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Joost Van de Weijer; Robert Benavente; Maria Vanrell; Cordelia Schmid; Ramon Baldrich; Jacob Verbeek; Diane Larlus |
![download PDF file pdf](img/file_PDF.gif)
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Title |
Color Naming |
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Book Chapter |
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2012 |
Publication |
Color in Computer Vision: Fundamentals and Applications |
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17 |
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287-317 |
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John Wiley & Sons, Ltd. |
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Theo Gevers;Arjan Gijsenij;Joost Van de Weijer;Jan-Mark Geusebroek |
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Admin @ si @ WBV2012 |
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2063 |
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Abel Gonzalez-Garcia; Robert Benavente; Olivier Penacchio; Javier Vazquez; Maria Vanrell; C. Alejandro Parraga |
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Title |
Coloresia: An Interactive Colour Perception Device for the Visually Impaired |
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2013 |
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Multimodal Interaction in Image and Video Applications |
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48 |
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47-66 |
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A significative percentage of the human population suffer from impairments in their capacity to distinguish or even see colours. For them, everyday tasks like navigating through a train or metro network map becomes demanding. We present a novel technique for extracting colour information from everyday natural stimuli and presenting it to visually impaired users as pleasant, non-invasive sound. This technique was implemented inside a Personal Digital Assistant (PDA) portable device. In this implementation, colour information is extracted from the input image and categorised according to how human observers segment the colour space. This information is subsequently converted into sound and sent to the user via speakers or headphones. In the original implementation, it is possible for the user to send its feedback to reconfigure the system, however several features such as these were not implemented because the current technology is limited.We are confident that the full implementation will be possible in the near future as PDA technology improves. |
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Springer Berlin Heidelberg |
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1868-4394 |
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978-3-642-35931-6 |
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CIC; 600.052; 605.203 |
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Admin @ si @ GBP2013 |
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2266 |
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Susana Alvarez; Maria Vanrell |
![download PDF file pdf](img/file_PDF.gif)
![goto web page (via DOI) doi](img/doi.gif)
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Title |
Texton theory revisited: a bag-of-words approach to combine textons |
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2012 |
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Pattern Recognition |
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PR |
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45 |
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12 |
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4312-4325 |
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The aim of this paper is to revisit an old theory of texture perception and
update its computational implementation by extending it to colour. With this in mind we try to capture the optimality of perceptual systems. This is achieved in the proposed approach by sharing well-known early stages of the visual processes and extracting low-dimensional features that perfectly encode adequate properties for a large variety of textures without needing further learning stages. We propose several descriptors in a bag-of-words framework that are derived from different quantisation models on to the feature spaces. Our perceptual features are directly given by the shape and colour attributes of image blobs, which are the textons. In this way we avoid learning visual words and directly build the vocabularies on these lowdimensionaltexton spaces. Main differences between proposed descriptors rely on how co-occurrence of blob attributes is represented in the vocabularies. Our approach overcomes current state-of-art in colour texture description which is proved in several experiments on large texture datasets. |
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0031-3203 |
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Admin @ si @ AlV2012a |
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2130 |
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Author |
Javier Vazquez; Robert Benavente; Maria Vanrell |
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Title |
Naming constraints constancy |
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Conference Article |
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Year |
2012 |
Publication |
2nd Joint AVA / BMVA Meeting on Biological and Machine Vision |
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Different studies have shown that languages from industrialized cultures
share a set of 11 basic colour terms: red, green, blue, yellow, pink, purple, brown, orange, black, white, and grey (Berlin & Kay, 1969, Basic Color Terms, University of California Press)( Kay & Regier, 2003, PNAS, 100, 9085-9089). Some of these studies have also reported the best representatives or focal values of each colour (Boynton and Olson, 1990, Vision Res. 30,1311–1317), (Sturges and Whitfield, 1995, CRA, 20:6, 364–376). Some further studies have provided us with fuzzy datasets for color naming by asking human observers to rate colours in terms of membership values (Benavente -et al-, 2006, CRA. 31:1, 48–56,). Recently, a computational model based on these human ratings has been developed (Benavente -et al-, 2008, JOSA-A, 25:10, 2582-2593). This computational model follows a fuzzy approach to assign a colour name to a particular RGB value. For example, a pixel with a value (255,0,0) will be named 'red' with membership 1, while a cyan pixel with a RGB value of (0, 200, 200) will be considered to be 0.5 green and 0.5 blue. In this work, we show how this colour naming paradigm can be applied to different computer vision tasks. In particular, we report results in colour constancy (Vazquez-Corral -et al-, 2012, IEEE TIP, in press) showing that the classical constraints on either illumination or surface reflectance can be substituted by
the statistical properties encoded in the colour names. [Supported by projects TIN2010-21771-C02-1, CSD2007-00018]. |
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Admin @ si @ VBV2012 |
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2131 |
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Author |
Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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Title |
Predicting categorical colour perception in successive colour constancy |
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Abstract |
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2012 |
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Perception |
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PER |
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41 |
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138 |
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Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple
affine matrix model, adjusted to the chromatic setting results. |
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0301-0066 |
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Admin @ si @ RPV2012 |
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2188 |
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Author |
Jordi Roca; Maria Vanrell; C. Alejandro Parraga |
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Title |
What is constant in colour constancy? |
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Conference Article |
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2012 |
Publication |
6th European Conference on Colour in Graphics, Imaging and Vision |
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337-343 |
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Color constancy refers to the ability of the human visual system to stabilize
the color appearance of surfaces under an illuminant change. In this work we studied how the interrelations among nine colors are perceived under illuminant changes, particularly whether they remain stable across 10 different conditions (5 illuminants and 2 backgrounds). To do so we have used a paradigm that measures several colors under an immersive state of adaptation. From our measures we defined a perceptual structure descriptor that is up to 87% stable over all conditions, suggesting that color category features could be used to predict color constancy. This is in agreement with previous results on the stability of border categories [1,2] and with computational color constancy
algorithms [3] for estimating the scene illuminant. |
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9781622767014 |
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CGIV |
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CIC |
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RVP2012 |
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2189 |
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Author |
Aleksandr Setkov; Fabio Martinez Carillo; Michele Gouiffes; Christian Jacquemin; Maria Vanrell; Ramon Baldrich |
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Title |
DAcImPro: A Novel Database of Acquired Image Projections and Its Application to Object Recognition |
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Conference Article |
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2015 |
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Advances in Visual Computing. Proceedings of 11th International Symposium, ISVC 2015 Part II |
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9475 |
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463-473 |
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Projector-camera systems; Feature descriptors; Object recognition |
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Projector-camera systems are designed to improve the projection quality by comparing original images with their captured projections, which is usually complicated due to high photometric and geometric variations. Many research works address this problem using their own test data which makes it extremely difficult to compare different proposals. This paper has two main contributions. Firstly, we introduce a new database of acquired image projections (DAcImPro) that, covering photometric and geometric conditions and providing data for ground-truth computation, can serve to evaluate different algorithms in projector-camera systems. Secondly, a new object recognition scenario from acquired projections is presented, which could be of a great interest in such domains, as home video projections and public presentations. We show that the task is more challenging than the classical recognition problem and thus requires additional pre-processing, such as color compensation or projection area selection. |
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Springer International Publishing |
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LNCS |
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0302-9743 |
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978-3-319-27862-9 |
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ISVC |
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CIC |
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Admin @ si @ SMG2015 |
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2736 |
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Author |
Ivet Rafegas; Javier Vazquez; Robert Benavente; Maria Vanrell; Susana Alvarez |
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Enhancing spatio-chromatic representation with more-than-three color coding for image description |
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Journal Article |
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2017 |
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Journal of the Optical Society of America A |
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JOSA A |
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34 |
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5 |
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827-837 |
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Extraction of spatio-chromatic features from color images is usually performed independently on each color channel. Usual 3D color spaces, such as RGB, present a high inter-channel correlation for natural images. This correlation can be reduced using color-opponent representations, but the spatial structure of regions with small color differences is not fully captured in two generic Red-Green and Blue-Yellow channels. To overcome these problems, we propose a new color coding that is adapted to the specific content of each image. Our proposal is based on two steps: (a) setting the number of channels to the number of distinctive colors we find in each image (avoiding the problem of channel correlation), and (b) building a channel representation that maximizes contrast differences within each color channel (avoiding the problem of low local contrast). We call this approach more-than-three color coding (MTT) to enhance the fact that the number of channels is adapted to the image content. The higher color complexity an image has, the more channels can be used to represent it. Here we select distinctive colors as the most predominant in the image, which we call color pivots, and we build the new color coding using these color pivots as a basis. To evaluate the proposed approach we measure its efficiency in an image categorization task. We show how a generic descriptor improves its performance at the description level when applied on the MTT coding. |
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CIC; 600.087 |
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Admin @ si @ RVB2017 |
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2892 |
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Author |
Ivet Rafegas; Maria Vanrell |
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Title |
Color encoding in biologically-inspired convolutional neural networks |
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Journal Article |
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2018 |
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Vision Research |
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VR |
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151 |
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7-17 |
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Color coding; Computer vision; Deep learning; Convolutional neural networks |
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Convolutional Neural Networks have been proposed as suitable frameworks to model biological vision. Some of these artificial networks showed representational properties that rival primate performances in object recognition. In this paper we explore how color is encoded in a trained artificial network. It is performed by estimating a color selectivity index for each neuron, which allows us to describe the neuron activity to a color input stimuli. The index allows us to classify whether they are color selective or not and if they are of a single or double color. We have determined that all five convolutional layers of the network have a large number of color selective neurons. Color opponency clearly emerges in the first layer, presenting 4 main axes (Black-White, Red-Cyan, Blue-Yellow and Magenta-Green), but this is reduced and rotated as we go deeper into the network. In layer 2 we find a denser hue sampling of color neurons and opponency is reduced almost to one new main axis, the Bluish-Orangish coinciding with the dataset bias. In layers 3, 4 and 5 color neurons are similar amongst themselves, presenting different type of neurons that detect specific colored objects (e.g., orangish faces), specific surrounds (e.g., blue sky) or specific colored or contrasted object-surround configurations (e.g. blue blob in a green surround). Overall, our work concludes that color and shape representation are successively entangled through all the layers of the studied network, revealing certain parallelisms with the reported evidences in primate brains that can provide useful insight into intermediate hierarchical spatio-chromatic representations. |
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CIC; 600.051; 600.087 |
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Admin @ si @RaV2018 |
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3114 |
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Ivet Rafegas; Maria Vanrell; Luis A Alexandre; G. Arias |
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Title |
Understanding trained CNNs by indexing neuron selectivity |
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2020 |
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Pattern Recognition Letters |
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PRL |
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136 |
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318-325 |
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The impressive performance of Convolutional Neural Networks (CNNs) when solving different vision problems is shadowed by their black-box nature and our consequent lack of understanding of the representations they build and how these representations are organized. To help understanding these issues, we propose to describe the activity of individual neurons by their Neuron Feature visualization and quantify their inherent selectivity with two specific properties. We explore selectivity indexes for: an image feature (color); and an image label (class membership). Our contribution is a framework to seek or classify neurons by indexing on these selectivity properties. It helps to find color selective neurons, such as a red-mushroom neuron in layer Conv4 or class selective neurons such as dog-face neurons in layer Conv5 in VGG-M, and establishes a methodology to derive other selectivity properties. Indexing on neuron selectivity can statistically draw how features and classes are represented through layers in a moment when the size of trained nets is growing and automatic tools to index neurons can be helpful. |
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CIC; 600.087; 600.140; 600.118 |
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Admin @ si @ RVL2019 |
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3310 |
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Author |
Hassan Ahmed Sial; Ramon Baldrich; Maria Vanrell |
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Deep intrinsic decomposition trained on surreal scenes yet with realistic light effects |
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Journal Article |
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2020 |
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Journal of the Optical Society of America A |
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JOSA A |
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37 |
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1-15 |
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Estimation of intrinsic images still remains a challenging task due to weaknesses of ground-truth datasets, which either are too small or present non-realistic issues. On the other hand, end-to-end deep learning architectures start to achieve interesting results that we believe could be improved if important physical hints were not ignored. In this work, we present a twofold framework: (a) a flexible generation of images overcoming some classical dataset problems such as larger size jointly with coherent lighting appearance; and (b) a flexible architecture tying physical properties through intrinsic losses. Our proposal is versatile, presents low computation time, and achieves state-of-the-art results. |
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CIC; 600.140; 600.12; 600.118 |
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Admin @ si @ SBV2019 |
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3311 |
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Robert Benavente; Maria Vanrell |
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Title |
Fuzzy Colour Naming Based on Sigmoid Membership Functions. |
Type |
Miscellaneous |
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2004 |
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CGIV 2004 Second European Conference on Colour in Graphics, Imaging and Vision, 135:139 |
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Aachen (Germany) |
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no |
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Call Number |
CAT @ cat @ BeV2004 |
Serial |
441 |
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Author |
Xavier Otazu; Maria Vanrell |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
Building Perceived Colour Images. |
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Miscellaneous |
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2004 |
Publication |
CGIV 2004 Second European Conference on Colour in Graphics, Imaging, and Vision, 140:145 |
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CIC |
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no |
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CAT @ cat @ OtV2004 |
Serial |
450 |
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Author |
Francesc Tous; Maria Vanrell; Ramon Baldrich |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
Exploring Colour Constancy Solutions. |
Type |
Miscellaneous |
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2004 |
Publication |
CGIV 2004 Second European Conference on Colour in Graphics, Imaging, and Vision, 24:29 |
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Aachen (Germany) |
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CIC |
Approved |
no |
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Call Number |
CAT @ cat @ TVB2004 |
Serial |
452 |
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Permanent link to this record |