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| Author | Naila Murray; Eduard Vazquez | ||||
| Title | Lacuna Restoration: How to choose a neutral colour? | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 248–252 | ||
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| Abstract | Painting restoration which involves filling in material loss (called lacuna) is a complex process. Several standard techniques exist to tackle lacuna restoration,
and this article focuses on those techniques that employ a “neutral” colour to mask the defect. Restoration experts often disagree on the choice of such a colour and in fact, the concept of a neutral colour is controversial. We posit that a neutral colour is one that attracts relatively little visual attention for a specific lacuna. We conducted an eye tracking experiment to compare two common neutral colour selection methods, specifically the most common local colour and the mean local colour. Results obtained demonstrate that the most common local colour triggers less visual attention in general. Notwithstanding, we have observed instances in which the most common colour triggers a significant amount of attention when subjects spent time resolving their confusion about whether or not a lacuna was part of the painting. |
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| Address | Gjovik, Norway | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | Admin @ si @ MuV2010 | Serial | 1297 | ||
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| Author | Marta Teres; Eduard Vazquez | ||||
| Title | Museums, spaces and museographical resources. Current state and proposals for a multidisciplinary framework to open new perspectives | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 319–323 | ||
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| Abstract | Two of the main aims of a museum are to communicate its heritage and to make enjoy its visitors. This communication can be done through the pieces itself and the museographical resources but also through the building, the interior design, the light and the colour. Art museums, in opposition with other museums, lack on the application of these additional resources. Such a work necessarily requires a multidisciplinary point of view for a holistic vision of all what a museum implies and to use all its potential as a tool of knowledge and culture for all the visitors. | ||||
| Address | Gjovik, Norway | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | Approved | no | |||
| Call Number | Admin @ si @ TeV2010 | Serial | 1298 | ||
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| Author | Eduard Vazquez; Ramon Baldrich | ||||
| Title | Non-supervised goodness measure for image segmentation | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 334–335 | ||
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| Address | Gjovik, Norway | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | CAT @ cat @ VaB2010 | Serial | 1299 | ||
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| Author | Jaime Moreno; Xavier Otazu; Maria Vanrell | ||||
| Title | Contribution of CIWaM in JPEG2000 Quantization for Color Images | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 132–136 | ||
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| Abstract | The aim of this work is to explain how to apply perceptual concepts to define a perceptual pre-quantizer and to improve JPEG2000 compressor. The approach consists in quantizing wavelet transform coefficients using some of the human visual system behavior properties. Noise is fatal to image compression performance, because it can be both annoying for the observer and consumes excessive bandwidth when the imagery is transmitted. Perceptual pre-quantization reduces unperceivable details and thus improve both visual impression and transmission properties. The comparison between JPEG2000 without and with perceptual pre-quantization shows that the latter is not favorable in PSNR, but the recovered image is more compressed at the same or even better visual quality measured with a weighted PSNR. Perceptual criteria were taken from the CIWaM(ChromaticInductionWaveletModel). | ||||
| Address | Gjovik (Norway) | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | CAT @ cat @ MOV2010b | Serial | 1308 | ||
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| Author | Javier Vazquez; Maria Vanrell; Robert Benavente | ||||
| Title | Color names as a constraint for Computer Vision problems | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 324–328 | ||
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| Abstract | Computer Vision Problems are usually ill-posed. Constraining de gamut of possible solutions is then a necessary step. Many constrains for different problems have been developed during years. In this paper, we present a different way of constraining some of these problems: the use of color names. In particular, we will focus on segmentation, representation ans constancy. | ||||
| Address | Gjovik (Norway) | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | CAT @ cat @ VVB2010 | Serial | 1328 | ||
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| Author | Fahad Shahbaz Khan; Joost Van de Weijer; Maria Vanrell | ||||
| Title | Who Painted this Painting? | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 329–333 | ||
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| Address | Gjovik (Norway) | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | CAT @ cat @ KWV2010 | Serial | 1329 | ||
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| Author | Shida Beigpour; Joost Van de Weijer | ||||
| Title | Photo-Realistic Color Alteration for Architecture and Design | Type | Conference Article | ||
| Year | 2010 | Publication | Proceedings of The CREATE 2010 Conference | Abbreviated Journal | |
| Volume | Issue | Pages | 84–88 | ||
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| Abstract | As color is a strong stimuli we receive from the exterior world, choosing the right color can prove crucial in creating the desired architecture and desing. We propose a framework to apply a realistic color change on both objects and their illuminant lights for snapshots of architectural designs, in order to visualize and choose the right color before actully applying the change in the real world. The proposed framework is based on the laws of physics in order to accomplish realistic and physically plausible results. | ||||
| Address | Gjovik (Norway) | ||||
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| Area | Expedition | Conference | CREATE | ||
| Notes | CIC | Approved | no | ||
| Call Number | CAT @ cat @ BeW2010 | Serial | 1330 | ||
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