
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| Author | Shida Beigpour; Marc Serra; Joost Van de Weijer; Robert Benavente; Maria Vanrell; Olivier Penacchio; Dimitris Samaras |
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| Title | Intrinsic Image Evaluation On Synthetic Complex Scenes | Type | Conference Article | |||
| Year |
2013 | Publication | 20th IEEE International Conference on Image Processing | Abbreviated Journal | ||
| Volume | Issue | Pages | 285 - 289 | |||
| Keywords | ||||||
| Abstract | Scene decomposition into its illuminant, shading, and reflectance intrinsic images is an essential step for scene understanding. Collecting intrinsic image groundtruth data is a laborious task. The assumptions on which the ground-truth
procedures are based limit their application to simple scenes with a single object taken in the absence of indirect lighting and interreflections. We investigate synthetic data for intrinsic image research since the extraction of ground truth is straightforward, and it allows for scenes in more realistic situations (e.g, multiple illuminants and interreflections). With this dataset we aim to motivate researchers to further explore intrinsic image decomposition in complex scenes. |
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| Address | Melbourne; Australia; September 2013 | |||||
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| Publisher | Place of Publication | Editor | ||||
| Language | Summary Language | Original Title | ||||
| Series Editor | Series Title | Abbreviated Series Title | ||||
| Series Volume | Series Issue | Edition | ||||
| ISSN | ISBN | Medium | ||||
| Area | Expedition | Conference | ICIP | |||
| Notes | CIC; 600.048; 600.052; 600.051 | Approved | no | |||
| Call Number | Admin @ si @ BSW2013 | Serial | 2264 | |||
| Permanent link to this record | ||||||
| Author | Rahat Khan; Joost Van de Weijer; Fahad Shahbaz Khan; Damien Muselet; christophe Ducottet; Cecile Barat |
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| Title | Discriminative Color Descriptors | Type | Conference Article | |||
| Year |
2013 | Publication | IEEE Conference on Computer Vision and Pattern Recognition | Abbreviated Journal | ||
| Volume | Issue | Pages | 2866 - 2873 | |||
| Keywords | ||||||
| Abstract | Color description is a challenging task because of large variations in RGB values which occur due to scene accidental events, such as shadows, shading, specularities, illuminant color changes, and changes in viewing geometry. Traditionally, this challenge has been addressed by capturing the variations in physics-based models, and deriving invariants for the undesired variations. The drawback of this approach is that sets of distinguishable colors in the original color space are mapped to the same value in the photometric invariant space. This results in a drop of discriminative power of the color description. In this paper we take an information theoretic approach to color description. We cluster color values together based on their discriminative power in a classification problem. The clustering has the explicit objective to minimize the drop of mutual information of the final representation. We show that such a color description automatically learns a certain degree of photometric invariance. We also show that a universal color representation, which is based on other data sets than the one at hand, can obtain competing performance. Experiments show that the proposed descriptor outperforms existing photometric invariants. Furthermore, we show that combined with shape description these color descriptors obtain excellent results on four challenging datasets, namely, PASCAL VOC 2007, Flowers-102, Stanford dogs-120 and Birds-200. | |||||
| Address | Portland; Oregon; June 2013 | |||||
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| Publisher | Place of Publication | Editor | ||||
| Language | Summary Language | Original Title | ||||
| Series Editor | Series Title | Abbreviated Series Title | ||||
| Series Volume | Series Issue | Edition | ||||
| ISSN | 1063-6919 | ISBN | Medium | |||
| Area | Expedition | Conference | CVPR | |||
| Notes | CIC; 600.048 | Approved | no | |||
| Call Number | Admin @ si @ KWK2013a | Serial | 2262 | |||
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