|
Josep Llados and Enric Marti. 1999. A graph-edit algorithm for hand-drawn graphical document recognition and their automatic introduction into CAD systems..
|
|
|
Josep Llados and Enric Marti. 1999. Graph-edit algorithms for hand-drawn graphical document recognition and their automatic introduction. Machine Graphics & Vision journal, special issue on Graph transformation.
|
|
|
Josep Llados and Enric Marti. 1999. A graph-edit algorithm for hand-drawn graphical document recognition and their automatic introduction into CAD systems. Machine Graphics & Vision, 8, 195–211.
|
|
|
Josep Llados and Young-Bin Kwon. 2004. Graphics Recognition. Recent Advances and Perspectives.
|
|
|
Alicia Fornes, Josep Llados, Oriol Ramos Terrades and Marçal Rusiñol. 2016. La Visió per Computador com a Eina per a la Interpretació Automàtica de Fonts Documentals.
|
|
|
Agnes Borras, Francesc Tous, Josep Llados and Maria Vanrell. 2003. High-Level Clothes Description Based on Color-Texture and Structural Features. Lecture Notes in Computer Science.108–116.
Abstract: This work is a part of a surveillance system where content- based image retrieval is done in terms of people appearance. Given an image of a person, our work provides an automatic description of his clothing according to the colour, texture and structural composition of its garments. We present a two-stage process composed by image segmentation and a region-based interpretation. We segment an image by modelling it due to an attributed graph and applying a hybrid method that follows a split-and-merge strategy. We propose the interpretation of five cloth combinations that are modelled in a graph structure in terms of region features. The interpretation is viewed as a graph matching with an associated cost between the segmentation and the cloth models. Fi- nally, we have tested the process with a ground-truth of one hundred images.
|
|
|
Anton Cervantes, Gemma Sanchez, Josep Llados, Agnes Borras and Ana Rodriguez. 2006. Biometric Recognition Based on Line Shape Descriptors. Lecture Notes in Computer Science. Springer Link, 346–357,.
Abstract: Abstract. In this paper we propose biometric descriptors inspired by shape signatures traditionally used in graphics recognition approaches. In particular several methods based on line shape descriptors used to iden- tify newborns from the biometric information of the ears are developed. The process steps are the following: image acquisition, ear segmentation, ear normalization, feature extraction and identification. Several shape signatures are defined from contour images. These are formulated in terms of zoning and contour crossings descriptors. Experimental results are presented to demonstrate the effectiveness of the used techniques.
|
|
|
Francesc Tous, Agnes Borras, Robert Benavente, Ramon Baldrich, Maria Vanrell and Josep Llados. 2002. Textual Descriptions for Browsing People by Visual Apperance. Lecture Notes in Artificial Intelligence. Springer Verlag, 419–429.
Abstract: This paper presents a first approach to build colour and structural descriptors for information retrieval on a people database. Queries are formulated in terms of their appearance that allows to seek people wearing specific clothes of a given colour name or texture. Descriptors are automatically computed by following three essential steps. A colour naming labelling from pixel properties. A region seg- mentation step based on colour properties of pixels combined with edge information. And a high level step that models the region arrangements in order to build clothes structure. Results are tested on large set of images from real scenes taken at the entrance desk of a building
|
|
|
Beata Megyesi, Alicia Fornes, Nils Kopal and Benedek Lang. 2024. Historical Cryptology. Learning and Experiencing Cryptography with CrypTool and SageMath.
Abstract: Historical cryptology studies (original) encrypted manuscripts, often handwritten sources, produced in our history. These historical sources can be found in archives, often hidden without any indexing and therefore hard to locate. Once found they need to be digitized and turned into a machine-readable text format before they can be deciphered with computational methods. The focus of historical cryptology is not primarily the development of sophisticated algorithms for decipherment, but rather the entire process of analysis of the encrypted source from collection and digitization to transcription and decryption. The process also includes the interpretation and contextualization of the message set in its historical context. There are many challenges on the way, such as mistakes made by the scribe, errors made by the transcriber, damaged pages, handwriting styles that are difficult to interpret, historical languages from various time periods, and hidden underlying language of the message. Ciphertexts vary greatly in terms of their code system and symbol sets used with more or less distinguishable symbols. Ciphertexts can be embedded in clearly written text, or shorter or longer sequences of cleartext can be embedded in the ciphertext. The ciphers used mostly in historical times are substitutions (simple, homophonic, or polyphonic), with or without nomenclatures, encoded as digits or symbol sequences, with or without spaces. So the circumstances are different from those in modern cryptography which focuses on methods (algorithms) and their strengths and assumes that the algorithm is applied correctly. For both historical and modern cryptology, attack vectors outside the algorithm are applied like implementation flaws and side-channel attacks. In this chapter, we give an introduction to the field of historical cryptology and present an overview of how researchers today process historical encrypted sources.
|
|
|
T.Chauhan, E.Perales, Kaida Xiao, E.Hird, Dimosthenis Karatzas and Sophie Wuerger. 2014. The achromatic locus: Effect of navigation direction in color space. VSS, 14 (1)(25), 1–11.
Abstract: 5Y Impact Factor: 2.99 / 1st (Ophthalmology)
An achromatic stimulus is defined as a patch of light that is devoid of any hue. This is usually achieved by asking observers to adjust the stimulus such that it looks neither red nor green and at the same time neither yellow nor blue. Despite the theoretical and practical importance of the achromatic locus, little is known about the variability in these settings. The main purpose of the current study was to evaluate whether achromatic settings were dependent on the task of the observers, namely the navigation direction in color space. Observers could either adjust the test patch along the two chromatic axes in the CIE u*v* diagram or, alternatively, navigate along the unique-hue lines. Our main result is that the navigation method affects the reliability of these achromatic settings. Observers are able to make more reliable achromatic settings when adjusting the test patch along the directions defined by the four unique hues as opposed to navigating along the main axes in the commonly used CIE u*v* chromaticity plane. This result holds across different ambient viewing conditions (Dark, Daylight, Cool White Fluorescent) and different test luminance levels (5, 20, and 50 cd/m2). The reduced variability in the achromatic settings is consistent with the idea that internal color representations are more aligned with the unique-hue lines than the u* and v* axes.
Keywords: achromatic; unique hues; color constancy; luminance; color space
|
|