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Author |
Fahad Shahbaz Khan; Joost Van de Weijer; Maria Vanrell |
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Title |
Modulating Shape Features by Color Attention for Object Recognition |
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Journal Article |
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Year |
2012 |
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International Journal of Computer Vision |
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IJCV |
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98 |
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1 |
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49-64 |
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Bag-of-words based image representation is a successful approach for object recognition. Generally, the subsequent stages of the process: feature detection,feature description, vocabulary construction and image representation are performed independent of the intentioned object classes to be detected. In such a framework, it was found that the combination of different image cues, such as shape and color, often obtains below expected results. This paper presents a novel method for recognizing object categories when using ultiple cues by separately processing the shape and color cues and combining them by modulating the shape features by category specific color attention. Color is used to compute bottom up and top-down attention maps. Subsequently, these color attention maps are used to modulate the weights of the shape features. In regions with higher attention shape features are given more weight than in regions with low attention. We compare our approach with existing methods that combine color and shape cues on five data sets containing varied importance of both cues, namely, Soccer (color predominance), Flower (color and hape parity), PASCAL VOC 2007 and 2009 (shape predominance) and Caltech-101 (color co-interference). The experiments clearly demonstrate that in all five data sets our proposed framework significantly outperforms existing methods for combining color and shape information. |
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Springer Netherlands |
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0920-5691 |
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Admin @ si @ KWV2012 |
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1864 |
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Susana Alvarez; Anna Salvatella; Maria Vanrell; Xavier Otazu |
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Title |
Low-dimensional and Comprehensive Color Texture Description |
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Journal Article |
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2012 |
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Computer Vision and Image Understanding |
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CVIU |
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116 |
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54-67 |
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Image retrieval can be dealt by combining standard descriptors, such as those of MPEG-7, which are defined independently for each visual cue (e.g. SCD or CLD for Color, HTD for texture or EHD for edges).
A common problem is to combine similarities coming from descriptors representing different concepts in different spaces. In this paper we propose a color texture description that bypasses this problem from its inherent definition. It is based on a low dimensional space with 6 perceptual axes. Texture is described in a 3D space derived from a direct implementation of the original Julesz’s Texton theory and color is described in a 3D perceptual space. This early fusion through the blob concept in these two bounded spaces avoids the problem and allows us to derive a sparse color-texture descriptor that achieves similar performance compared to MPEG-7 in image retrieval. Moreover, our descriptor presents comprehensive qualities since it can also be applied either in segmentation or browsing: (a) a dense image representation is defined from the descriptor showing a reasonable performance in locating texture patterns included in complex images; and (b) a vocabulary of basic terms is derived to build an intermediate level descriptor in natural language improving browsing by bridging semantic gap |
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1077-3142 |
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Admin @ si @ ASV2012 |
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C. Alejandro Parraga; Jordi Roca; Maria Vanrell |
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Title |
Do Basic Colors Influence Chromatic Adaptation? |
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Journal Article |
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Year |
2011 |
Publication |
Journal of Vision |
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VSS |
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11 |
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11 |
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85 |
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Color constancy (the ability to perceive colors relatively stable under different illuminants) is the result of several mechanisms spread across different neural levels and responding to several visual scene cues. It is usually measured by estimating the perceived color of a grey patch under an illuminant change. In this work, we hypothesize whether chromatic adaptation (without a reference white or grey) could be driven by certain colors, specifically those corresponding to the universal color terms proposed by Berlin and Kay (1969). To this end we have developed a new psychophysical paradigm in which subjects adjust the color of a test patch (in CIELab space) to match their memory of the best example of a given color chosen from the universal terms list (grey, red, green, blue, yellow, purple, pink, orange and brown). The test patch is embedded inside a Mondrian image and presented on a calibrated CRT screen inside a dark cabin. All subjects were trained to “recall” their most exemplary colors reliably from memory and asked to always produce the same basic colors when required under several adaptation conditions. These include achromatic and colored Mondrian backgrounds, under a simulated D65 illuminant and several colored illuminants. A set of basic colors were measured for each subject under neutral conditions (achromatic background and D65 illuminant) and used as “reference” for the rest of the experiment. The colors adjusted by the subjects in each adaptation condition were compared to the reference colors under the corresponding illuminant and a “constancy index” was obtained for each of them. Our results show that for some colors the constancy index was better than for grey. The set of best adapted colors in each condition were common to a majority of subjects and were dependent on the chromaticity of the illuminant and the chromatic background considered. |
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1534-7362 |
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Admin @ si @ PRV2011 |
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1759 |
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Author |
Naila Murray; Maria Vanrell; Xavier Otazu; C. Alejandro Parraga |
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Title |
Saliency Estimation Using a Non-Parametric Low-Level Vision Model |
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Conference Article |
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2011 |
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IEEE conference on Computer Vision and Pattern Recognition |
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433-440 |
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Gaussian mixture model;ad hoc parameter selection;center-surround inhibition windows;center-surround mechanism;color appearance model;convolution;eye-fixation data;human vision;innate spatial pooling mechanism;inverse wavelet transform;low-level visual front-end;nonparametric low-level vision model;saliency estimation;saliency map;scale integration;scale-weighted center-surround response;scale-weighting function;visual task;Gaussian processes;biology;biology computing;colour vision;computer vision;visual perception;wavelet transforms |
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Many successful models for predicting attention in a scene involve three main steps: convolution with a set of filters, a center-surround mechanism and spatial pooling to construct a saliency map. However, integrating spatial information and justifying the choice of various parameter values remain open problems. In this paper we show that an efficient model of color appearance in human vision, which contains a principled selection of parameters as well as an innate spatial pooling mechanism, can be generalized to obtain a saliency model that outperforms state-of-the-art models. Scale integration is achieved by an inverse wavelet transform over the set of scale-weighted center-surround responses. The scale-weighting function (termed ECSF) has been optimized to better replicate psychophysical data on color appearance, and the appropriate sizes of the center-surround inhibition windows have been determined by training a Gaussian Mixture Model on eye-fixation data, thus avoiding ad-hoc parameter selection. Additionally, we conclude that the extension of a color appearance model to saliency estimation adds to the evidence for a common low-level visual front-end for different visual tasks. |
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Colorado Springs |
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1063-6919 |
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978-1-4577-0394-2 |
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CVPR |
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Admin @ si @ MVO2011 |
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Maria Vanrell; Naila Murray; Robert Benavente; C. Alejandro Parraga; Xavier Otazu; Ramon Baldrich |
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Title |
Perception Based Representations for Computational Colour |
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Conference Article |
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Year |
2011 |
Publication |
3rd International Workshop on Computational Color Imaging |
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6626 |
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16-30 |
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colour perception, induction, naming, psychophysical data, saliency, segmentation |
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The perceived colour of a stimulus is dependent on multiple factors stemming out either from the context of the stimulus or idiosyncrasies of the observer. The complexity involved in combining these multiple effects is the main reason for the gap between classical calibrated colour spaces from colour science and colour representations used in computer vision, where colour is just one more visual cue immersed in a digital image where surfaces, shadows and illuminants interact seemingly out of control. With the aim to advance a few steps towards bridging this gap we present some results on computational representations of colour for computer vision. They have been developed by introducing perceptual considerations derived from the interaction of the colour of a point with its context. We show some techniques to represent the colour of a point influenced by assimilation and contrast effects due to the image surround and we show some results on how colour saliency can be derived in real images. We outline a model for automatic assignment of colour names to image points directly trained on psychophysical data. We show how colour segments can be perceptually grouped in the image by imposing shading coherence in the colour space. |
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Milan, Italy |
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Springer-Verlag |
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Raimondo Schettini, Shoji Tominaga, Alain Trémeau |
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LNCS |
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978-3-642-20403-6 |
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CCIW |
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no |
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Admin @ si @ VMB2011 |
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1733 |
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Author |
C. Alejandro Parraga; Olivier Penacchio; Maria Vanrell |
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Title |
Retinal Filtering Matches Natural Image Statistics at Low Luminance Levels |
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Journal Article |
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2011 |
Publication |
Perception |
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PER |
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40 |
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96 |
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The assumption that the retina’s main objective is to provide a minimum entropy representation to higher visual areas (ie efficient coding principle) allows to predict retinal filtering in space–time and colour (Atick, 1992 Network 3 213–251). This is achieved by considering the power spectra of natural images (which is proportional to 1/f2) and the suppression of retinal and image noise. However, most studies consider images within a limited range of lighting conditions (eg near noon) whereas the visual system’s spatial filtering depends on light intensity and the spatiochromatic properties of natural scenes depend of the time of the day. Here, we explore whether the dependence of visual spatial filtering on luminance match the changes in power spectrum of natural scenes at different times of the day. Using human cone-activation based naturalistic stimuli (from the Barcelona Calibrated Images Database), we show that for a range of luminance levels, the shape of the retinal CSF reflects the slope of the power spectrum at low spatial frequencies. Accordingly, the retina implements the filtering which best decorrelates the input signal at every luminance level. This result is in line with the body of work that places efficient coding as a guiding neural principle. |
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Admin @ si @ PPV2011 |
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Author |
Eduard Vazquez; Ramon Baldrich; Joost Van de Weijer; Maria Vanrell |
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Title |
Describing Reflectances for Colour Segmentation Robust to Shadows, Highlights and Textures |
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Journal Article |
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2011 |
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IEEE Transactions on Pattern Analysis and Machine Intelligence |
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TPAMI |
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33 |
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5 |
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917-930 |
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The segmentation of a single material reflectance is a challenging problem due to the considerable variation in image measurements caused by the geometry of the object, shadows, and specularities. The combination of these effects has been modeled by the dichromatic reflection model. However, the application of the model to real-world images is limited due to unknown acquisition parameters and compression artifacts. In this paper, we present a robust model for the shape of a single material reflectance in histogram space. The method is based on a multilocal creaseness analysis of the histogram which results in a set of ridges representing the material reflectances. The segmentation method derived from these ridges is robust to both shadow, shading and specularities, and texture in real-world images. We further complete the method by incorporating prior knowledge from image statistics, and incorporate spatial coherence by using multiscale color contrast information. Results obtained show that our method clearly outperforms state-of-the-art segmentation methods on a widely used segmentation benchmark, having as a main characteristic its excellent performance in the presence of shadows and highlights at low computational cost. |
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Los Alamitos; CA; USA; |
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IEEE Computer Society |
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0162-8828 |
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Admin @ si @ VBW2011 |
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1715 |
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Author |
Xavier Otazu; C. Alejandro Parraga; Maria Vanrell |
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Title |
Towards a unified chromatic inducction model |
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Journal Article |
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2010 |
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Journal of Vision |
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VSS |
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10 |
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12:5 |
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1-24 |
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Visual system; Color induction; Wavelet transform |
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In a previous work (X. Otazu, M. Vanrell, & C. A. Párraga, 2008b), we showed how several brightness induction effects can be predicted using a simple multiresolution wavelet model (BIWaM). Here we present a new model for chromatic induction processes (termed Chromatic Induction Wavelet Model or CIWaM), which is also implemented on a multiresolution framework and based on similar assumptions related to the spatial frequency and the contrast surround energy of the stimulus. The CIWaM can be interpreted as a very simple extension of the BIWaM to the chromatic channels, which in our case are defined in the MacLeod-Boynton (lsY) color space. This new model allows us to unify both chromatic assimilation and chromatic contrast effects in a single mathematical formulation. The predictions of the CIWaM were tested by means of several color and brightness induction experiments, which showed an acceptable agreement between model predictions and psychophysical data. |
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CAT @ cat @ OPV2010 |
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1450 |
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Author |
Susana Alvarez; Anna Salvatella; Maria Vanrell; Xavier Otazu |
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Title |
Perceptual color texture codebooks for retrieving in highly diverse texture datasets |
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Conference Article |
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2010 |
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20th International Conference on Pattern Recognition |
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866–869 |
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Color and texture are visual cues of different nature, their integration in a useful visual descriptor is not an obvious step. One way to combine both features is to compute texture descriptors independently on each color channel. A second way is integrate the features at a descriptor level, in this case arises the problem of normalizing both cues. A significant progress in the last years in object recognition has provided the bag-of-words framework that again deals with the problem of feature combination through the definition of vocabularies of visual words. Inspired in this framework, here we present perceptual textons that will allow to fuse color and texture at the level of p-blobs, which is our feature detection step. Feature representation is based on two uniform spaces representing the attributes of the p-blobs. The low-dimensionality of these text on spaces will allow to bypass the usual problems of previous approaches. Firstly, no need for normalization between cues; and secondly, vocabularies are directly obtained from the perceptual properties of text on spaces without any learning step. Our proposal improve current state-of-art of color-texture descriptors in an image retrieval experiment over a highly diverse texture dataset from Corel. |
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Istanbul (Turkey) |
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1051-4651 |
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978-1-4244-7542-1 |
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ICPR |
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CAT @ cat @ ASV2010b |
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1426 |
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Author |
Olivier Penacchio; C. Alejandro Parraga; Maria Vanrell |
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Title |
Natural Scene Statistics account for Human Cones Ratios |
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Journal Article |
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2010 |
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Perception. ECVP Abstract Supplement |
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PER |
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39 |
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101 |
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In two previous experiments [Parraga et al, 2009 J. of Im. Sci. and Tech 53(3) 031106; Benavente et al,2009 Perception 38 ECVP Supplement, 36] the boundaries of basic colour categories were measured.
In the first experiment, samples were presented in isolation (ie on a dark background) and boundaries were measured using a yes/no paradigm. In the second, subjects adjusted the chromaticity of a sample presented on a random Mondrian background to find the boundary between pairs of adjacent colours.
Results from these experiments showed significant dierences but it was not possible to conclude whether this discrepancy was due to the absence/presence of a colourful background or to the dierences in the paradigms used. In this work, we settle this question by repeating the first experiment (ie samples presented on a dark background) using the second paradigm. A comparison of results shows that
although boundary locations are very similar, boundaries measured in context are significantly dierent(more diuse) than those measured in isolation (confirmed by a Student’s t-test analysis on the subject’s answers statistical distributions). In addition, we completed the mapping of colour name space by measuring the boundaries between chromatic colours and the achromatic centre. With these results we completed our parametric fuzzy-sets model of colour naming space. |
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Author |
Fahad Shahbaz Khan; Joost Van de Weijer; Maria Vanrell |
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Title |
Who Painted this Painting? |
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Conference Article |
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2010 |
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Proceedings of The CREATE 2010 Conference |
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329–333 |
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Gjovik (Norway) |
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CAT @ cat @ KWV2010 |
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1329 |
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Javier Vazquez; Maria Vanrell; Robert Benavente |
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Color names as a constraint for Computer Vision problems |
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2010 |
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Proceedings of The CREATE 2010 Conference |
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324–328 |
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Computer Vision Problems are usually ill-posed. Constraining de gamut of possible solutions is then a necessary step. Many constrains for different problems have been developed during years. In this paper, we present a different way of constraining some of these problems: the use of color names. In particular, we will focus on segmentation, representation ans constancy. |
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Gjovik (Norway) |
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CAT @ cat @ VVB2010 |
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1328 |
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Robert Benavente; C. Alejandro Parraga; Maria Vanrell |
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La influencia del contexto en la definicion de las fronteras entre las categorias cromaticas |
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2010 |
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9th Congreso Nacional del Color |
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92–95 |
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Categorización del color; Apariencia del color; Influencia del contexto; Patrones de Mondrian; Modelos paramétricos |
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En este artículo presentamos los resultados de un experimento de categorización de color en el que las muestras se presentaron sobre un fondo multicolor (Mondrian) para simular los efectos del contexto. Los resultados se comparan con los de un experimento previo que, utilizando un paradigma diferente, determinó las fronteras sin tener en cuenta el contexto. El análisis de los resultados muestra que las fronteras obtenidas con el experimento en contexto presentan menos confusión que las obtenidas en el experimento sin contexto. |
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Alicante (Spain) |
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978-84-9717-144-1 |
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CAT @ cat @ BPV2010 |
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1327 |
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C. Alejandro Parraga; Robert Benavente; Maria Vanrell |
![goto web page (via DOI) doi](img/doi.gif)
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Towards a general model of colour categorization which considers context |
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2010 |
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Perception. ECVP Abstract Supplement |
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PER |
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39 |
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86 |
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In two previous experiments [Parraga et al, 2009 J. of Im. Sci. and Tech 53(3) 031106; Benavente et al,2009 Perception 38 ECVP Supplement, 36] the boundaries of basic colour categories were measured.
In the first experiment, samples were presented in isolation (ie on a dark background) and boundaries were measured using a yes/no paradigm. In the second, subjects adjusted the chromaticity of a sample presented on a random Mondrian background to find the boundary between pairs of adjacent colours.
Results from these experiments showed significant dierences but it was not possible to conclude whether this discrepancy was due to the absence/presence of a colourful background or to the dierences in the paradigms used. In this work, we settle this question by repeating the first experiment (ie samples presented on a dark background) using the second paradigm. A comparison of results shows that
although boundary locations are very similar, boundaries measured in context are significantly dierent(more diuse) than those measured in isolation (confirmed by a Student’s t-test analysis on the subject’s answers statistical distributions). In addition, we completed the mapping of colour name space by measuring the boundaries between chromatic colours and the achromatic centre. With these results we
completed our parametric fuzzy-sets model of colour naming space. |
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CAT @ cat @ PBV2010b |
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1326 |
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