Ali Furkan Biten, Andres Mafla, Lluis Gomez, & Dimosthenis Karatzas. (2022). Is An Image Worth Five Sentences? A New Look into Semantics for Image-Text Matching. In Winter Conference on Applications of Computer Vision (pp. 1391–1400).
Abstract: The task of image-text matching aims to map representations from different modalities into a common joint visual-textual embedding. However, the most widely used datasets for this task, MSCOCO and Flickr30K, are actually image captioning datasets that offer a very limited set of relationships between images and sentences in their ground-truth annotations. This limited ground truth information forces us to use evaluation metrics based on binary relevance: given a sentence query we consider only one image as relevant. However, many other relevant images or captions may be present in the dataset. In this work, we propose two metrics that evaluate the degree of semantic relevance of retrieved items, independently of their annotated binary relevance. Additionally, we incorporate a novel strategy that uses an image captioning metric, CIDEr, to define a Semantic Adaptive Margin (SAM) to be optimized in a standard triplet loss. By incorporating our formulation to existing models, a large improvement is obtained in scenarios where available training data is limited. We also demonstrate that the performance on the annotated image-caption pairs is maintained while improving on other non-annotated relevant items when employing the full training set. The code for our new metric can be found at github. com/furkanbiten/ncsmetric and the model implementation at github. com/andrespmd/semanticadaptive_margin.
Keywords: Measurement; Training; Integrated circuits; Annotations; Semantics; Training data; Semisupervised learning
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Javad Zolfaghari Bengar, Joost Van de Weijer, Laura Lopez-Fuentes, & Bogdan Raducanu. (2022). Class-Balanced Active Learning for Image Classification. In Winter Conference on Applications of Computer Vision.
Abstract: Active learning aims to reduce the labeling effort that is required to train algorithms by learning an acquisition function selecting the most relevant data for which a label should be requested from a large unlabeled data pool. Active learning is generally studied on balanced datasets where an equal amount of images per class is available. However, real-world datasets suffer from severe imbalanced classes, the so called long-tail distribution. We argue that this further complicates the active learning process, since the imbalanced data pool can result in suboptimal classifiers. To address this problem in the context of active learning, we proposed a general optimization framework that explicitly takes class-balancing into account. Results on three datasets showed that the method is general (it can be combined with most existing active learning algorithms) and can be effectively applied to boost the performance of both informative and representative-based active learning methods. In addition, we showed that also on balanced datasets
our method 1 generally results in a performance gain.
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Henry Velesaca, Patricia Suarez, Angel Sappa, Dario Carpio, Rafael E. Rivadeneira, & Angel Sanchez. (2022). Review on Common Techniques for Urban Environment Video Analytics. In Anais do III Workshop Brasileiro de Cidades Inteligentes (pp. 107–118).
Abstract: This work compiles the different computer vision-based approaches
from the state-of-the-art intended for video analytics in urban environments.
The manuscript groups the different approaches according to the typical modules present in video analysis, including image preprocessing, object detection,
classification, and tracking. This proposed pipeline serves as a basic guide to
representing these most representative approaches in this topic of video analysis
that will be addressed in this work. Furthermore, the manuscript is not intended
to be an exhaustive review of the most advanced approaches, but only a list of
common techniques proposed to address recurring problems in this field.
Keywords: Video Analytics; Review; Urban Environments; Smart Cities
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Arnau Baro, Carles Badal, Pau Torras, & Alicia Fornes. (2022). Handwritten Historical Music Recognition through Sequence-to-Sequence with Attention Mechanism. In 3rd International Workshop on Reading Music Systems (WoRMS2021) (pp. 55–59).
Abstract: Despite decades of research in Optical Music Recognition (OMR), the recognition of old handwritten music scores remains a challenge because of the variabilities in the handwriting styles, paper degradation, lack of standard notation, etc. Therefore, the research in OMR systems adapted to the particularities of old manuscripts is crucial to accelerate the conversion of music scores existing in archives into digital libraries, fostering the dissemination and preservation of our music heritage. In this paper we explore the adaptation of sequence-to-sequence models with attention mechanism (used in translation and handwritten text recognition) and the generation of specific synthetic data for recognizing old music scores. The experimental validation demonstrates that our approach is promising, especially when compared with long short-term memory neural networks.
Keywords: Optical Music Recognition; Digits; Image Classification
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Pau Torras, Arnau Baro, Alicia Fornes, & Lei Kang. (2022). Improving Handwritten Music Recognition through Language Model Integration. In 4th International Workshop on Reading Music Systems (WoRMS2022) (pp. 42–46).
Abstract: Handwritten Music Recognition, especially in the historical domain, is an inherently challenging endeavour; paper degradation artefacts and the ambiguous nature of handwriting make recognising such scores an error-prone process, even for the current state-of-the-art Sequence to Sequence models. In this work we propose a way of reducing the production of statistically implausible output sequences by fusing a Language Model into a recognition Sequence to Sequence model. The idea is leveraging visually-conditioned and context-conditioned output distributions in order to automatically find and correct any mistakes that would otherwise break context significantly. We have found this approach to improve recognition results to 25.15 SER (%) from a previous best of 31.79 SER (%) in the literature.
Keywords: optical music recognition; historical sources; diversity; music theory; digital humanities
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