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Alloy Das, Sanket Biswas, Ayan Banerjee, Josep Llados, Umapada Pal and Saumik Bhattacharya. 2024. Harnessing the Power of Multi-Lingual Datasets for Pre-training: Towards Enhancing Text Spotting Performance. Winter Conference on Applications of Computer Vision.718–728.
Abstract: The adaptation capability to a wide range of domains is crucial for scene text spotting models when deployed to real-world conditions. However, existing state-of-the-art (SOTA) approaches usually incorporate scene text detection and recognition simply by pretraining on natural scene text datasets, which do not directly exploit the intermediate feature representations between multiple domains. Here, we investigate the problem of domain-adaptive scene text spotting, i.e., training a model on multi-domain source data such that it can directly adapt to target domains rather than being specialized for a specific domain or scenario. Further, we investigate a transformer baseline called Swin-TESTR to focus on solving scene-text spotting for both regular and arbitrary-shaped scene text along with an exhaustive evaluation. The results clearly demonstrate the potential of intermediate representations to achieve significant performance on text spotting benchmarks across multiple domains (e.g. language, synth-to-real, and documents). both in terms of accuracy and efficiency.
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Sergi Garcia Bordils, Dimosthenis Karatzas and Marçal Rusiñol. 2024. STEP – Towards Structured Scene-Text Spotting. Winter Conference on Applications of Computer Vision.883–892.
Abstract: We introduce the structured scene-text spotting task, which requires a scene-text OCR system to spot text in the wild according to a query regular expression. Contrary to generic scene text OCR, structured scene-text spotting seeks to dynamically condition both scene text detection and recognition on user-provided regular expressions. To tackle this task, we propose the Structured TExt sPotter (STEP), a model that exploits the provided text structure to guide the OCR process. STEP is able to deal with regular expressions that contain spaces and it is not bound to detection at the word-level granularity. Our approach enables accurate zero-shot structured text spotting in a wide variety of real-world reading scenarios and is solely trained on publicly available data. To demonstrate the effectiveness of our approach, we introduce a new challenging test dataset that contains several types of out-of-vocabulary structured text, reflecting important reading applications of fields such as prices, dates, serial numbers, license plates etc. We demonstrate that STEP can provide specialised OCR performance on demand in all tested scenarios.
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Ilke Demir, Dena Bazazian, Adriana Romero, Viktoriia Sharmanska and Lyne P. Tchapmi. 2018. WiCV 2018: The Fourth Women In Computer Vision Workshop. 4th Women in Computer Vision Workshop.1941–19412.
Abstract: We present WiCV 2018 – Women in Computer Vision Workshop to increase the visibility and inclusion of women researchers in computer vision field, organized in conjunction with CVPR 2018. Computer vision and machine learning have made incredible progress over the past years, yet the number of female researchers is still low both in academia and industry. WiCV is organized to raise visibility of female researchers, to increase the collaboration,
and to provide mentorship and give opportunities to femaleidentifying junior researchers in the field. In its fourth year, we are proud to present the changes and improvements over the past years, summary of statistics for presenters and attendees, followed by expectations from future generations.
Keywords: Conferences; Computer vision; Industries; Object recognition; Engineering profession; Collaboration; Machine learning
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Arnau Baro, Pau Riba and Alicia Fornes. 2018. A Starting Point for Handwritten Music Recognition. 1st International Workshop on Reading Music Systems.5–6.
Abstract: In the last years, the interest in Optical Music Recognition (OMR) has reawakened, especially since the appearance of deep learning. However, there are very few works addressing handwritten scores. In this work we describe a full OMR pipeline for handwritten music scores by using Convolutional and Recurrent Neural Networks that could serve as a baseline for the research community.
Keywords: Optical Music Recognition; Long Short-Term Memory; Convolutional Neural Networks; MUSCIMA++; CVCMUSCIMA
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Arnau Baro, Carles Badal, Pau Torras and Alicia Fornes. 2022. Handwritten Historical Music Recognition through Sequence-to-Sequence with Attention Mechanism. 3rd International Workshop on Reading Music Systems (WoRMS2021).55–59.
Abstract: Despite decades of research in Optical Music Recognition (OMR), the recognition of old handwritten music scores remains a challenge because of the variabilities in the handwriting styles, paper degradation, lack of standard notation, etc. Therefore, the research in OMR systems adapted to the particularities of old manuscripts is crucial to accelerate the conversion of music scores existing in archives into digital libraries, fostering the dissemination and preservation of our music heritage. In this paper we explore the adaptation of sequence-to-sequence models with attention mechanism (used in translation and handwritten text recognition) and the generation of specific synthetic data for recognizing old music scores. The experimental validation demonstrates that our approach is promising, especially when compared with long short-term memory neural networks.
Keywords: Optical Music Recognition; Digits; Image Classification
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Pau Torras, Arnau Baro, Alicia Fornes and Lei Kang. 2022. Improving Handwritten Music Recognition through Language Model Integration. 4th International Workshop on Reading Music Systems (WoRMS2022).42–46.
Abstract: Handwritten Music Recognition, especially in the historical domain, is an inherently challenging endeavour; paper degradation artefacts and the ambiguous nature of handwriting make recognising such scores an error-prone process, even for the current state-of-the-art Sequence to Sequence models. In this work we propose a way of reducing the production of statistically implausible output sequences by fusing a Language Model into a recognition Sequence to Sequence model. The idea is leveraging visually-conditioned and context-conditioned output distributions in order to automatically find and correct any mistakes that would otherwise break context significantly. We have found this approach to improve recognition results to 25.15 SER (%) from a previous best of 31.79 SER (%) in the literature.
Keywords: optical music recognition; historical sources; diversity; music theory; digital humanities
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