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Danna Xue; Javier Vazquez; Luis Herranz; Yang Zhang; Michael S Brown |
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Integrating High-Level Features for Consistent Palette-based Multi-image Recoloring |
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2023 |
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Computer Graphics Forum |
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Achieving visually consistent colors across multiple images is important when images are used in photo albums, websites, and brochures. Unfortunately, only a handful of methods address multi-image color consistency compared to one-to-one color transfer techniques. Furthermore, existing methods do not incorporate high-level features that can assist graphic designers in their work. To address these limitations, we introduce a framework that builds upon a previous palette-based color consistency method and incorporates three high-level features: white balance, saliency, and color naming. We show how these features overcome the limitations of the prior multi-consistency workflow and showcase the user-friendly nature of our framework. |
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CIC; MACO |
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Admin @ si @ XVH2023 |
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3883 |
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Jaykishan Patel; Alban Flachot; Javier Vazquez; David H. Brainard; Thomas S. A. Wallis; Marcus A. Brubaker; Richard F. Murray |
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A deep convolutional neural network trained to infer surface reflectance is deceived by mid-level lightness illusions |
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2023 |
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Journal of Vision |
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23 |
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9 |
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4817-4817 |
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A long-standing view is that lightness illusions are by-products of strategies employed by the visual system to stabilize its perceptual representation of surface reflectance against changes in illumination. Computationally, one such strategy is to infer reflectance from the retinal image, and to base the lightness percept on this inference. CNNs trained to infer reflectance from images have proven successful at solving this problem under limited conditions. To evaluate whether these CNNs provide suitable starting points for computational models of human lightness perception, we tested a state-of-the-art CNN on several lightness illusions, and compared its behaviour to prior measurements of human performance. We trained a CNN (Yu & Smith, 2019) to infer reflectance from luminance images. The network had a 30-layer hourglass architecture with skip connections. We trained the network via supervised learning on 100K images, rendered in Blender, each showing randomly placed geometric objects (surfaces, cubes, tori, etc.), with random Lambertian reflectance patterns (solid, Voronoi, or low-pass noise), under randomized point+ambient lighting. The renderer also provided the ground-truth reflectance images required for training. After training, we applied the network to several visual illusions. These included the argyle, Koffka-Adelson, snake, White’s, checkerboard assimilation, and simultaneous contrast illusions, along with their controls where appropriate. The CNN correctly predicted larger illusions in the argyle, Koffka-Adelson, and snake images than in their controls. It also correctly predicted an assimilation effect in White's illusion. It did not, however, account for the checkerboard assimilation or simultaneous contrast effects. These results are consistent with the view that at least some lightness phenomena are by-products of a rational approach to inferring stable representations of physical properties from intrinsically ambiguous retinal images. Furthermore, they suggest that CNN models may be a promising starting point for new models of human lightness perception. |
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Admin @ si @ PFV2023 |
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3890 |
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Domicele Jonauskaite; Lucia Camenzind; C. Alejandro Parraga; Cecile N Diouf; Mathieu Mercapide Ducommun; Lauriane Müller; Melanie Norberg; Christine Mohr |
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Colour-emotion associations in individuals with red-green colour blindness |
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2021 |
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PeerJ |
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9 |
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e11180 |
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Affect; Chromotherapy; Colour cognition; Colour vision deficiency; Cross-modal correspondences; Daltonism; Deuteranopia; Dichromatic; Emotion; Protanopia. |
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Colours and emotions are associated in languages and traditions. Some of us may convey sadness by saying feeling blue or by wearing black clothes at funerals. The first example is a conceptual experience of colour and the second example is an immediate perceptual experience of colour. To investigate whether one or the other type of experience more strongly drives colour-emotion associations, we tested 64 congenitally red-green colour-blind men and 66 non-colour-blind men. All participants associated 12 colours, presented as terms or patches, with 20 emotion concepts, and rated intensities of the associated emotions. We found that colour-blind and non-colour-blind men associated similar emotions with colours, irrespective of whether colours were conveyed via terms (r = .82) or patches (r = .80). The colour-emotion associations and the emotion intensities were not modulated by participants' severity of colour blindness. Hinting at some additional, although minor, role of actual colour perception, the consistencies in associations for colour terms and patches were higher in non-colour-blind than colour-blind men. Together, these results suggest that colour-emotion associations in adults do not require immediate perceptual colour experiences, as conceptual experiences are sufficient. |
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CIC; LAMP; 600.120; 600.128 |
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Admin @ si @ JCP2021 |
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3564 |
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Trevor Canham; Javier Vazquez; D Long; Richard F. Murray; Michael S Brown |
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Noise Prism: A Novel Multispectral Visualization Technique |
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2021 |
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31st Color and Imaging Conference |
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A novel technique for visualizing multispectral images is proposed. Inspired by how prisms work, our method spreads spectral information over a chromatic noise pattern. This is accomplished by populating the pattern with pixels representing each measurement band at a count proportional to its measured intensity. The method is advantageous because it allows for lightweight encoding and visualization of spectral information
while maintaining the color appearance of the stimulus. A four alternative forced choice (4AFC) experiment was conducted to validate the method’s information-carrying capacity in displaying metameric stimuli of varying colors and spectral basis functions. The scores ranged from 100% to 20% (less than chance given the 4AFC task), with many conditions falling somewhere in between at statistically significant intervals. Using this data, color and texture difference metrics can be evaluated and optimized to predict the legibility of the visualization technique. |
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MACO; CIC |
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Admin @ si @ CVL2021 |
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4000 |
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Trevor Canham; Javier Vazquez; Elise Mathieu; Marcelo Bertalmío |
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Matching visual induction effects on screens of different size |
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2021 |
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Journal of Vision |
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JOV |
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21 |
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6(10) |
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1-22 |
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In the film industry, the same movie is expected to be watched on displays of vastly different sizes, from cinema screens to mobile phones. But visual induction, the perceptual phenomenon by which the appearance of a scene region is affected by its surroundings, will be different for the same image shown on two displays of different dimensions. This phenomenon presents a practical challenge for the preservation of the artistic intentions of filmmakers, because it can lead to shifts in image appearance between viewing destinations. In this work, we show that a neural field model based on the efficient representation principle is able to predict induction effects and how, by regularizing its associated energy functional, the model is still able to represent induction but is now invertible. From this finding, we propose a method to preprocess an image in a screen–size dependent way so that its perception, in terms of visual induction, may remain constant across displays of different size. The potential of the method is demonstrated through psychophysical experiments on synthetic images and qualitative examples on natural images. |
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Admin @ si @ CVM2021 |
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3595 |
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