Abstract: This paper presents the findings and results of the third edition of the Multi-modal Aerial View Object Classification (MAVOC) challenge in a detailed and comprehensive manner. The challenge consists of two tracks. The primary aim of both tracks is to encourage research into building recognition models that utilize both synthetic aperture radar (SAR) and electro-optical (EO) imagery. Participating teams are encouraged to develop multi-modal approaches that incorporate complementary information from both domains. While the 2021 challenge demonstrated the feasibility of combining both modalities, the 2022 challenge expanded on the capability of multi-modal models. The 2023 challenge introduces a refined version of the UNICORN dataset and demonstrates significant improvements made. The 2023 challenge adopts an updated UNIfied CO-incident Optical and Radar for recognitioN (UNICORN V2) dataset and competition format. Two tasks are featured: SAR classification and SAR + EO classification. In addition to measuring accuracy of models, we also introduce out-of-distribution measures to encourage model robustness.The majority of this paper is dedicated to discussing the top performing methods and evaluating their performance on our blind test set. It is worth noting that all of the top ten teams outperformed the Resnet-50 baseline. The top team for SAR classification achieved a 173% performance improvement over the baseline, while the top team for SAR + EO classification achieved a 175% improvement.

Abstract: Face Anti-spoofing (FAS) is essential to secure face recognition systems from various physical attacks. However, most of the studies lacked consideration of long-distance scenarios. Specifically, compared with FAS in traditional scenes such as phone unlocking, face payment, and self-service security inspection, FAS in long-distance such as station squares, parks, and self-service supermarkets are equally important, but it has not been sufficiently explored yet. In order to fill this gap in the FAS community, we collect a large-scale Surveillance High-Fidelity Mask (SuHiFiMask). SuHiFiMask contains 10,195 videos from 101 subjects of different age groups, which are collected by 7 mainstream surveillance cameras. Based on this dataset and protocol-3 for evaluating the robustness of the algorithm under quality changes, we organized a face presentation attack detection challenge in surveillance scenarios. It attracted 180 teams for the development phase with a total of 37 teams qualifying for the final round. The organization team re-verified and re-ran the submitted code and used the results as the final ranking. In this paper, we present an overview of the challenge, including an introduction to the dataset used, the definition of the protocol, the evaluation metrics, and the announcement of the competition results. Finally, we present the top-ranked algorithms and the research ideas provided by the competition for attack detection in long-range surveillance scenarios.

Abstract: Face anti-spoofing (FAS) is an essential mechanism for safeguarding the integrity of automated face recognition systems. Despite substantial advancements, the generalization of existing approaches to real-world applications remains challenging. This limitation can be attributed to the scarcity and lack of diversity in publicly available FAS datasets, which often leads to overfitting during training or saturation during testing. In terms of quantity, the number of spoof subjects is a critical determinant. Most datasets comprise fewer than 2,000 subjects. With regard to diversity, the majority of datasets consist of spoof samples collected in controlled environments using repetitive, mechanical processes. This data collection methodology results in homogenized samples and a dearth of scenario diversity. To address these shortcomings, we introduce the Wild Face Anti-Spoofing (WFAS) dataset, a large-scale, diverse FAS dataset collected in unconstrained settings. Our dataset encompasses 853,729 images of 321,751 spoof subjects and 529,571 images of 148,169 live subjects, representing a substantial increase in quantity. Moreover, our dataset incorporates spoof data obtained from the internet, spanning a wide array of scenarios and various commercial sensors, including 17 presentation attacks (PAs) that encompass both 2D and 3D forms. This novel data collection strategy markedly enhances FAS data diversity. Leveraging the WFAS dataset and Protocol 1 (Known-Type), we host the Wild Face Anti-Spoofing Challenge at the CVPR2023 workshop. Additionally, we meticulously evaluate representative methods using Protocol 1 and Protocol 2 (Unknown-Type). Through an in-depth examination of the challenge outcomes and benchmark baselines, we provide insightful analyses and propose potential avenues for future research. The dataset is released under Insightface 1 .

Abstract: Detecting traversable road areas ahead a moving vehicle is a key process for modern autonomous driving systems. Most existing algorithms use color to classify pixels as road or background. These algorithms reduce the effect of lighting variations and weather conditions by exploiting the discriminant/invariant properties of different color representations. However, up to date, no comparison between these representations have been conducted. Therefore, in this paper, we perform an evaluation of existing color representations for road detection. More specifically, we focus on color planes derived from RGB data and their most com-
mon combinations. The evaluation is done on a set of 7000 road images acquired
using an on-board camera in different real-driving situations.

Abstract: Determining the authorship of a document, namely writer identification, can be an important source of information for document categorization. Contrary to text documents, the identification of the writer of graphical documents is still a challenge. In this paper we present a robust approach for writer identification in a particular kind of graphical documents, old music scores. This approach adapts the bag of visual terms method for coping with graphic documents. The identification is performed only using the graphical music notation. For this purpose, we generate a graphic vocabulary without recognizing any music symbols, and consequently, avoiding the difficulties in the recognition of hand-drawn symbols in old and degraded documents. The proposed method has been tested on a database of old music scores from the 17th to 19th centuries, achieving very high identification rates.