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Author |
Xim Cerda-Company; Olivier Penacchio; Xavier Otazu |
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Title |
Chromatic Induction in Migraine |
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2021 |
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VISION |
Abbreviated Journal ![sorted by Abbreviated Journal field, ascending order (up)](http://refbase.cvc.uab.es/img/sort_asc.gif) |
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5 |
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3 |
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37 |
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migraine; vision; colour; colour perception; chromatic induction; psychophysics |
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The human visual system is not a colorimeter. The perceived colour of a region does not only depend on its colour spectrum, but also on the colour spectra and geometric arrangement of neighbouring regions, a phenomenon called chromatic induction. Chromatic induction is thought to be driven by lateral interactions: the activity of a central neuron is modified by stimuli outside its classical receptive field through excitatory–inhibitory mechanisms. As there is growing evidence of an excitation/inhibition imbalance in migraine, we compared chromatic induction in migraine and control groups. As hypothesised, we found a difference in the strength of induction between the two groups, with stronger induction effects in migraine. On the other hand, given the increased prevalence of visual phenomena in migraine with aura, we also hypothesised that the difference between migraine and control would be more important in migraine with aura than in migraine without aura. Our experiments did not support this hypothesis. Taken together, our results suggest a link between excitation/inhibition imbalance and increased induction effects. |
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NEUROBIT; no proj |
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Admin @ si @ CPO2021 |
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3589 |
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Author |
Olivier Penacchio; Xavier Otazu; Arnold J Wilkings; Sara M. Haigh |
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Title |
A mechanistic account of visual discomfort |
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Journal Article |
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2023 |
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Frontiers in Neuroscience |
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17 |
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Much of the neural machinery of the early visual cortex, from the extraction of local orientations to contextual modulations through lateral interactions, is thought to have developed to provide a sparse encoding of contour in natural scenes, allowing the brain to process efficiently most of the visual scenes we are exposed to. Certain visual stimuli, however, cause visual stress, a set of adverse effects ranging from simple discomfort to migraine attacks, and epileptic seizures in the extreme, all phenomena linked with an excessive metabolic demand. The theory of efficient coding suggests a link between excessive metabolic demand and images that deviate from natural statistics. Yet, the mechanisms linking energy demand and image spatial content in discomfort remain elusive. Here, we used theories of visual coding that link image spatial structure and brain activation to characterize the response to images observers reported as uncomfortable in a biologically based neurodynamic model of the early visual cortex that included excitatory and inhibitory layers to implement contextual influences. We found three clear markers of aversive images: a larger overall activation in the model, a less sparse response, and a more unbalanced distribution of activity across spatial orientations. When the ratio of excitation over inhibition was increased in the model, a phenomenon hypothesised to underlie interindividual differences in susceptibility to visual discomfort, the three markers of discomfort progressively shifted toward values typical of the response to uncomfortable stimuli. Overall, these findings propose a unifying mechanistic explanation for why there are differences between images and between observers, suggesting how visual input and idiosyncratic hyperexcitability give rise to abnormal brain responses that result in visual stress. |
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NEUROBIT |
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Admin @ si @ POW2023 |
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3886 |
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Hans Stadthagen-Gonzalez; M. Carmen Parafita; C. Alejandro Parraga; Markus F. Damian |
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Testing alternative theoretical accounts of code-switching: Insights from comparative judgments of adjective noun order |
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2019 |
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International journal of bilingualism: interdisciplinary studies of multilingual behaviour |
Abbreviated Journal ![sorted by Abbreviated Journal field, ascending order (up)](http://refbase.cvc.uab.es/img/sort_asc.gif) |
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23 |
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1 |
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200-220 |
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Objectives:
Spanish and English contrast in adjective–noun word order: for example, brown dress (English) vs. vestido marrón (‘dress brown’, Spanish). According to the Matrix Language model (MLF) word order in code-switched sentences must be compatible with the word order of the matrix language, but working within the minimalist program (MP), Cantone and MacSwan arrived at the descriptive generalization that the position of the noun phrase relative to the adjective is determined by the adjective’s language. Our aim is to evaluate the predictions derived from these two models regarding adjective–noun order in Spanish–English code-switched sentences.
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We contrasted the predictions from both models regarding the acceptability of code-switched sentences with different adjective–noun orders that were compatible with the MP, the MLF, both, or none. Acceptability was assessed in Experiment 1 with a 5-point Likert and in Experiment 2 with a 2-Alternative Forced Choice (2AFC) task. |
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NEUROBIT; no menciona |
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Admin @ si @ SPP2019 |
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3242 |
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Arash Akbarinia; C. Alejandro Parraga |
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Title |
Feedback and Surround Modulated Boundary Detection |
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Journal Article |
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2018 |
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International Journal of Computer Vision |
Abbreviated Journal ![sorted by Abbreviated Journal field, ascending order (up)](http://refbase.cvc.uab.es/img/sort_asc.gif) |
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126 |
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12 |
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1367–1380 |
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Boundary detection; Surround modulation; Biologically-inspired vision |
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Edges are key components of any visual scene to the extent that we can recognise objects merely by their silhouettes. The human visual system captures edge information through neurons in the visual cortex that are sensitive to both intensity discontinuities and particular orientations. The “classical approach” assumes that these cells are only responsive to the stimulus present within their receptive fields, however, recent studies demonstrate that surrounding regions and inter-areal feedback connections influence their responses significantly. In this work we propose a biologically-inspired edge detection model in which orientation selective neurons are represented through the first derivative of a Gaussian function resembling double-opponent cells in the primary visual cortex (V1). In our model we account for four kinds of receptive field surround, i.e. full, far, iso- and orthogonal-orientation, whose contributions are contrast-dependant. The output signal from V1 is pooled in its perpendicular direction by larger V2 neurons employing a contrast-variant centre-surround kernel. We further introduce a feedback connection from higher-level visual areas to the lower ones. The results of our model on three benchmark datasets show a big improvement compared to the current non-learning and biologically-inspired state-of-the-art algorithms while being competitive to the learning-based methods. |
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NEUROBIT; 600.068; 600.072 |
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Admin @ si @ AkP2018b |
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2991 |
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Author |
Xim Cerda-Company; C. Alejandro Parraga; Xavier Otazu |
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Title |
Which tone-mapping operator is the best? A comparative study of perceptual quality |
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Journal Article |
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2018 |
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Journal of the Optical Society of America A |
Abbreviated Journal ![sorted by Abbreviated Journal field, ascending order (up)](http://refbase.cvc.uab.es/img/sort_asc.gif) |
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35 |
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4 |
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626-638 |
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Tone-mapping operators (TMO) are designed to generate perceptually similar low-dynamic range images from high-dynamic range ones. We studied the performance of fifteen TMOs in two psychophysical experiments where observers compared the digitally-generated tone-mapped images to their corresponding physical scenes. All experiments were performed in a controlled environment and the setups were
designed to emphasize different image properties: in the first experiment we evaluated the local relationships among intensity-levels, and in the second one we evaluated global visual appearance among physical scenes and tone-mapped images, which were presented side by side. We ranked the TMOs according
to how well they reproduced the results obtained in the physical scene. Our results show that ranking position clearly depends on the adopted evaluation criteria, which implies that, in general, these tone-mapping algorithms consider either local or global image attributes but rarely both. Regarding the
question of which TMO is the best, KimKautz [1] and Krawczyk [2] obtained the better results across the different experiments. We conclude that a more thorough and standardized evaluation criteria is needed to study all the characteristics of TMOs, as there is ample room for improvement in future developments. |
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NEUROBIT; 600.120; 600.128 |
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Admin @ si @ CPO2018 |
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3088 |
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