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Domicele Jonauskaite; Nele Dael; C. Alejandro Parraga; Laetitia Chevre; Alejandro Garcia Sanchez; Christine Mohr |
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Title |
Stripping #The Dress: The importance of contextual information on inter-individual differences in colour perception |
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2018 |
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Psychological Research |
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PSYCHO R |
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1-15 |
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In 2015, a picture of a Dress (henceforth the Dress) triggered popular and scientific interest; some reported seeing the Dress in white and gold (W&G) and others in blue and black (B&B). We aimed to describe the phenomenon and investigate the role of contextualization. Few days after the Dress had appeared on the Internet, we projected it to 240 students on two large screens in the classroom. Participants reported seeing the Dress in B&B (48%), W&G (38%), or blue and brown (B&Br; 7%). Amongst numerous socio-demographic variables, we only observed that W&G viewers were most likely to have always seen the Dress as W&G. In the laboratory, we tested how much contextual information is necessary for the phenomenon to occur. Fifty-seven participants selected colours most precisely matching predominant colours of parts or the full Dress. We presented, in this order, small squares (a), vertical strips (b), and the full Dress (c). We found that (1) B&B, B&Br, and W&G viewers had selected colours differing in lightness and chroma levels for contextualized images only (b, c conditions) and hue for fully contextualized condition only (c) and (2) B&B viewers selected colours most closely matching displayed colours of the Dress. Thus, the Dress phenomenon emerges due to inter-individual differences in subjectively perceived lightness, chroma, and hue, at least when all aspects of the picture need to be integrated. Our results support the previous conclusions that contextual information is key to colour perception; it should be important to understand how this actually happens. |
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NEUROBIT; no proj |
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Admin @ si @ JDP2018 |
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3149 |
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Hans Stadthagen-Gonzalez; M. Carmen Parafita; C. Alejandro Parraga; Markus F. Damian |
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Testing alternative theoretical accounts of code-switching: Insights from comparative judgments of adjective noun order |
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2019 |
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International journal of bilingualism: interdisciplinary studies of multilingual behaviour |
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IJB |
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23 |
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1 |
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200-220 |
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Objectives:
Spanish and English contrast in adjective–noun word order: for example, brown dress (English) vs. vestido marrón (‘dress brown’, Spanish). According to the Matrix Language model (MLF) word order in code-switched sentences must be compatible with the word order of the matrix language, but working within the minimalist program (MP), Cantone and MacSwan arrived at the descriptive generalization that the position of the noun phrase relative to the adjective is determined by the adjective’s language. Our aim is to evaluate the predictions derived from these two models regarding adjective–noun order in Spanish–English code-switched sentences.
Methodology:
We contrasted the predictions from both models regarding the acceptability of code-switched sentences with different adjective–noun orders that were compatible with the MP, the MLF, both, or none. Acceptability was assessed in Experiment 1 with a 5-point Likert and in Experiment 2 with a 2-Alternative Forced Choice (2AFC) task. |
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NEUROBIT; no menciona |
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no |
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Admin @ si @ SPP2019 |
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3242 |
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Lu Yu; Lichao Zhang; Joost Van de Weijer; Fahad Shahbaz Khan; Yongmei Cheng; C. Alejandro Parraga |
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Title |
Beyond Eleven Color Names for Image Understanding |
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2018 |
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Machine Vision and Applications |
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MVAP |
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29 |
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2 |
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361-373 |
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Color name; Discriminative descriptors; Image classification; Re-identification; Tracking |
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Color description is one of the fundamental problems of image understanding. One of the popular ways to represent colors is by means of color names. Most existing work on color names focuses on only the eleven basic color terms of the English language. This could be limiting the discriminative power of these representations, and representations based on more color names are expected to perform better. However, there exists no clear strategy to choose additional color names. We collect a dataset of 28 additional color names. To ensure that the resulting color representation has high discriminative power we propose a method to order the additional color names according to their complementary nature with the basic color names. This allows us to compute color name representations with high discriminative power of arbitrary length. In the experiments we show that these new color name descriptors outperform the existing color name descriptor on the task of visual tracking, person re-identification and image classification. |
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LAMP; NEUROBIT; 600.068; 600.109; 600.120 |
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Admin @ si @ YYW2018 |
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3087 |
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Olivier Penacchio; Xavier Otazu; Arnold J Wilkings; Sara M. Haigh |
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Title |
A mechanistic account of visual discomfort |
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2023 |
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Frontiers in Neuroscience |
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FN |
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17 |
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Much of the neural machinery of the early visual cortex, from the extraction of local orientations to contextual modulations through lateral interactions, is thought to have developed to provide a sparse encoding of contour in natural scenes, allowing the brain to process efficiently most of the visual scenes we are exposed to. Certain visual stimuli, however, cause visual stress, a set of adverse effects ranging from simple discomfort to migraine attacks, and epileptic seizures in the extreme, all phenomena linked with an excessive metabolic demand. The theory of efficient coding suggests a link between excessive metabolic demand and images that deviate from natural statistics. Yet, the mechanisms linking energy demand and image spatial content in discomfort remain elusive. Here, we used theories of visual coding that link image spatial structure and brain activation to characterize the response to images observers reported as uncomfortable in a biologically based neurodynamic model of the early visual cortex that included excitatory and inhibitory layers to implement contextual influences. We found three clear markers of aversive images: a larger overall activation in the model, a less sparse response, and a more unbalanced distribution of activity across spatial orientations. When the ratio of excitation over inhibition was increased in the model, a phenomenon hypothesised to underlie interindividual differences in susceptibility to visual discomfort, the three markers of discomfort progressively shifted toward values typical of the response to uncomfortable stimuli. Overall, these findings propose a unifying mechanistic explanation for why there are differences between images and between observers, suggesting how visual input and idiosyncratic hyperexcitability give rise to abnormal brain responses that result in visual stress. |
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NEUROBIT |
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Admin @ si @ POW2023 |
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3886 |
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Author |
Xavier Otazu; Xim Cerda-Company |
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Title |
The contribution of luminance and chromatic channels to color assimilation |
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2022 |
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Journal of Vision |
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JOV |
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22(6) |
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10 |
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1-15 |
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Color induction is the phenomenon where the physical and the perceived colors of an object differ owing to the color distribution and the spatial configuration of the surrounding objects. Previous works studying this phenomenon on the lsY MacLeod–Boynton color space, show that color assimilation is present only when the magnocellular pathway (i.e., the Y axis) is activated (i.e., when there are luminance differences). Concretely, the authors showed that the effect is mainly induced by the koniocellular pathway (s axis), but not by the parvocellular pathway (l axis), suggesting that when magnocellular pathway is activated it inhibits the koniocellular pathway. In the present work, we study whether parvo-, konio-, and magnocellular pathways may influence on each other through the color induction effect. Our results show that color assimilation does not depend on a chromatic–chromatic interaction, and that chromatic assimilation is driven by the interaction between luminance and chromatic channels (mainly the magno- and the koniocellular pathways). Our results also show that chromatic induction is greatly decreased when all three visual pathways are simultaneously activated, and that chromatic pathways could influence each other through the magnocellular (luminance) pathway. In addition, we observe that chromatic channels can influence the luminance channel, hence inducing a small brightness induction. All these results show that color induction is a highly complex process where interactions between the several visual pathways are yet unknown and should be studied in greater detail. |
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Neurobit; 600.128; 600.120; 600.158 |
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Admin @ si @ OtC2022 |
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3685 |
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