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Mathieu Nicolas Delalandre; Ernest Valveny; Tony Pridmore; Dimosthenis Karatzas |
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Title |
Generation of Synthetic Documents for Performance Evaluation of Symbol Recognition & Spotting Systems |
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Journal Article |
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Year |
2010 |
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International Journal on Document Analysis and Recognition |
Abbreviated Journal |
IJDAR |
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13 |
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3 |
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187-207 |
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This paper deals with the topic of performance evaluation of symbol recognition & spotting systems. We propose here a new approach to the generation of synthetic graphics documents containing non-isolated symbols in a real context. This approach is based on the definition of a set of constraints that permit us to place the symbols on a pre-defined background according to the properties of a particular domain (architecture, electronics, engineering, etc.). In this way, we can obtain a large amount of images resembling real documents by simply defining the set of constraints and providing a few pre-defined backgrounds. As documents are synthetically generated, the groundtruth (the location and the label of every symbol) becomes automatically available. We have applied this approach to the generation of a large database of architectural drawings and electronic diagrams, which shows the flexibility of the system. Performance evaluation experiments of a symbol localization system show that our approach permits to generate documents with different features that are reflected in variation of localization results. |
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Springer-Verlag |
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1433-2833 |
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DAG @ dag @ DVP2010 |
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1289 |
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Author |
Alicia Fornes; Josep Llados; Gemma Sanchez; Xavier Otazu; Horst Bunke |
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Title |
A Combination of Features for Symbol-Independent Writer Identification in Old Music Scores |
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Journal Article |
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2010 |
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International Journal on Document Analysis and Recognition |
Abbreviated Journal |
IJDAR |
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13 |
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4 |
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243-259 |
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The aim of writer identification is determining the writer of a piece of handwriting from a set of writers. In this paper, we present an architecture for writer identification in old handwritten music scores. Even though an important amount of music compositions contain handwritten text, the aim of our work is to use only music notation to determine the author. The main contribution is therefore the use of features extracted from graphical alphabets. Our proposal consists in combining the identification results of two different approaches, based on line and textural features. The steps of the ensemble architecture are the following. First of all, the music sheet is preprocessed for removing the staff lines. Then, music lines and texture images are generated for computing line features and textural features. Finally, the classification results are combined for identifying the writer. The proposed method has been tested on a database of old music scores from the seventeenth to nineteenth centuries, achieving a recognition rate of about 92% with 20 writers. |
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Springer-Verlag |
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1433-2833 |
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DAG; CAT;CIC |
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FLS2010b |
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1319 |
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Josep Llados; Dimosthenis Karatzas; Joan Mas; Gemma Sanchez |
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Title |
A Generic Architecture for the Conversion of Document Collections into Semantically Annotated Digital Archives |
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2008 |
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Journal of Universal Computer Science |
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14 |
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18 |
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2912–2935 |
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Median Graph, Graph Embedding, Graph Matching, Structural Pattern Recognition |
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DAG @ dag @ LKM2008 |
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1142 |
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M. Visani; Oriol Ramos Terrades; Salvatore Tabbone |
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Title |
A Protocol to Characterize the Descriptive Power and the Complementarity of Shape Descriptors |
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2011 |
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International Journal on Document Analysis and Recognition |
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IJDAR |
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14 |
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1 |
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87-100 |
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Document analysis; Shape descriptors; Symbol description; Performance characterization; Complementarity analysis |
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Most document analysis applications rely on the extraction of shape descriptors, which may be grouped into different categories, each category having its own advantages and drawbacks (O.R. Terrades et al. in Proceedings of ICDAR’07, pp. 227–231, 2007). In order to improve the richness of their description, many authors choose to combine multiple descriptors. Yet, most of the authors who propose a new descriptor content themselves with comparing its performance to the performance of a set of single state-of-the-art descriptors in a specific applicative context (e.g. symbol recognition, symbol spotting...). This results in a proliferation of the shape descriptors proposed in the literature. In this article, we propose an innovative protocol, the originality of which is to be as independent of the final application as possible and which relies on new quantitative and qualitative measures. We introduce two types of measures: while the measures of the first type are intended to characterize the descriptive power (in terms of uniqueness, distinctiveness and robustness towards noise) of a descriptor, the second type of measures characterizes the complementarity between multiple descriptors. Characterizing upstream the complementarity of shape descriptors is an alternative to the usual approach where the descriptors to be combined are selected by trial and error, considering the performance characteristics of the overall system. To illustrate the contribution of this protocol, we performed experimental studies using a set of descriptors and a set of symbols which are widely used by the community namely ART and SC descriptors and the GREC 2003 database. |
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DAG; IF 1.091 |
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Admin @ si @VRT2011 |
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1856 |
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Author |
T.Chauhan; E.Perales; Kaida Xiao; E.Hird ; Dimosthenis Karatzas; Sophie Wuerger |
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Title |
The achromatic locus: Effect of navigation direction in color space |
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Journal Article |
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2014 |
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Journal of Vision |
Abbreviated Journal |
VSS |
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14 (1) |
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25 |
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1-11 |
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Keywords |
achromatic; unique hues; color constancy; luminance; color space |
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Abstract |
5Y Impact Factor: 2.99 / 1st (Ophthalmology)
An achromatic stimulus is defined as a patch of light that is devoid of any hue. This is usually achieved by asking observers to adjust the stimulus such that it looks neither red nor green and at the same time neither yellow nor blue. Despite the theoretical and practical importance of the achromatic locus, little is known about the variability in these settings. The main purpose of the current study was to evaluate whether achromatic settings were dependent on the task of the observers, namely the navigation direction in color space. Observers could either adjust the test patch along the two chromatic axes in the CIE u*v* diagram or, alternatively, navigate along the unique-hue lines. Our main result is that the navigation method affects the reliability of these achromatic settings. Observers are able to make more reliable achromatic settings when adjusting the test patch along the directions defined by the four unique hues as opposed to navigating along the main axes in the commonly used CIE u*v* chromaticity plane. This result holds across different ambient viewing conditions (Dark, Daylight, Cool White Fluorescent) and different test luminance levels (5, 20, and 50 cd/m2). The reduced variability in the achromatic settings is consistent with the idea that internal color representations are more aligned with the unique-hue lines than the u* and v* axes. |
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DAG; 600.077 |
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Admin @ si @ CPX2014 |
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2418 |
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