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C. Alejandro Parraga; Arash Akbarinia |
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NICE: A Computational Solution to Close the Gap from Colour Perception to Colour Categorization |
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2016 |
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PLoS One |
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Plos |
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11 |
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3 |
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e0149538 |
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The segmentation of visible electromagnetic radiation into chromatic categories by the human visual system has been extensively studied from a perceptual point of view, resulting in several colour appearance models. However, there is currently a void when it comes to relate these results to the physiological mechanisms that are known to shape the pre-cortical and cortical visual pathway. This work intends to begin to fill this void by proposing a new physiologically plausible model of colour categorization based on Neural Isoresponsive Colour Ellipsoids (NICE) in the cone-contrast space defined by the main directions of the visual signals entering the visual cortex. The model was adjusted to fit psychophysical measures that concentrate on the categorical boundaries and are consistent with the ellipsoidal isoresponse surfaces of visual cortical neurons. By revealing the shape of such categorical colour regions, our measures allow for a more precise and parsimonious description, connecting well-known early visual processing mechanisms to the less understood phenomenon of colour categorization. To test the feasibility of our method we applied it to exemplary images and a popular ground-truth chart obtaining labelling results that are better than those of current state-of-the-art algorithms. |
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NEUROBIT; 600.068 |
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Admin @ si @ PaA2016a |
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2747 |
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Author |
Arash Akbarinia; C. Alejandro Parraga |
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Title |
Colour Constancy Beyond the Classical Receptive Field |
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2018 |
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IEEE Transactions on Pattern Analysis and Machine Intelligence |
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TPAMI |
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40 |
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9 |
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2081 - 2094 |
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The problem of removing illuminant variations to preserve the colours of objects (colour constancy) has already been solved by the human brain using mechanisms that rely largely on centre-surround computations of local contrast. In this paper we adopt some of these biological solutions described by long known physiological findings into a simple, fully automatic, functional model (termed Adaptive Surround Modulation or ASM). In ASM, the size of a visual neuron's receptive field (RF) as well as the relationship with its surround varies according to the local contrast within the stimulus, which in turn determines the nature of the centre-surround normalisation of cortical neurons higher up in the processing chain. We modelled colour constancy by means of two overlapping asymmetric Gaussian kernels whose sizes are adapted based on the contrast of the surround pixels, resembling the change of RF size. We simulated the contrast-dependent surround modulation by weighting the contribution of each Gaussian according to the centre-surround contrast. In the end, we obtained an estimation of the illuminant from the set of the most activated RFs' outputs. Our results on three single-illuminant and one multi-illuminant benchmark datasets show that ASM is highly competitive against the state-of-the-art and it even outperforms learning-based algorithms in one case. Moreover, the robustness of our model is more tangible if we consider that our results were obtained using the same parameters for all datasets, that is, mimicking how the human visual system operates. These results might provide an insight on how dynamical adaptation mechanisms contribute to make object's colours appear constant to us. |
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NEUROBIT; 600.068; 600.072 |
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Admin @ si @ AkP2018a |
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2990 |
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Xim Cerda-Company; C. Alejandro Parraga; Xavier Otazu |
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Which tone-mapping operator is the best? A comparative study of perceptual quality |
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2018 |
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Journal of the Optical Society of America A |
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JOSA A |
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35 |
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4 |
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626-638 |
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Tone-mapping operators (TMO) are designed to generate perceptually similar low-dynamic range images from high-dynamic range ones. We studied the performance of fifteen TMOs in two psychophysical experiments where observers compared the digitally-generated tone-mapped images to their corresponding physical scenes. All experiments were performed in a controlled environment and the setups were
designed to emphasize different image properties: in the first experiment we evaluated the local relationships among intensity-levels, and in the second one we evaluated global visual appearance among physical scenes and tone-mapped images, which were presented side by side. We ranked the TMOs according
to how well they reproduced the results obtained in the physical scene. Our results show that ranking position clearly depends on the adopted evaluation criteria, which implies that, in general, these tone-mapping algorithms consider either local or global image attributes but rarely both. Regarding the
question of which TMO is the best, KimKautz [1] and Krawczyk [2] obtained the better results across the different experiments. We conclude that a more thorough and standardized evaluation criteria is needed to study all the characteristics of TMOs, as there is ample room for improvement in future developments. |
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NEUROBIT; 600.120; 600.128 |
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Admin @ si @ CPO2018 |
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3088 |
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Author |
C. Alejandro Parraga |
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Title |
Colours and Colour Vision: An Introductory Survey |
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2017 |
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Perception |
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PER |
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46 |
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5 |
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640-641 |
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NEUROBIT; no menciona |
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Par2017 |
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3101 |
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Xim Cerda-Company; Xavier Otazu; Nilai Sallent; C. Alejandro Parraga |
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Title |
The effect of luminance differences on color assimilation |
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2018 |
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Journal of Vision |
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JV |
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18 |
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11 |
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10-10 |
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The color appearance of a surface depends on the color of its surroundings (inducers). When the perceived color shifts towards that of the surroundings, the effect is called “color assimilation” and when it shifts away from the surroundings it is called “color contrast.” There is also evidence that the phenomenon depends on the spatial configuration of the inducer, e.g., uniform surrounds tend to induce color contrast and striped surrounds tend to induce color assimilation. However, previous work found that striped surrounds under certain conditions do not induce color assimilation but induce color contrast (or do not induce anything at all), suggesting that luminance differences and high spatial frequencies could be key factors in color assimilation. Here we present a new psychophysical study of color assimilation where we assessed the contribution of luminance differences (between the target and its surround) present in striped stimuli. Our results show that luminance differences are key factors in color assimilation for stimuli varying along the s axis of MacLeod-Boynton color space, but not for stimuli varying along the l axis. This asymmetry suggests that koniocellular neural mechanisms responsible for color assimilation only contribute when there is a luminance difference, supporting the idea that mutual-inhibition has a major role in color induction. |
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NEUROBIT; 600.120; 600.128 |
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Admin @ si @ COS2018 |
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3148 |
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