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Marçal Rusiñol, & Josep Llados. (2008). Word and Symbol Spotting using Spatial Organization of Local Descriptors. In Proceedings of the 8th IAPR International Workshop on Document Analysis Systems, (489–496).
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T.O. Nguyen, Salvatore Tabbone, & Oriol Ramos Terrades. (2008). Symbol Descriptor Based on Shape Context and Vector Model of Information Retrieval. In Proceedings of the 8th IAPR International Workshop on Document Analysis Systems, (pp. 191–197).
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Mirko Arnold, Stephan Ameling, Anarta Ghosh, & Gerard Lacey. (2011). Quality Improvement of Endoscopy Videos. In Proceedings of the 8th IASTED International Conference on Biomedical Engineering (Vol. 723).
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Daniel Ponsa, Antonio Lopez, Felipe Lumbreras, Joan Serrat, & T. Graf. (2005). 3D Vehicle Sensor based on Monocular Vision.
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Daniel Ponsa, Antonio Lopez, Joan Serrat, Felipe Lumbreras, & T. Graf. (2005). Multiple Vehicle 3D Tracking Using an Unscented Kalman Filter.
Keywords: vehicle detection
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Antonio Lopez, Cristina Cañero, Joan Serrat, J. Saludes, Felipe Lumbreras, & T. Graf. (2005). Detection of lane markings based on ridgeness and RANSAC.
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Mathieu Nicolas Delalandre, Ernest Valveny, & Josep Llados. (2008). Performance Evaluation of Symbol Recognition and Spotting Systems. In Proceedings of the 8th International Workshop on Document Analysis Systems, (497–505).
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Joan Mas, Jose Antonio Rodriguez, Dimosthenis Karatzas, Gemma Sanchez, & Josep Llados. (2008). HistoSketch: A Semi-Automatic Annotation Tool for Archival Documents. In Proceedings of the 8th International Workshop on Document Analysis Systems, (517–524).
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Dimosthenis Karatzas. (2008). Detecting Gradients in Text Images Using the Hough Transform. In Proceedings of the 8th International Workshop on Document Analysis Systems, (245–252).
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Alicia Fornes, Josep Llados, Gemma Sanchez, & Horst Bunke. (2008). Writer Identification in Old Handwritten Music Scores. In Proceedings of the 8th International Workshop on Document Analysis Systems, (347–353).
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Naila Murray, Sandra Skaff, Luca Marchesotti, & Florent Perronnin. (2011). Towards Automatic Concept Transfer. In Proceedings of the ACM SIGGRAPH/Eurographics Symposium on Non-Photorealistic Animation and Rendering (167.176). ACM Press.
Abstract: This paper introduces a novel approach to automatic concept transfer; examples of concepts are “romantic”, “earthy”, and “luscious”. The approach modifies the color content of an input image given only a concept specified by a user in natural language, thereby requiring minimal user input. This approach is particularly useful for users who are aware of the message they wish to convey in the transferred image while being unsure of the color combination needed to achieve the corresponding transfer. The user may adjust the intensity level of the concept transfer to his/her liking with a single parameter. The proposed approach uses a convex clustering algorithm, with a novel pruning mechanism, to automatically set the complexity of models of chromatic content. It also uses the Earth-Mover's Distance to compute a mapping between the models of the input image and the target chromatic concept. Results show that our approach yields transferred images which effectively represent concepts, as confirmed by a user study.
Keywords: chromatic modeling, color concepts, color transfer, concept transfer
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Maria Alberich-Carramiñana, Guillem Alenya, Juan Andrade, E. Martinez, & Carme Torras. (2006). Affine Epipolar Direction from Two Views of a Planar Contour. In Proceedings of the Advanced Concepts for Intelligent Vision Systems Conference, LNCS 4179: 944–955.
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Naila Murray, & Eduard Vazquez. (2010). Lacuna Restoration: How to choose a neutral colour? In Proceedings of The CREATE 2010 Conference (248–252).
Abstract: Painting restoration which involves filling in material loss (called lacuna) is a complex process. Several standard techniques exist to tackle lacuna restoration,
and this article focuses on those techniques that employ a “neutral” colour to mask the defect. Restoration experts often disagree on the choice of such a colour and in fact, the concept of a neutral colour is controversial. We posit that a neutral colour is one that attracts relatively little visual attention for a specific lacuna. We conducted an eye tracking experiment to compare two common neutral
colour selection methods, specifically the most common local colour and the mean local colour. Results obtained demonstrate that the most common local colour triggers less visual attention in general. Notwithstanding, we have observed instances in which the most common colour triggers a significant amount of attention when subjects spent time resolving their confusion about whether or not a lacuna was part of the painting.
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Marta Teres, & Eduard Vazquez. (2010). Museums, spaces and museographical resources. Current state and proposals for a multidisciplinary framework to open new perspectives. In Proceedings of The CREATE 2010 Conference (319–323).
Abstract: Two of the main aims of a museum are to communicate its heritage and to make enjoy its visitors. This communication can be done through the pieces itself and the museographical resources but also through the building, the interior design, the light and the colour. Art museums, in opposition with other museums, lack on the application of these additional resources. Such a work necessarily requires a multidisciplinary point of view for a holistic vision of all what a museum implies and to use all its potential as a tool of knowledge and culture for all the visitors.
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Eduard Vazquez, & Ramon Baldrich. (2010). Non-supervised goodness measure for image segmentation. In Proceedings of The CREATE 2010 Conference (334–335).
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