Ernest Valveny, & Philippe Dosch. (2004). Performance Evaluation of Symbol Recognition. In A. D.(E.) S. Marinai (Ed.), Document Analysis Systems (Vol. 3163, 354–365).
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P. Ricaurte, C. Chilan, Cristhian A. Aguilera-Carrasco, Boris X. Vintimilla, & Angel Sappa. (2014). Performance Evaluation of Feature Point Descriptors in the Infrared Domain. In 9th International Conference on Computer Vision Theory and Applications (Vol. 1, pp. 545–550).
Abstract: This paper presents a comparative evaluation of classical feature point descriptors when they are used in the long-wave infrared spectral band. Robustness to changes in rotation, scaling, blur, and additive noise are evaluated using a state of the art framework. Statistical results using an outdoor image data set are presented together with a discussion about the differences with respect to the results obtained when images from the visible spectrum are considered.
Keywords: Infrared Imaging; Feature Point Descriptors
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Ernest Valveny, Salvatore Tabbone, Oriol Ramos Terrades, & Emilie Jean-Marie Odile. (2007). Performance Characterization of Shape Descriptors for Symbol Representation. In Seventh IAPR International Workshop on Graphics Recognition (82–83).
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Ernest Valveny, Salvatore Tabbone, & Oriol Ramos Terrades. (2008). Performance Characterization of Shape Descriptors for Symbol Representation. In J.M. Ogier J. L. W. Liu (Ed.), Graphics Recognition: Recent Advances and New Opportunities (Vol. 5046, 278–287). LNCS.
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Xavier Otazu. (2012). Perceptual tone-mapping operator based on multiresolution contrast decomposition. In Perception (Vol. 41, 86).
Abstract: Tone-mapping operators (TMO) are used to display high dynamic range(HDR) images in low dynamic range (LDR) displays. Many computational and biologically inspired approaches have been used in the literature, being many of them based on multiresolution decompositions. In this work, a simple two stage model for TMO is presented. The first stage is a novel multiresolution contrast decomposition, which is inspired in a pyramidal contrast decomposition (Peli, 1990 Journal of the Optical Society of America7(10), 2032-2040).
This novel multiresolution decomposition represents the Michelson contrast of the image at different spatial scales. This multiresolution contrast representation, applied on the intensity channel of an opponent colour decomposition, is processed by a non-linear saturating model of V1 neurons (Albrecht et al, 2002 Journal ofNeurophysiology 88(2) 888-913). This saturation model depends on the visual frequency, and it has been modified in order to include information from the extended Contrast Sensitivity Function (e-CSF) (Otazu et al, 2010 Journal ofVision10(12) 5).
A set of HDR images in Radiance RGBE format (from CIS HDR Photographic Survey and Greg Ward database) have been used to test the model, obtaining a set of LDR images. The resulting LDR images do not show the usual halo or color modification artifacts.
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Lluis Pere de las Heras, David Fernandez, Alicia Fornes, Ernest Valveny, Gemma Sanchez, & Josep Llados. (2013). Perceptual retrieval of architectural floor plans. In 10th IAPR International Workshop on Graphics Recognition.
Abstract: This paper proposes a runlength histogram signature as a percetual descriptor of architectural plans in a retrieval scenario. The style of an architectural drawing is characterized by the perception of lines, shapes and texture. Such visual stimuli are the basis for defining semantic concepts as space properties, symmetry, density, etc. We propose runlength histograms extracted in vertical, horizontal and diagonal directions as a characterization of line and space properties in floorplans, so it can be roughly associated to a description of walls and room structure. A retrieval application illustrates the performance of the proposed approach, where given a plan as a query,
similar ones are obtained from a database. A ground truth based on human observation has been constructed to validate the hypothesis. Preliminary results show the interest of the proposed approach and opens a challenging research line in graphics recognition.
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Xavier Otazu, & Maria Vanrell. (2005). Perceptual representation of textured images. Journal of Imaging Science and Technology, 49(3):262–271 (IF: 0.522).
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C. Alejandro Parraga. (2015). Perceptual Psychophysics. In G.Cristobal, M.Keil, & L.Perrinet (Eds.), Biologically-Inspired Computer Vision: Fundamentals and Applications.
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Lluis Gomez. (2012). Perceptual Organization for Text Extraction in Natural Scenes (Vol. 173). Master's thesis, , .
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Marçal Rusiñol, Farshad Nourbakhsh, Dimosthenis Karatzas, Ernest Valveny, & Josep Llados. (2010). Perceptual Image Retrieval by Adding Color Information to the Shape Context Descriptor. In 20th International Conference on Pattern Recognition (1594–1597).
Abstract: In this paper we present a method for the retrieval of images in terms of perceptual similarity. Local color information is added to the shape context descriptor in order to obtain an object description integrating both shape and color as visual cues. We use a color naming algorithm in order to represent the color information from a perceptual point of view. The proposed method has been tested in two different applications, an object retrieval scenario based on color sketch queries and a color trademark retrieval problem. Experimental results show that the addition of the color information significantly outperforms the sole use of the shape context descriptor.
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Marcos V Conde, Florin Vasluianu, Javier Vazquez, & Radu Timofte. (2023). Perceptual image enhancement for smartphone real-time applications. In Proceedings of the IEEE/CVF Winter Conference on Applications of Computer Vision (pp. 1848–1858).
Abstract: Recent advances in camera designs and imaging pipelines allow us to capture high-quality images using smartphones. However, due to the small size and lens limitations of the smartphone cameras, we commonly find artifacts or degradation in the processed images. The most common unpleasant effects are noise artifacts, diffraction artifacts, blur, and HDR overexposure. Deep learning methods for image restoration can successfully remove these artifacts. However, most approaches are not suitable for real-time applications on mobile devices due to their heavy computation and memory requirements. In this paper, we propose LPIENet, a lightweight network for perceptual image enhancement, with the focus on deploying it on smartphones. Our experiments show that, with much fewer parameters and operations, our model can deal with the mentioned artifacts and achieve competitive performance compared with state-of-the-art methods on standard benchmarks. Moreover, to prove the efficiency and reliability of our approach, we deployed the model directly on commercial smartphones and evaluated its performance. Our model can process 2K resolution images under 1 second in mid-level commercial smartphones.
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J.R. Serra, & J.B. Subirana. (1996). Perceptual Grouping on Texture Images Using Non-Cartesian Networks. IEEE International Conference on Pattern Recognition. Vol B, pp. 462–466.
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J.R. Serra, & J.B. Subirana. (1996). Perceptual grouping on texture images using non-cartesian networks.
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Naila Murray. (2009). Perceptual Feature Detection (Vol. 131). Master's thesis, , Bellaterra, Barcelona.
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Jaime Moreno. (2011). Perceptual Criteria on Image Compresions (Xavier Otazu, Ed.). Ph.D. thesis, Ediciones Graficas Rey, .
Abstract: Nowadays, digital images are used in many areas in everyday life, but they tend to be big. This increases amount of information leads us to the problem of image data storage. For example, it is common to have a representation a color pixel as a 24-bit number, where the channels red, green, and blue employ 8 bits each. In consequence, this kind of color pixel can specify one of 224 ¼ 16:78 million colors. Therefore, an image at a resolution of 512 £ 512 that allocates 24 bits per pixel, occupies 786,432 bytes. That is why image compression is important. An important feature of image compression is that it can be lossy or lossless. A compressed image is acceptable provided these losses of image information are not perceived by the eye. It is possible to assume that a portion of this information is redundant. Lossless Image Compression is defined as to mathematically decode the same image which was encoded. In Lossy Image Compression needs to identify two features inside the image: the redundancy and the irrelevancy of information. Thus, lossy compression modifies the image data in such a way when they are encoded and decoded, the recovered image is similar enough to the original one. How similar is the recovered image in comparison to the original image is defined prior to the compression process, and it depends on the implementation to be performed. In lossy compression, current image compression schemes remove information considered irrelevant by using mathematical criteria. One of the problems of these schemes is that although the numerical quality of the compressed image is low, it shows a high visual image quality, e.g. it does not show a lot of visible artifacts. It is because these mathematical criteria, used to remove information, do not take into account if the viewed information is perceived by the Human Visual System. Therefore, the aim of an image compression scheme designed to obtain images that do not show artifacts although their numerical quality can be low, is to eliminate the information that is not visible by the Human Visual System. Hence, this Ph.D. thesis proposes to exploit the visual redundancy existing in an image by reducing those features that can be unperceivable for the Human Visual System. First, we define an image quality assessment, which is highly correlated with the psychophysical experiments performed by human observers. The proposed CwPSNR metrics weights the well-known PSNR by using a particular perceptual low level model of the Human Visual System, e.g. the Chromatic Induction Wavelet Model (CIWaM). Second, we propose an image compression algorithm (called Hi-SET), which exploits the high correlation and self-similarity of pixels in a given area or neighborhood by means of a fractal function. Hi-SET possesses the main features that modern image compressors have, that is, it is an embedded coder, which allows a progressive transmission. Third, we propose a perceptual quantizer (½SQ), which is a modification of the uniform scalar quantizer. The ½SQ is applied to a pixel set in a certain Wavelet sub-band, that is, a global quantization. Unlike this, the proposed modification allows to perform a local pixel-by-pixel forward and inverse quantization, introducing into this process a perceptual distortion which depends on the surround spatial information of the pixel. Combining ½SQ method with the Hi-SET image compressor, we define a perceptual image compressor, called ©SET. Finally, a coding method for Region of Interest areas is presented, ½GBbBShift, which perceptually weights pixels into these areas and maintains only the more important perceivable features in the rest of the image. Results presented in this report show that CwPSNR is the best-ranked image quality method when it is applied to the most common image compression distortions such as JPEG and JPEG2000. CwPSNR shows the best correlation with the judgement of human observers, which is based on the results of psychophysical experiments obtained for relevant image quality databases such as TID2008, LIVE, CSIQ and IVC. Furthermore, Hi-SET coder obtains better results both for compression ratios and perceptual image quality than the JPEG2000 coder and other coders that use a Hilbert Fractal for image compression. Hence, when the proposed perceptual quantization is introduced to Hi-SET coder, our compressor improves its numerical and perceptual e±ciency. When ½GBbBShift method applied to Hi-SET is compared against MaxShift method applied to the JPEG2000 standard and Hi-SET, the images coded by our ROI method get the best results when the overall image quality is estimated. Both the proposed perceptual quantization and the ½GBbBShift method are generalized algorithms that can be applied to other Wavelet based image compression algorithms such as JPEG2000, SPIHT or SPECK.
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