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| Author | Javier Vazquez; Robert Benavente; Maria Vanrell |
 
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| Title | Naming constraints constancy | Type | Conference Article | |||
| Year | 2012 | Publication | 2nd Joint AVA / BMVA Meeting on Biological and Machine Vision | Abbreviated Journal | ||
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| Abstract | Different studies have shown that languages from industrialized cultures
share a set of 11 basic colour terms: red, green, blue, yellow, pink, purple, brown, orange, black, white, and grey (Berlin & Kay, 1969, Basic Color Terms, University of California Press)( Kay & Regier, 2003, PNAS, 100, 9085-9089). Some of these studies have also reported the best representatives or focal values of each colour (Boynton and Olson, 1990, Vision Res. 30,1311–1317), (Sturges and Whitfield, 1995, CRA, 20:6, 364–376). Some further studies have provided us with fuzzy datasets for color naming by asking human observers to rate colours in terms of membership values (Benavente -et al-, 2006, CRA. 31:1, 48–56,). Recently, a computational model based on these human ratings has been developed (Benavente -et al-, 2008, JOSA-A, 25:10, 2582-2593). This computational model follows a fuzzy approach to assign a colour name to a particular RGB value. For example, a pixel with a value (255,0,0) will be named 'red' with membership 1, while a cyan pixel with a RGB value of (0, 200, 200) will be considered to be 0.5 green and 0.5 blue. In this work, we show how this colour naming paradigm can be applied to different computer vision tasks. In particular, we report results in colour constancy (Vazquez-Corral -et al-, 2012, IEEE TIP, in press) showing that the classical constraints on either illumination or surface reflectance can be substituted by the statistical properties encoded in the colour names. [Supported by projects TIN2010-21771-C02-1, CSD2007-00018]. |
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| Area | Expedition | Conference | AV A | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ VBV2012 | Serial | 2131 | |||
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| Author | Jaime Moreno |
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| Title | Perceptual Criteria on Image Compresions | Type | Book Whole | |||
| Year | 2011 | Publication | PhD Thesis, Universitat Autonoma de Barcelona-CVC | Abbreviated Journal | ||
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| Abstract | Nowadays, digital images are used in many areas in everyday life, but they tend to be big. This increases amount of information leads us to the problem of image data storage. For example, it is common to have a representation a color pixel as a 24-bit number, where the channels red, green, and blue employ 8 bits each. In consequence, this kind of color pixel can specify one of 224 ¼ 16:78 million colors. Therefore, an image at a resolution of 512 £ 512 that allocates 24 bits per pixel, occupies 786,432 bytes. That is why image compression is important. An important feature of image compression is that it can be lossy or lossless. A compressed image is acceptable provided these losses of image information are not perceived by the eye. It is possible to assume that a portion of this information is redundant. Lossless Image Compression is defined as to mathematically decode the same image which was encoded. In Lossy Image Compression needs to identify two features inside the image: the redundancy and the irrelevancy of information. Thus, lossy compression modifies the image data in such a way when they are encoded and decoded, the recovered image is similar enough to the original one. How similar is the recovered image in comparison to the original image is defined prior to the compression process, and it depends on the implementation to be performed. In lossy compression, current image compression schemes remove information considered irrelevant by using mathematical criteria. One of the problems of these schemes is that although the numerical quality of the compressed image is low, it shows a high visual image quality, e.g. it does not show a lot of visible artifacts. It is because these mathematical criteria, used to remove information, do not take into account if the viewed information is perceived by the Human Visual System. Therefore, the aim of an image compression scheme designed to obtain images that do not show artifacts although their numerical quality can be low, is to eliminate the information that is not visible by the Human Visual System. Hence, this Ph.D. thesis proposes to exploit the visual redundancy existing in an image by reducing those features that can be unperceivable for the Human Visual System. First, we define an image quality assessment, which is highly correlated with the psychophysical experiments performed by human observers. The proposed CwPSNR metrics weights the well-known PSNR by using a particular perceptual low level model of the Human Visual System, e.g. the Chromatic Induction Wavelet Model (CIWaM). Second, we propose an image compression algorithm (called Hi-SET), which exploits the high correlation and self-similarity of pixels in a given area or neighborhood by means of a fractal function. Hi-SET possesses the main features that modern image compressors have, that is, it is an embedded coder, which allows a progressive transmission. Third, we propose a perceptual quantizer (½SQ), which is a modification of the uniform scalar quantizer. The ½SQ is applied to a pixel set in a certain Wavelet sub-band, that is, a global quantization. Unlike this, the proposed modification allows to perform a local pixel-by-pixel forward and inverse quantization, introducing into this process a perceptual distortion which depends on the surround spatial information of the pixel. Combining ½SQ method with the Hi-SET image compressor, we define a perceptual image compressor, called ©SET. Finally, a coding method for Region of Interest areas is presented, ½GBbBShift, which perceptually weights pixels into these areas and maintains only the more important perceivable features in the rest of the image. Results presented in this report show that CwPSNR is the best-ranked image quality method when it is applied to the most common image compression distortions such as JPEG and JPEG2000. CwPSNR shows the best correlation with the judgement of human observers, which is based on the results of psychophysical experiments obtained for relevant image quality databases such as TID2008, LIVE, CSIQ and IVC. Furthermore, Hi-SET coder obtains better results both for compression ratios and perceptual image quality than the JPEG2000 coder and other coders that use a Hilbert Fractal for image compression. Hence, when the proposed perceptual quantization is introduced to Hi-SET coder, our compressor improves its numerical and perceptual e±ciency. When ½GBbBShift method applied to Hi-SET is compared against MaxShift method applied to the JPEG2000 standard and Hi-SET, the images coded by our ROI method get the best results when the overall image quality is estimated. Both the proposed perceptual quantization and the ½GBbBShift method are generalized algorithms that can be applied to other Wavelet based image compression algorithms such as JPEG2000, SPIHT or SPECK. | |||||
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| Corporate Author | Thesis | Ph.D. thesis | ||||
| Publisher | Ediciones Graficas Rey | Place of Publication | Editor | Xavier Otazu | ||
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| ISSN | ISBN | 978-84-938351-3-2 | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Mor2011 | Serial | 1786 | |||
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| Author | Susana Alvarez; Anna Salvatella; Maria Vanrell; Xavier Otazu |
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| Title | Low-dimensional and Comprehensive Color Texture Description | Type | Journal Article | |||
| Year | 2012 | Publication | Computer Vision and Image Understanding | Abbreviated Journal | CVIU | |
| Volume | 116 | Issue | I | Pages | 54-67 | |
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| Abstract | Image retrieval can be dealt by combining standard descriptors, such as those of MPEG-7, which are defined independently for each visual cue (e.g. SCD or CLD for Color, HTD for texture or EHD for edges).
A common problem is to combine similarities coming from descriptors representing different concepts in different spaces. In this paper we propose a color texture description that bypasses this problem from its inherent definition. It is based on a low dimensional space with 6 perceptual axes. Texture is described in a 3D space derived from a direct implementation of the original Julesz’s Texton theory and color is described in a 3D perceptual space. This early fusion through the blob concept in these two bounded spaces avoids the problem and allows us to derive a sparse color-texture descriptor that achieves similar performance compared to MPEG-7 in image retrieval. Moreover, our descriptor presents comprehensive qualities since it can also be applied either in segmentation or browsing: (a) a dense image representation is defined from the descriptor showing a reasonable performance in locating texture patterns included in complex images; and (b) a vocabulary of basic terms is derived to build an intermediate level descriptor in natural language improving browsing by bridging semantic gap |
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| ISSN | 1077-3142 | ISBN | Medium | |||
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| Notes | CAT;CIC | Approved | no | |||
| Call Number | Admin @ si @ ASV2012 | Serial | 1827 | |||
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| Author | C. Alejandro Parraga; Jordi Roca; Dimosthenis Karatzas; Sophie Wuerger |
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| Title | Limitations of visual gamma corrections in LCD displays | Type | Journal Article | |||
| Year | 2014 | Publication | Displays | Abbreviated Journal | Dis | |
| Volume | 35 | Issue | 5 | Pages | 227–239 | |
| Keywords | Display calibration; Psychophysics; Perceptual; Visual gamma correction; Luminance matching; Observer-based calibration | |||||
| Abstract | A method for estimating the non-linear gamma transfer function of liquid–crystal displays (LCDs) without the need of a photometric measurement device was described by Xiao et al. (2011) [1]. It relies on observer’s judgments of visual luminance by presenting eight half-tone patterns with luminances from 1/9 to 8/9 of the maximum value of each colour channel. These half-tone patterns were distributed over the screen both over the vertical and horizontal viewing axes. We conducted a series of photometric and psychophysical measurements (consisting in the simultaneous presentation of half-tone patterns in each trial) to evaluate whether the angular dependency of the light generated by three different LCD technologies would bias the results of these gamma transfer function estimations. Our results show that there are significant differences between the gamma transfer functions measured and produced by observers at different viewing angles. We suggest appropriate modifications to the Xiao et al. paradigm to counterbalance these artefacts which also have the advantage of shortening the amount of time spent in collecting the psychophysical measurements. | |||||
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| Notes | CIC; DAG; 600.052; 600.077; 600.074 | Approved | no | |||
| Call Number | Admin @ si @ PRK2014 | Serial | 2511 | |||
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| Author | Susana Alvarez; Maria Vanrell |
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| Title | Texton theory revisited: a bag-of-words approach to combine textons | Type | Journal Article | |||
| Year | 2012 | Publication | Pattern Recognition | Abbreviated Journal | PR | |
| Volume | 45 | Issue | 12 | Pages | 4312-4325 | |
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| Abstract | The aim of this paper is to revisit an old theory of texture perception and
update its computational implementation by extending it to colour. With this in mind we try to capture the optimality of perceptual systems. This is achieved in the proposed approach by sharing well-known early stages of the visual processes and extracting low-dimensional features that perfectly encode adequate properties for a large variety of textures without needing further learning stages. We propose several descriptors in a bag-of-words framework that are derived from different quantisation models on to the feature spaces. Our perceptual features are directly given by the shape and colour attributes of image blobs, which are the textons. In this way we avoid learning visual words and directly build the vocabularies on these lowdimensionaltexton spaces. Main differences between proposed descriptors rely on how co-occurrence of blob attributes is represented in the vocabularies. Our approach overcomes current state-of-art in colour texture description which is proved in several experiments on large texture datasets. |
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| ISSN | 0031-3203 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ AlV2012a | Serial | 2130 | |||
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| Author | Noha Elfiky; Fahad Shahbaz Khan; Joost Van de Weijer; Jordi Gonzalez |
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| Title | Discriminative Compact Pyramids for Object and Scene Recognition | Type | Journal Article | |||
| Year | 2012 | Publication | Pattern Recognition | Abbreviated Journal | PR | |
| Volume | 45 | Issue | 4 | Pages | 1627-1636 | |
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| Abstract | Spatial pyramids have been successfully applied to incorporating spatial information into bag-of-words based image representation. However, a major drawback is that it leads to high dimensional image representations. In this paper, we present a novel framework for obtaining compact pyramid representation. First, we investigate the usage of the divisive information theoretic feature clustering (DITC) algorithm in creating a compact pyramid representation. In many cases this method allows us to reduce the size of a high dimensional pyramid representation up to an order of magnitude with little or no loss in accuracy. Furthermore, comparison to clustering based on agglomerative information bottleneck (AIB) shows that our method obtains superior results at significantly lower computational costs. Moreover, we investigate the optimal combination of multiple features in the context of our compact pyramid representation. Finally, experiments show that the method can obtain state-of-the-art results on several challenging data sets. | |||||
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| ISSN | 0031-3203 | ISBN | Medium | |||
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| Notes | ISE; CAT;CIC | Approved | no | |||
| Call Number | Admin @ si @ EKW2012 | Serial | 1807 | |||
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| Author | Xavier Otazu |
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| Title | Perceptual tone-mapping operator based on multiresolution contrast decomposition | Type | Abstract | |||
| Year | 2012 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 41 | Issue | Pages | 86 | ||
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| Abstract | Tone-mapping operators (TMO) are used to display high dynamic range(HDR) images in low dynamic range (LDR) displays. Many computational and biologically inspired approaches have been used in the literature, being many of them based on multiresolution decompositions. In this work, a simple two stage model for TMO is presented. The first stage is a novel multiresolution contrast decomposition, which is inspired in a pyramidal contrast decomposition (Peli, 1990 Journal of the Optical Society of America7(10), 2032-2040).
This novel multiresolution decomposition represents the Michelson contrast of the image at different spatial scales. This multiresolution contrast representation, applied on the intensity channel of an opponent colour decomposition, is processed by a non-linear saturating model of V1 neurons (Albrecht et al, 2002 Journal ofNeurophysiology 88(2) 888-913). This saturation model depends on the visual frequency, and it has been modified in order to include information from the extended Contrast Sensitivity Function (e-CSF) (Otazu et al, 2010 Journal ofVision10(12) 5). A set of HDR images in Radiance RGBE format (from CIS HDR Photographic Survey and Greg Ward database) have been used to test the model, obtaining a set of LDR images. The resulting LDR images do not show the usual halo or color modification artifacts. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Ota2012 | Serial | 2179 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Predicting categorical colour perception in successive colour constancy | Type | Abstract | |||
| Year | 2012 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 41 | Issue | Pages | 138 | ||
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| Abstract | Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple affine matrix model, adjusted to the chromatic setting results. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ RPV2012 | Serial | 2188 | |||
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| Author | Olivier Penacchio; C. Alejandro Parraga |
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| Title | What is the best criterion for an efficient design of retinal photoreceptor mosaics? | Type | Journal Article | |||
| Year | 2011 | Publication | Perception | Abbreviated Journal | PER | |
| Volume | 40 | Issue | Pages | 197 | ||
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| Abstract | The proportions of L, M and S photoreceptors in the primate retina are arguably determined by evolutionary pressure and the statistics of the visual environment. Two information theory-based approaches have been recently proposed for explaining the asymmetrical spatial densities of photoreceptors in humans. In the first approach Garrigan et al (2010 PLoS ONE 6 e1000677), a model for computing the information transmitted by cone arrays which considers the differential blurring produced by the long-wavelength accommodation of the eye’s lens is proposed. Their results explain the sparsity of S-cones but the optimum depends weakly on the L:M cone ratio. In the second approach (Penacchio et al, 2010 Perception 39 ECVP Supplement, 101), we show that human cone arrays make the visual representation scale-invariant, allowing the total entropy of the signal to be preserved while decreasing individual neurons’ entropy in further retinotopic representations. This criterion provides a thorough description of the distribution of L:M cone ratios and does not depend on differential blurring of the signal by the lens. Here, we investigate the similarities and differences of both approaches when applied to the same database. Our results support a 2-criteria optimization in the space of cone ratios whose components are arguably important and mostly unrelated.
[This work was partially funded by projects TIN2010-21771-C02-1 and Consolider-Ingenio 2010-CSD2007-00018 from the Spanish MICINN. CAP was funded by grant RYC-2007-00484] |
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PeP2011a | Serial | 1719 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Categorical Focal Colours are Structurally Invariant Under Illuminant Changes | Type | Conference Article | |||
| Year | 2011 | Publication | European Conference on Visual Perception | Abbreviated Journal | ||
| Volume | Issue | Pages | 196 | |||
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| Abstract | The visual system perceives the colour of surfaces approximately constant under changes of illumination. In this work, we investigate how stable is the perception of categorical \“focal\” colours and their interrelations with varying illuminants and simple chromatic backgrounds. It has been proposed that best examples of colour categories across languages cluster in small regions of the colour space and are restricted to a set of 11 basic terms (Kay and Regier, 2003 Proceedings of the National Academy of Sciences of the USA 100 9085\–9089). Following this, we developed a psychophysical paradigm that exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. The experiment was run on a CRT monitor (inside a dark room) under various simulated illuminants. We modelled the recorded data for each subject and adapted state as a 3D interconnected structure (graph) in Lab space. The graph nodes were the subject\’s focal colours at each adaptation state. The model allowed us to get a better distance measure between focal structures under different illuminants. We found that perceptual focal structures tend to be preserved better than the structures of the physical \“ideal\” colours under illuminant changes. | |||||
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| Series Editor | Series Title | Perception 40 | Abbreviated Series Title | |||
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| Area | Expedition | Conference | ECVP | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ RPV2011 | Serial | 1867 | |||
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| Author | Javier Vazquez; J. Kevin O'Regan; Maria Vanrell; Graham D. Finlayson |
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| Title | A new spectrally sharpened basis to predict colour naming, unique hues, and hue cancellation | Type | Journal Article | |||
| Year | 2012 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 12 | Issue | 6 (7) | Pages | 1-14 | |
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| Abstract | When light is reflected off a surface, there is a linear relation between the three human photoreceptor responses to the incoming light and the three photoreceptor responses to the reflected light. Different colored surfaces have different linear relations. Recently, Philipona and O'Regan (2006) showed that when this relation is singular in a mathematical sense, then the surface is perceived as having a highly nameable color. Furthermore, white light reflected by that surface is perceived as corresponding precisely to one of the four psychophysically measured unique hues. However, Philipona and O'Regan's approach seems unrelated to classical psychophysical models of color constancy. In this paper we make this link. We begin by transforming cone sensors to spectrally sharpened counterparts. In sharp color space, illumination change can be modeled by simple von Kries type scalings of response values within each of the spectrally sharpened response channels. In this space, Philipona and O'Regan's linear relation is captured by a simple Land-type color designator defined by dividing reflected light by incident light. This link between Philipona and O'Regan's theory and Land's notion of color designator gives the model biological plausibility. We then show that Philipona and O'Regan's singular surfaces are surfaces which are very close to activating only one or only two of such newly defined spectrally sharpened sensors, instead of the usual three. Closeness to zero is quantified in a new simplified measure of singularity which is also shown to relate to the chromaticness of colors. As in Philipona and O'Regan's original work, our new theory accounts for a large variety of psychophysical color data. | |||||
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| Call Number | Admin @ si @ VOV2012 | Serial | 1998 | |||
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| Author | Jordi Roca; A.Owen; G.Jordan; Y.Ling; C. Alejandro Parraga; A.Hurlbert |
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| Title | Inter-individual Variations in Color Naming and the Structure of 3D Color Space | Type | Abstract | |||
| Year | 2011 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 12 | Issue | 2 | Pages | 166 | |
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| Abstract | 36.307
Many everyday behavioural uses of color vision depend on color naming ability, which is neither measured nor predicted by most standardized tests of color vision, for either normal or anomalous color vision. Here we demonstrate a new method to quantify color naming ability by deriving a compact computational description of individual 3D color spaces. Methods: Individual observers underwent standardized color vision diagnostic tests (including anomaloscope testing) and a series of custom-made color naming tasks using 500 distinct color samples, either CRT stimuli (“light”-based) or Munsell chips (“surface”-based), with both forced- and free-choice color naming paradigms. For each subject, we defined his/her color solid as the set of 3D convex hulls computed for each basic color category from the relevant collection of categorised points in perceptually uniform CIELAB space. From the parameters of the convex hulls, we derived several indices to characterise the 3D structure of the color solid and its inter-individual variations. Using a reference group of 25 normal trichromats (NT), we defined the degree of normality for the shape, location and overlap of each color region, and the extent of “light”-“surface” agreement. Results: Certain features of color perception emerge from analysis of the average NT color solid, e.g.: (1) the white category is slightly shifted towards blue; and (2) the variability in category border location across NT subjects is asymmetric across color space, with least variability in the blue/green region. Comparisons between individual and average NT indices reveal specific naming “deficits”, e.g.: (1) Category volumes for white, green, brown and grey are expanded for anomalous trichromats and dichromats; and (2) the focal structure of color space is disrupted more in protanopia than other forms of anomalous color vision. The indices both capture the structure of subjective color spaces and allow us to quantify inter-individual differences in color naming ability. |
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| ISSN | 1534-7362 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ ROJ2011 | Serial | 1758 | |||
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| Author | C. Alejandro Parraga; Jordi Roca; Maria Vanrell |
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| Title | Do Basic Colors Influence Chromatic Adaptation? | Type | Journal Article | |||
| Year | 2011 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 11 | Issue | 11 | Pages | 85 | |
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| Abstract | Color constancy (the ability to perceive colors relatively stable under different illuminants) is the result of several mechanisms spread across different neural levels and responding to several visual scene cues. It is usually measured by estimating the perceived color of a grey patch under an illuminant change. In this work, we hypothesize whether chromatic adaptation (without a reference white or grey) could be driven by certain colors, specifically those corresponding to the universal color terms proposed by Berlin and Kay (1969). To this end we have developed a new psychophysical paradigm in which subjects adjust the color of a test patch (in CIELab space) to match their memory of the best example of a given color chosen from the universal terms list (grey, red, green, blue, yellow, purple, pink, orange and brown). The test patch is embedded inside a Mondrian image and presented on a calibrated CRT screen inside a dark cabin. All subjects were trained to “recall” their most exemplary colors reliably from memory and asked to always produce the same basic colors when required under several adaptation conditions. These include achromatic and colored Mondrian backgrounds, under a simulated D65 illuminant and several colored illuminants. A set of basic colors were measured for each subject under neutral conditions (achromatic background and D65 illuminant) and used as “reference” for the rest of the experiment. The colors adjusted by the subjects in each adaptation condition were compared to the reference colors under the corresponding illuminant and a “constancy index” was obtained for each of them. Our results show that for some colors the constancy index was better than for grey. The set of best adapted colors in each condition were common to a majority of subjects and were dependent on the chromaticity of the illuminant and the chromatic background considered. | |||||
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| ISSN | 1534-7362 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PRV2011 | Serial | 1759 | |||
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| Author | Xavier Otazu; C. Alejandro Parraga; Maria Vanrell |
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| Title | Towards a unified chromatic inducction model | Type | Journal Article | |||
| Year | 2010 | Publication | Journal of Vision | Abbreviated Journal | VSS | |
| Volume | 10 | Issue | 12:5 | Pages | 1-24 | |
| Keywords | Visual system; Color induction; Wavelet transform | |||||
| Abstract | In a previous work (X. Otazu, M. Vanrell, & C. A. Párraga, 2008b), we showed how several brightness induction effects can be predicted using a simple multiresolution wavelet model (BIWaM). Here we present a new model for chromatic induction processes (termed Chromatic Induction Wavelet Model or CIWaM), which is also implemented on a multiresolution framework and based on similar assumptions related to the spatial frequency and the contrast surround energy of the stimulus. The CIWaM can be interpreted as a very simple extension of the BIWaM to the chromatic channels, which in our case are defined in the MacLeod-Boynton (lsY) color space. This new model allows us to unify both chromatic assimilation and chromatic contrast effects in a single mathematical formulation. The predictions of the CIWaM were tested by means of several color and brightness induction experiments, which showed an acceptable agreement between model predictions and psychophysical data. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ OPV2010 | Serial | 1450 | |||
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| Author | Jordi Roca; Maria Vanrell; C. Alejandro Parraga |
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| Title | What is constant in colour constancy? | Type | Conference Article | |||
| Year | 2012 | Publication | 6th European Conference on Colour in Graphics, Imaging and Vision | Abbreviated Journal | ||
| Volume | Issue | Pages | 337-343 | |||
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| Abstract | Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy algorithms [3] for estimating the scene illuminant. |
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| ISSN | ISBN | 9781622767014 | Medium | |||
| Area | Expedition | Conference | CGIV | |||
| Notes | CIC | Approved | no | |||
| Call Number | RVP2012 | Serial | 2189 | |||
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| Author | Eduard Vazquez; Ramon Baldrich; Joost Van de Weijer; Maria Vanrell |
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| Title | Describing Reflectances for Colour Segmentation Robust to Shadows, Highlights and Textures | Type | Journal Article | |||
| Year | 2011 | Publication | IEEE Transactions on Pattern Analysis and Machine Intelligence | Abbreviated Journal | TPAMI | |
| Volume | 33 | Issue | 5 | Pages | 917-930 | |
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| Abstract | The segmentation of a single material reflectance is a challenging problem due to the considerable variation in image measurements caused by the geometry of the object, shadows, and specularities. The combination of these effects has been modeled by the dichromatic reflection model. However, the application of the model to real-world images is limited due to unknown acquisition parameters and compression artifacts. In this paper, we present a robust model for the shape of a single material reflectance in histogram space. The method is based on a multilocal creaseness analysis of the histogram which results in a set of ridges representing the material reflectances. The segmentation method derived from these ridges is robust to both shadow, shading and specularities, and texture in real-world images. We further complete the method by incorporating prior knowledge from image statistics, and incorporate spatial coherence by using multiscale color contrast information. Results obtained show that our method clearly outperforms state-of-the-art segmentation methods on a widely used segmentation benchmark, having as a main characteristic its excellent performance in the presence of shadows and highlights at low computational cost. | |||||
| Address | Los Alamitos; CA; USA; | |||||
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| Publisher | IEEE Computer Society | Place of Publication | Editor | |||
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| ISSN | 0162-8828 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ VBW2011 | Serial | 1715 | |||
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| Author | Naila Murray; Luca Marchesotti; Florent Perronnin |
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| Title | AVA: A Large-Scale Database for Aesthetic Visual Analysis | Type | Conference Article | |||
| Year | 2012 | Publication | 25th IEEE Conference on Computer Vision and Pattern Recognition | Abbreviated Journal | ||
| Volume | Issue | Pages | 2408-2415 | |||
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| Abstract | With the ever-expanding volume of visual content available, the ability to organize and navigate such content by aesthetic preference is becoming increasingly important. While still in its nascent stage, research into computational models of aesthetic preference already shows great potential. However, to advance research, realistic, diverse and challenging databases are needed. To this end, we introduce a new large-scale database for conducting Aesthetic Visual Analysis: AVA. It contains over 250,000 images along with a rich variety of meta-data including a large number of aesthetic scores for each image, semantic labels for over 60 categories as well as labels related to photographic style. We show the advantages of AVA with respect to existing databases in terms of scale, diversity, and heterogeneity of annotations. We then describe several key insights into aesthetic preference afforded by AVA. Finally, we demonstrate, through three applications, how the large scale of AVA can be leveraged to improve performance on existing preference tasks | |||||
| Address | Providence, Rhode Islan | |||||
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| Publisher | IEEE Xplore | Place of Publication | Editor | |||
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| ISSN | 1063-6919 | ISBN | 978-1-4673-1226-4 | Medium | ||
| Area | Expedition | Conference | CVPR | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ MMP2012a | Serial | 2025 | |||
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| Author | Xavier Otazu; Olivier Penacchio; Laura Dempere-Marco |
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| Title | An investigation into plausible neural mechanisms related to the the CIWaM computational model for brightness induction | Type | Conference Article | |||
| Year | 2012 | Publication | 2nd Joint AVA / BMVA Meeting on Biological and Machine Vision | Abbreviated Journal | ||
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| Abstract | Brightness induction is the modulation of the perceived intensity of an area by the luminance of surrounding areas. From a purely computational perspective, we built a low-level computational model (CIWaM) of early sensory processing based on multi-resolution wavelets with the aim of replicating brightness and colour (Otazu et al., 2010, Journal of Vision, 10(12):5) induction effects. Furthermore, we successfully used the CIWaM architecture to define a computational saliency model (Murray et al, 2011, CVPR, 433-440; Vanrell et al, submitted to AVA/BMVA'12). From a biological perspective, neurophysiological evidence suggests that perceived brightness information may be explicitly represented in V1. In this work we investigate possible neural mechanisms that offer a plausible explanation for such effects. To this end, we consider the model by Z.Li (Li, 1999, Network:Comput. Neural Syst., 10, 187-212) which is based on biological data and focuses on the part of V1 responsible for contextual influences, namely, layer 2-3 pyramidal cells, interneurons, and horizontal intracortical connections. This model has proven to account for phenomena such as visual saliency, which share with brightness induction the relevant effect of contextual influences (the ones modelled by CIWaM). In the proposed model, the input to the network is derived from a complete multiscale and multiorientation wavelet decomposition taken from the computational model (CIWaM).
This model successfully accounts for well known pyschophysical effects (among them: the White's and modied White's effects, the Todorovic, Chevreul, achromatic ring patterns, and grating induction effects) for static contexts and also for brigthness induction in dynamic contexts defined by modulating the luminance of surrounding areas. From a methodological point of view, we conclude that the results obtained by the computational model (CIWaM) are compatible with the ones obtained by the neurodynamical model proposed here. |
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| Area | Expedition | Conference | AV A | |||
| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ OPD2012a | Serial | 2132 | |||
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