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Jordi Gonzalez; Javier Varona; Xavier Roca; Juan J. Villanueva |
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Situation Graph Trees for Human Behavior Modeling |
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2004 |
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7th Catalan Conference for Artificial Intelligence (CCIA’2004) |
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Barcelona (Spain) |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Gonzalez; Javier Varona; Xavier Roca; Juan J. Villanueva |
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A Comparison Framework for Walking Performances using aSpaces |
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2005 |
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Electronic Letters on Computer Vision and Image Analysis, Special Issue on articulated Motion, 5(3):105–116 (Electronic Letters: IF: 1.016) |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Gonzalez; Josep M. Gonfaus; Carles Fernandez; Xavier Roca |
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Exploiting Natural-Language Interaction in Video Surveillance Systems |
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2011 |
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V&L Net Workshop on Vision and Language |
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Brighton, UK |
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Admin @ si @ GGF2011 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Gonzalez; Thomas B. Moeslund |
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Tracking Humans for the Evaluation of their Motion in Image Sequences |
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2008 |
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First International Workshop, THEMIS |
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Leeds (UK) |
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978-84-935251-9-4 |
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ISE @ ise @ GMW2008 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Gonzalez; Thomas B. Moeslund; Liang Wang |
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Title |
Semantic Understanding of Human Behaviors in Image Sequences: From video-surveillance to video-hermeneutics |
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2012 |
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Computer Vision and Image Understanding |
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CVIU |
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116 |
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3 |
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305–306 |
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Purpose: Atheromatic plaque progression is affected, among others phenomena, by biomechanical, biochemical, and physiological factors. In this paper, the authors introduce a novel framework able to provide both morphological (vessel radius, plaque thickness, and type) and biomechanical (wall shear stress and Von Mises stress) indices of coronary arteries.Methods: First, the approach reconstructs the three-dimensional morphology of the vessel from intravascular ultrasound (IVUS) and Angiographic sequences, requiring minimal user interaction. Then, a computational pipeline allows to automatically assess fluid-dynamic and mechanical indices. Ten coronary arteries are analyzed illustrating the capabilities of the tool and confirming previous technical and clinical observations.Results: The relations between the arterial indices obtained by IVUS measurement and simulations have been quantitatively analyzed along the whole surface of the artery, extending the analysis of the coronary arteries shown in previous state of the art studies. Additionally, for the first time in the literature, the framework allows the computation of the membrane stresses using a simplified mechanical model of the arterial wall.Conclusions: Circumferentially (within a given frame), statistical analysis shows an inverse relation between the wall shear stress and the plaque thickness. At the global level (comparing a frame within the entire vessel), it is observed that heavy plaque accumulations are in general calcified and are located in the areas of the vessel having high wall shear stress. Finally, in their experiments the inverse proportionality between fluid and structural stresses is observed. |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca |
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Title |
Constancy and inconstancy in categorical colour perception |
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2012 |
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PhD Thesis, Universitat Autonoma de Barcelona-CVC |
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To recognise objects is perhaps the most important task an autonomous system, either biological or artificial needs to perform. In the context of human vision, this is partly achieved by recognizing the colour of surfaces despite changes in the wavelength distribution of the illumination, a property called colour constancy. Correct surface colour recognition may be adequately accomplished by colour category matching without the need to match colours precisely, therefore categorical colour constancy is likely to play an important role for object identification to be successful. The main aim of this work is to study the relationship between colour constancy and categorical colour perception. Previous studies of colour constancy have shown the influence of factors such the spatio-chromatic properties of the background, individual observer's performance, semantics, etc. However there is very little systematic study of these influences. To this end, we developed a new approach to colour constancy which includes both individual observers' categorical perception, the categorical structure of the background, and their interrelations resulting in a more comprehensive characterization of the phenomenon. In our study, we first developed a new method to analyse the categorical structure of 3D colour space, which allowed us to characterize individual categorical colour perception as well as quantify inter-individual variations in terms of shape and centroid location of 3D categorical regions. Second, we developed a new colour constancy paradigm, termed chromatic setting, which allows measuring the precise location of nine categorically-relevant points in colour space under immersive illumination. Additionally, we derived from these measurements a new colour constancy index which takes into account the magnitude and orientation of the chromatic shift, memory effects and the interrelations among colours and a model of colour naming tuned to each observer/adaptation state. Our results lead to the following conclusions: (1) There exists large inter-individual variations in the categorical structure of colour space, and thus colour naming ability varies significantly but this is not well predicted by low-level chromatic discrimination ability; (2) Analysis of the average colour naming space suggested the need for an additional three basic colour terms (turquoise, lilac and lime) for optimal colour communication; (3) Chromatic setting improved the precision of more complex linear colour constancy models and suggested that mechanisms other than cone gain might be best suited to explain colour constancy; (4) The categorical structure of colour space is broadly stable under illuminant changes for categorically balanced backgrounds; (5) Categorical inconstancy exists for categorically unbalanced backgrounds thus indicating that categorical information perceived in the initial stages of adaptation may constrain further categorical perception. |
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Ph.D. thesis |
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Maria Vanrell;C. Alejandro Parraga |
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Admin @ si @ Roc2012 |
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2893 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca; A.Owen; G.Jordan; Y.Ling; C. Alejandro Parraga; A.Hurlbert |
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Title |
Inter-individual Variations in Color Naming and the Structure of 3D Color Space |
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2011 |
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Journal of Vision |
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VSS |
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12 |
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2 |
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166 |
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36.307
Many everyday behavioural uses of color vision depend on color naming ability, which is neither measured nor predicted by most standardized tests of color vision, for either normal or anomalous color vision. Here we demonstrate a new method to quantify color naming ability by deriving a compact computational description of individual 3D color spaces. Methods: Individual observers underwent standardized color vision diagnostic tests (including anomaloscope testing) and a series of custom-made color naming tasks using 500 distinct color samples, either CRT stimuli (“light”-based) or Munsell chips (“surface”-based), with both forced- and free-choice color naming paradigms. For each subject, we defined his/her color solid as the set of 3D convex hulls computed for each basic color category from the relevant collection of categorised points in perceptually uniform CIELAB space. From the parameters of the convex hulls, we derived several indices to characterise the 3D structure of the color solid and its inter-individual variations. Using a reference group of 25 normal trichromats (NT), we defined the degree of normality for the shape, location and overlap of each color region, and the extent of “light”-“surface” agreement. Results: Certain features of color perception emerge from analysis of the average NT color solid, e.g.: (1) the white category is slightly shifted towards blue; and (2) the variability in category border location across NT subjects is asymmetric across color space, with least variability in the blue/green region. Comparisons between individual and average NT indices reveal specific naming “deficits”, e.g.: (1) Category volumes for white, green, brown and grey are expanded for anomalous trichromats and dichromats; and (2) the focal structure of color space is disrupted more in protanopia than other forms of anomalous color vision. The indices both capture the structure of subjective color spaces and allow us to quantify inter-individual differences in color naming ability. |
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Admin @ si @ ROJ2011 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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Title |
Categorical Focal Colours are Structurally Invariant Under Illuminant Changes |
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2011 |
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European Conference on Visual Perception |
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196 |
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The visual system perceives the colour of surfaces approximately constant under changes of illumination. In this work, we investigate how stable is the perception of categorical \“focal\” colours and their interrelations with varying illuminants and simple chromatic backgrounds. It has been proposed that best examples of colour categories across languages cluster in small regions of the colour space and are restricted to a set of 11 basic terms (Kay and Regier, 2003 Proceedings of the National Academy of Sciences of the USA 100 9085\–9089). Following this, we developed a psychophysical paradigm that exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. The experiment was run on a CRT monitor (inside a dark room) under various simulated illuminants. We modelled the recorded data for each subject and adapted state as a 3D interconnected structure (graph) in Lab space. The graph nodes were the subject\’s focal colours at each adaptation state. The model allowed us to get a better distance measure between focal structures under different illuminants. We found that perceptual focal structures tend to be preserved better than the structures of the physical \“ideal\” colours under illuminant changes. |
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Perception 40 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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Chromatic settings and the structural color constancy index |
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2013 |
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Journal of Vision |
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1-26 |
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Color constancy is usually measured by achromatic setting, asymmetric matching, or color naming paradigms, whose results are interpreted in terms of indexes and models that arguably do not capture the full complexity of the phenomenon. Here we propose a new paradigm, chromatic setting, which allows a more comprehensive characterization of color constancy through the measurement of multiple points in color space under immersive adaptation. We demonstrated its feasibility by assessing the consistency of subjects' responses over time. The paradigm was applied to two-dimensional (2-D) Mondrian stimuli under three different illuminants, and the results were used to fit a set of linear color constancy models. The use of multiple colors improved the precision of more complex linear models compared to the popular diagonal model computed from gray. Our results show that a diagonal plus translation matrix that models mechanisms other than cone gain might be best suited to explain the phenomenon. Additionally, we calculated a number of color constancy indices for several points in color space, and our results suggest that interrelations among colors are not as uniform as previously believed. To account for this variability, we developed a new structural color constancy index that takes into account the magnitude and orientation of the chromatic shift in addition to the interrelations among colors and memory effects. |
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CIC; 600.052; 600.051; 605.203 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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Title |
Predicting categorical colour perception in successive colour constancy |
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2012 |
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Perception |
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PER |
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41 |
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138 |
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Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple
affine matrix model, adjusted to the chromatic setting results. |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Roca; Maria Vanrell; C. Alejandro Parraga |
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Title |
What is constant in colour constancy? |
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2012 |
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6th European Conference on Colour in Graphics, Imaging and Vision |
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337-343 |
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Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy
algorithms [3] for estimating the scene illuminant. |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Vitria |
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Disseny de sistemes (intel.ligents) de visio. |
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1996 |
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Jordi Vitria |
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Title |
Introduccio a la Morfologia Matematica |
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Report |
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Year |
1996 |
Publication |
CVC Technical Report #06 |
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OR;MV |
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BCNPCL @ bcnpcl @ Vit1996b |
Serial |
90 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Vitria; C. Gratin; D. Seron; F. Moreso |
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Title |
Morphological image analysis for quantification of renal damage |
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Report |
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Year |
1995 |
Publication |
CVC Technical Report #02 |
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OR;MV |
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BCNPCL @ bcnpcl @ VGS1995 |
Serial |
117 |
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Author ![sorted by Author field, ascending order (up)](img/sort_asc.gif) |
Jordi Vitria; J. Llacer |
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Title |
Reconstructing 3D light microscopic images using the EM algorithm |
Type |
Journal |
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Year |
1996 |
Publication |
Pattern Recognition Letters |
Abbreviated Journal |
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Volume |
17 |
Issue |
14 |
Pages |
1491–1498 |
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OR;MV |
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Call Number |
BCNPCL @ bcnpcl @ ViL1996 |
Serial |
74 |
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Permanent link to this record |