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Hassan Ahmed Sial; Ramon Baldrich; Maria Vanrell |
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Deep intrinsic decomposition trained on surreal scenes yet with realistic light effects |
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Journal Article |
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2020 |
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Journal of the Optical Society of America A |
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JOSA A |
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37 |
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1 |
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1-15 |
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Estimation of intrinsic images still remains a challenging task due to weaknesses of ground-truth datasets, which either are too small or present non-realistic issues. On the other hand, end-to-end deep learning architectures start to achieve interesting results that we believe could be improved if important physical hints were not ignored. In this work, we present a twofold framework: (a) a flexible generation of images overcoming some classical dataset problems such as larger size jointly with coherent lighting appearance; and (b) a flexible architecture tying physical properties through intrinsic losses. Our proposal is versatile, presents low computation time, and achieves state-of-the-art results. |
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CIC; 600.140; 600.12; 600.118 |
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Admin @ si @ SBV2019 |
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3311 |
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Fahad Shahbaz Khan; Muhammad Anwer Rao; Joost Van de Weijer; Andrew Bagdanov; Antonio Lopez; Michael Felsberg |
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Title |
Coloring Action Recognition in Still Images |
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Journal Article |
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Year |
2013 |
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International Journal of Computer Vision |
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IJCV |
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105 |
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3 |
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205-221 |
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In this article we investigate the problem of human action recognition in static images. By action recognition we intend a class of problems which includes both action classification and action detection (i.e. simultaneous localization and classification). Bag-of-words image representations yield promising results for action classification, and deformable part models perform very well object detection. The representations for action recognition typically use only shape cues and ignore color information. Inspired by the recent success of color in image classification and object detection, we investigate the potential of color for action classification and detection in static images. We perform a comprehensive evaluation of color descriptors and fusion approaches for action recognition. Experiments were conducted on the three datasets most used for benchmarking action recognition in still images: Willow, PASCAL VOC 2010 and Stanford-40. Our experiments demonstrate that incorporating color information considerably improves recognition performance, and that a descriptor based on color names outperforms pure color descriptors. Our experiments demonstrate that late fusion of color and shape information outperforms other approaches on action recognition. Finally, we show that the different color–shape fusion approaches result in complementary information and combining them yields state-of-the-art performance for action classification. |
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Springer US |
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0920-5691 |
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CIC; ADAS; 600.057; 600.048 |
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Admin @ si @ KRW2013 |
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2285 |
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C. Alejandro Parraga; Jordi Roca; Dimosthenis Karatzas; Sophie Wuerger |
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Title |
Limitations of visual gamma corrections in LCD displays |
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Journal Article |
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Year |
2014 |
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Displays |
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Dis |
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35 |
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5 |
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227–239 |
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Display calibration; Psychophysics; Perceptual; Visual gamma correction; Luminance matching; Observer-based calibration |
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A method for estimating the non-linear gamma transfer function of liquid–crystal displays (LCDs) without the need of a photometric measurement device was described by Xiao et al. (2011) [1]. It relies on observer’s judgments of visual luminance by presenting eight half-tone patterns with luminances from 1/9 to 8/9 of the maximum value of each colour channel. These half-tone patterns were distributed over the screen both over the vertical and horizontal viewing axes. We conducted a series of photometric and psychophysical measurements (consisting in the simultaneous presentation of half-tone patterns in each trial) to evaluate whether the angular dependency of the light generated by three different LCD technologies would bias the results of these gamma transfer function estimations. Our results show that there are significant differences between the gamma transfer functions measured and produced by observers at different viewing angles. We suggest appropriate modifications to the Xiao et al. paradigm to counterbalance these artefacts which also have the advantage of shortening the amount of time spent in collecting the psychophysical measurements. |
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CIC; DAG; 600.052; 600.077; 600.074 |
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Admin @ si @ PRK2014 |
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2511 |
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Author |
Shida Beigpour; Christian Riess; Joost Van de Weijer; Elli Angelopoulou |
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Title |
Multi-Illuminant Estimation with Conditional Random Fields |
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Journal Article |
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Year |
2014 |
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IEEE Transactions on Image Processing |
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TIP |
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23 |
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1 |
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83-95 |
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color constancy; CRF; multi-illuminant |
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Most existing color constancy algorithms assume uniform illumination. However, in real-world scenes, this is not often the case. Thus, we propose a novel framework for estimating the colors of multiple illuminants and their spatial distribution in the scene. We formulate this problem as an energy minimization task within a conditional random field over a set of local illuminant estimates. In order to quantitatively evaluate the proposed method, we created a novel data set of two-dominant-illuminant images comprised of laboratory, indoor, and outdoor scenes. Unlike prior work, our database includes accurate pixel-wise ground truth illuminant information. The performance of our method is evaluated on multiple data sets. Experimental results show that our framework clearly outperforms single illuminant estimators as well as a recently proposed multi-illuminant estimation approach. |
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1057-7149 |
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CIC; LAMP; 600.074; 600.079 |
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Admin @ si @ BRW2014 |
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2451 |
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Author |
Fahad Shahbaz Khan; Shida Beigpour; Joost Van de Weijer; Michael Felsberg |
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Title |
Painting-91: A Large Scale Database for Computational Painting Categorization |
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Journal Article |
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Year |
2014 |
Publication |
Machine Vision and Applications |
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MVAP |
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25 |
Issue |
6 |
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1385-1397 |
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Computer analysis of visual art, especially paintings, is an interesting cross-disciplinary research domain. Most of the research in the analysis of paintings involve medium to small range datasets with own specific settings. Interestingly, significant progress has been made in the field of object and scene recognition lately. A key factor in this success is the introduction and availability of benchmark datasets for evaluation. Surprisingly, such a benchmark setup is still missing in the area of computational painting categorization. In this work, we propose a novel large scale dataset of digital paintings. The dataset consists of paintings from 91 different painters. We further show three applications of our dataset namely: artist categorization, style classification and saliency detection. We investigate how local and global features popular in image classification perform for the tasks of artist and style categorization. For both categorization tasks, our experimental results suggest that combining multiple features significantly improves the final performance. We show that state-of-the-art computer vision methods can correctly classify 50 % of unseen paintings to its painter in a large dataset and correctly attribute its artistic style in over 60 % of the cases. Additionally, we explore the task of saliency detection on paintings and show experimental findings using state-of-the-art saliency estimation algorithms. |
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Springer Berlin Heidelberg |
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0932-8092 |
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CIC; LAMP; 600.074; 600.079 |
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Admin @ si @ KBW2014 |
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2510 |
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