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| Author | Ivet Rafegas; Maria Vanrell; Luis A Alexandre; G. Arias |
 
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| Title | Understanding trained CNNs by indexing neuron selectivity | Type | Journal Article | |||
| Year | 2020 | Publication | Pattern Recognition Letters | Abbreviated Journal  |
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| Volume | 136 | Issue | Pages | 318-325 | ||
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| Abstract | The impressive performance of Convolutional Neural Networks (CNNs) when solving different vision problems is shadowed by their black-box nature and our consequent lack of understanding of the representations they build and how these representations are organized. To help understanding these issues, we propose to describe the activity of individual neurons by their Neuron Feature visualization and quantify their inherent selectivity with two specific properties. We explore selectivity indexes for: an image feature (color); and an image label (class membership). Our contribution is a framework to seek or classify neurons by indexing on these selectivity properties. It helps to find color selective neurons, such as a red-mushroom neuron in layer Conv4 or class selective neurons such as dog-face neurons in layer Conv5 in VGG-M, and establishes a methodology to derive other selectivity properties. Indexing on neuron selectivity can statistically draw how features and classes are represented through layers in a moment when the size of trained nets is growing and automatic tools to index neurons can be helpful. | |||||
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| Notes | CIC; 600.087; 600.140; 600.118 | Approved | no | |||
| Call Number | Admin @ si @ RVL2019 | Serial | 3310 | |||
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| Author | Noha Elfiky; Fahad Shahbaz Khan; Joost Van de Weijer; Jordi Gonzalez |
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| Title | Discriminative Compact Pyramids for Object and Scene Recognition | Type | Journal Article | |||
| Year | 2012 | Publication | Pattern Recognition | Abbreviated Journal |
PR | |
| Volume | 45 | Issue | 4 | Pages | 1627-1636 | |
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| Abstract | Spatial pyramids have been successfully applied to incorporating spatial information into bag-of-words based image representation. However, a major drawback is that it leads to high dimensional image representations. In this paper, we present a novel framework for obtaining compact pyramid representation. First, we investigate the usage of the divisive information theoretic feature clustering (DITC) algorithm in creating a compact pyramid representation. In many cases this method allows us to reduce the size of a high dimensional pyramid representation up to an order of magnitude with little or no loss in accuracy. Furthermore, comparison to clustering based on agglomerative information bottleneck (AIB) shows that our method obtains superior results at significantly lower computational costs. Moreover, we investigate the optimal combination of multiple features in the context of our compact pyramid representation. Finally, experiments show that the method can obtain state-of-the-art results on several challenging data sets. | |||||
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| ISSN | 0031-3203 | ISBN | Medium | |||
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| Notes | ISE; CAT;CIC | Approved | no | |||
| Call Number | Admin @ si @ EKW2012 | Serial | 1807 | |||
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| Author | Susana Alvarez; Maria Vanrell |
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| Title | Texton theory revisited: a bag-of-words approach to combine textons | Type | Journal Article | |||
| Year | 2012 | Publication | Pattern Recognition | Abbreviated Journal |
PR | |
| Volume | 45 | Issue | 12 | Pages | 4312-4325 | |
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| Abstract | The aim of this paper is to revisit an old theory of texture perception and
update its computational implementation by extending it to colour. With this in mind we try to capture the optimality of perceptual systems. This is achieved in the proposed approach by sharing well-known early stages of the visual processes and extracting low-dimensional features that perfectly encode adequate properties for a large variety of textures without needing further learning stages. We propose several descriptors in a bag-of-words framework that are derived from different quantisation models on to the feature spaces. Our perceptual features are directly given by the shape and colour attributes of image blobs, which are the textons. In this way we avoid learning visual words and directly build the vocabularies on these lowdimensionaltexton spaces. Main differences between proposed descriptors rely on how co-occurrence of blob attributes is represented in the vocabularies. Our approach overcomes current state-of-art in colour texture description which is proved in several experiments on large texture datasets. |
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| ISSN | 0031-3203 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ AlV2012a | Serial | 2130 | |||
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| Author | Olivier Penacchio; Xavier Otazu; Laura Dempere-Marco |
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| Title | A Neurodynamical Model of Brightness Induction in V1 | Type | Journal Article | |||
| Year | 2013 | Publication | PloS ONE | Abbreviated Journal |
Plos | |
| Volume | 8 | Issue | 5 | Pages | e64086 | |
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| Abstract | Brightness induction is the modulation of the perceived intensity of an area by the luminance of surrounding areas. Recent neurophysiological evidence suggests that brightness information might be explicitly represented in V1, in contrast to the more common assumption that the striate cortex is an area mostly responsive to sensory information. Here we investigate possible neural mechanisms that offer a plausible explanation for such phenomenon. To this end, a neurodynamical model which is based on neurophysiological evidence and focuses on the part of V1 responsible for contextual influences is presented. The proposed computational model successfully accounts for well known psychophysical effects for static contexts and also for brightness induction in dynamic contexts defined by modulating the luminance of surrounding areas. This work suggests that intra-cortical interactions in V1 could, at least partially, explain brightness induction effects and reveals how a common general architecture may account for several different fundamental processes, such as visual saliency and brightness induction, which emerge early in the visual processing pathway. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ POD2013 | Serial | 2242 | |||
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| Author | Javier Vazquez; C. Alejandro Parraga; Maria Vanrell |
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| Title | Ordinal pairwise method for natural images comparison | Type | Journal Article | |||
| Year | 2009 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 38 | Issue | Pages | 180 | ||
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| Abstract | 38(Suppl.)ECVP Abstract Supplement
We developed a new psychophysical method to compare different colour appearance models when applied to natural scenes. The method was as follows: two images (processed by different algorithms) were displayed on a CRT monitor and observers were asked to select the most natural of them. The original images were gathered by means of a calibrated trichromatic digital camera and presented one on top of the other on a calibrated screen. The selection was made by pressing on a 6-button IR box, which allowed observers to consider not only the most natural but to rate their selection. The rating system allowed observers to register how much more natural was their chosen image (eg, much more, definitely more, slightly more), which gave us valuable extra information on the selection process. The results were analysed considering both the selection as a binary choice (using Thurstone's law of comparative judgement) and using Bradley-Terry method for ordinal comparison. Our results show a significant difference in the rating scales obtained. Although this method has been used in colour constancy algorithm comparisons, its uses are much wider, eg to compare algorithms of image compression, rendering, recolouring, etc. |
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ VPV2009b | Serial | 1191 | |||
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| Author | Robert Benavente; C. Alejandro Parraga; Maria Vanrell |
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| Title | Colour categories boundaries are better defined in contextual conditions | Type | Journal Article | |||
| Year | 2009 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 38 | Issue | Pages | 36 | ||
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| Abstract | In a previous experiment [Parraga et al, 2009 Journal of Imaging Science and Technology 53(3)] the boundaries between basic colour categories were measured by asking subjects to categorize colour samples presented in isolation (ie on a dark background) using a YES/NO paradigm. Results showed that some boundaries (eg green – blue) were very diffuse and the subjects' answers presented bimodal distributions, which were attributed to the emergence of non-basic categories in those regions (eg turquoise). To confirm these results we performed a new experiment focussed on the boundaries where bimodal distributions were more evident. In this new experiment rectangular colour samples were presented surrounded by random colour patches to simulate contextual conditions on a calibrated CRT monitor. The names of two neighbouring colours were shown at the bottom of the screen and subjects selected the boundary between these colours by controlling the chromaticity of the central patch, sliding it across these categories' frontier. Results show that in this new experimental paradigm, the formerly uncertain inter-colour category boundaries are better defined and the dispersions (ie the bimodal distributions) that occurred in the previous experiment disappear. These results may provide further support to Berlin and Kay's basic colour terms theory. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ BPV2009 | Serial | 1192 | |||
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| Author | C. Alejandro Parraga; Javier Vazquez; Maria Vanrell |
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| Title | A new cone activation-based natural images dataset | Type | Journal Article | |||
| Year | 2009 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 36 | Issue | Pages | 180 | ||
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| Abstract | We generated a new dataset of digital natural images where each colour plane corresponds to the human LMS (long-, medium-, short-wavelength) cone activations. The images were chosen to represent five different visual environments (eg forest, seaside, mountain snow, urban, motorways) and were taken under natural illumination at different times of day. At the bottom-left corner of each picture there was a matte grey ball of approximately constant spectral reflectance (across the camera's response spectrum,) and nearly Lambertian reflective properties, which allows to compute (and remove, if necessary) the illuminant's colour and intensity. The camera (Sigma Foveon SD10) was calibrated by measuring its sensor's spectral responses using a set of 31 spectrally narrowband interference filters. This allowed conversion of the final camera-dependent RGB colour space into the Smith and Pokorny (1975) cone activation space by means of a polynomial transformation, optimised for a set of 1269 Munsell chip reflectances. This new method is an improvement over the usual 3 × 3 matrix transformation which is only accurate for spectrally-narrowband colours. The camera-to-LMS transformation can be recalculated to consider other non-human visual systems. The dataset is available to download from our website. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ PVV2009 | Serial | 1193 | |||
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| Author | C. Alejandro Parraga; Robert Benavente; Maria Vanrell |
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| Title | Towards a general model of colour categorization which considers context | Type | Journal Article | |||
| Year | 2010 | Publication | Perception. ECVP Abstract Supplement | Abbreviated Journal |
PER | |
| Volume | 39 | Issue | Pages | 86 | ||
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| Abstract | In two previous experiments [Parraga et al, 2009 J. of Im. Sci. and Tech 53(3) 031106; Benavente et al,2009 Perception 38 ECVP Supplement, 36] the boundaries of basic colour categories were measured.
In the first experiment, samples were presented in isolation (ie on a dark background) and boundaries were measured using a yes/no paradigm. In the second, subjects adjusted the chromaticity of a sample presented on a random Mondrian background to find the boundary between pairs of adjacent colours. Results from these experiments showed significant di erences but it was not possible to conclude whether this discrepancy was due to the absence/presence of a colourful background or to the di erences in the paradigms used. In this work, we settle this question by repeating the first experiment (ie samples presented on a dark background) using the second paradigm. A comparison of results shows that although boundary locations are very similar, boundaries measured in context are significantly di erent(more di use) than those measured in isolation (confirmed by a Student’s t-test analysis on the subject’s answers statistical distributions). In addition, we completed the mapping of colour name space by measuring the boundaries between chromatic colours and the achromatic centre. With these results we completed our parametric fuzzy-sets model of colour naming space. |
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ PBV2010b | Serial | 1326 | |||
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| Author | Olivier Penacchio; C. Alejandro Parraga; Maria Vanrell |
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| Title | Natural Scene Statistics account for Human Cones Ratios | Type | Journal Article | |||
| Year | 2010 | Publication | Perception. ECVP Abstract Supplement | Abbreviated Journal |
PER | |
| Volume | 39 | Issue | Pages | 101 | ||
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| Abstract | In two previous experiments [Parraga et al, 2009 J. of Im. Sci. and Tech 53(3) 031106; Benavente et al,2009 Perception 38 ECVP Supplement, 36] the boundaries of basic colour categories were measured.
In the first experiment, samples were presented in isolation (ie on a dark background) and boundaries were measured using a yes/no paradigm. In the second, subjects adjusted the chromaticity of a sample presented on a random Mondrian background to find the boundary between pairs of adjacent colours. Results from these experiments showed significant di erences but it was not possible to conclude whether this discrepancy was due to the absence/presence of a colourful background or to the di erences in the paradigms used. In this work, we settle this question by repeating the first experiment (ie samples presented on a dark background) using the second paradigm. A comparison of results shows that although boundary locations are very similar, boundaries measured in context are significantly di erent(more di use) than those measured in isolation (confirmed by a Student’s t-test analysis on the subject’s answers statistical distributions). In addition, we completed the mapping of colour name space by measuring the boundaries between chromatic colours and the achromatic centre. With these results we completed our parametric fuzzy-sets model of colour naming space. |
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| Notes | CIC | Approved | no | |||
| Call Number | CAT @ cat @ PPV2010 | Serial | 1357 | |||
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| Author | Olivier Penacchio; C. Alejandro Parraga |
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| Title | What is the best criterion for an efficient design of retinal photoreceptor mosaics? | Type | Journal Article | |||
| Year | 2011 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 40 | Issue | Pages | 197 | ||
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| Abstract | The proportions of L, M and S photoreceptors in the primate retina are arguably determined by evolutionary pressure and the statistics of the visual environment. Two information theory-based approaches have been recently proposed for explaining the asymmetrical spatial densities of photoreceptors in humans. In the first approach Garrigan et al (2010 PLoS ONE 6 e1000677), a model for computing the information transmitted by cone arrays which considers the differential blurring produced by the long-wavelength accommodation of the eye’s lens is proposed. Their results explain the sparsity of S-cones but the optimum depends weakly on the L:M cone ratio. In the second approach (Penacchio et al, 2010 Perception 39 ECVP Supplement, 101), we show that human cone arrays make the visual representation scale-invariant, allowing the total entropy of the signal to be preserved while decreasing individual neurons’ entropy in further retinotopic representations. This criterion provides a thorough description of the distribution of L:M cone ratios and does not depend on differential blurring of the signal by the lens. Here, we investigate the similarities and differences of both approaches when applied to the same database. Our results support a 2-criteria optimization in the space of cone ratios whose components are arguably important and mostly unrelated.
[This work was partially funded by projects TIN2010-21771-C02-1 and Consolider-Ingenio 2010-CSD2007-00018 from the Spanish MICINN. CAP was funded by grant RYC-2007-00484] |
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PeP2011a | Serial | 1719 | |||
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| Author | C. Alejandro Parraga; Olivier Penacchio; Maria Vanrell |
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| Title | Retinal Filtering Matches Natural Image Statistics at Low Luminance Levels | Type | Journal Article | |||
| Year | 2011 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 40 | Issue | Pages | 96 | ||
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| Abstract | The assumption that the retina’s main objective is to provide a minimum entropy representation to higher visual areas (ie efficient coding principle) allows to predict retinal filtering in space–time and colour (Atick, 1992 Network 3 213–251). This is achieved by considering the power spectra of natural images (which is proportional to 1/f2) and the suppression of retinal and image noise. However, most studies consider images within a limited range of lighting conditions (eg near noon) whereas the visual system’s spatial filtering depends on light intensity and the spatiochromatic properties of natural scenes depend of the time of the day. Here, we explore whether the dependence of visual spatial filtering on luminance match the changes in power spectrum of natural scenes at different times of the day. Using human cone-activation based naturalistic stimuli (from the Barcelona Calibrated Images Database), we show that for a range of luminance levels, the shape of the retinal CSF reflects the slope of the power spectrum at low spatial frequencies. Accordingly, the retina implements the filtering which best decorrelates the input signal at every luminance level. This result is in line with the body of work that places efficient coding as a guiding neural principle. | |||||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PPV2011 | Serial | 1720 | |||
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| Author | Xavier Otazu |
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| Title | Perceptual tone-mapping operator based on multiresolution contrast decomposition | Type | Abstract | |||
| Year | 2012 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 41 | Issue | Pages | 86 | ||
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| Abstract | Tone-mapping operators (TMO) are used to display high dynamic range(HDR) images in low dynamic range (LDR) displays. Many computational and biologically inspired approaches have been used in the literature, being many of them based on multiresolution decompositions. In this work, a simple two stage model for TMO is presented. The first stage is a novel multiresolution contrast decomposition, which is inspired in a pyramidal contrast decomposition (Peli, 1990 Journal of the Optical Society of America7(10), 2032-2040).
This novel multiresolution decomposition represents the Michelson contrast of the image at different spatial scales. This multiresolution contrast representation, applied on the intensity channel of an opponent colour decomposition, is processed by a non-linear saturating model of V1 neurons (Albrecht et al, 2002 Journal ofNeurophysiology 88(2) 888-913). This saturation model depends on the visual frequency, and it has been modified in order to include information from the extended Contrast Sensitivity Function (e-CSF) (Otazu et al, 2010 Journal ofVision10(12) 5). A set of HDR images in Radiance RGBE format (from CIS HDR Photographic Survey and Greg Ward database) have been used to test the model, obtaining a set of LDR images. The resulting LDR images do not show the usual halo or color modification artifacts. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Ota2012 | Serial | 2179 | |||
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| Author | Olivier Penacchio; Laura Dempere-Marco; Xavier Otazu |
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| Title | Switching off brightness induction through induction-reversed images | Type | Abstract | |||
| Year | 2012 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 41 | Issue | Pages | 208 | ||
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| Abstract | Brightness induction is the modulation of the perceived intensity of an
area by the luminance of surrounding areas. Although V1 is traditionally regarded as an area mostly responsive to retinal information, neurophysiological evidence suggests that it may explicitly represent brightness information. In this work, we investigate possible neural mechanisms underlying brightness induction. To this end, we consider the model by Z Li (1999 Computation and Neural Systems10187-212) which is constrained by neurophysiological data and focuses on the part of V1 responsible for contextual influences. This model, which has proven to account for phenomena such as contour detection and preattentive segmentation, shares with brightness induction the relevant effect of contextual influences. Importantly, the input to our network model derives from a complete multiscale and multiorientation wavelet decomposition, which makes it possible to recover an image reflecting the perceived luminance and successfully accounts for well known psychophysical effects for both static and dynamic contexts. By further considering inverse problem techniques we define induction-reversed images: given a target image, we build an image whose perceived luminance matches the actual luminance of the original stimulus, thus effectively canceling out brightness induction effects. We suggest that induction-reversed images may help remove undesired perceptual effects and can find potential applications in fields such as radiological image interpretation |
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ PDO2012a | Serial | 2180 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Predicting categorical colour perception in successive colour constancy | Type | Abstract | |||
| Year | 2012 | Publication | Perception | Abbreviated Journal |
PER | |
| Volume | 41 | Issue | Pages | 138 | ||
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| Abstract | Colour constancy is a perceptual mechanism that seeks to keep the colour of objects relatively stable under an illumination shift. Experiments haveshown that its effects depend on the number of colours present in the scene. We
studied categorical colour changes under different adaptation states, in particular, whether the colour categories seen under a chromatically neutral illuminant are the same after a shift in the chromaticity of the illumination. To do this, we developed the chromatic setting paradigm (2011 Journal of Vision11 349), which is as an extension of achromatic setting to colour categories. The paradigm exploits the ability of subjects to reliably reproduce the most representative examples of each category, adjusting multiple test patches embedded in a coloured Mondrian. Our experiments were run on a CRT monitor (inside a dark room) under various simulated illuminants and restricting the number of colours of the Mondrian background to three, thus weakening the adaptation effect. Our results show a change in the colour categories present before (under neutral illumination) and after adaptation (under coloured illuminants) with a tendency for adapted colours to be less saturated than before adaptation. This behaviour was predicted by a simple affine matrix model, adjusted to the chromatic setting results. |
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| ISSN | 0301-0066 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ RPV2012 | Serial | 2188 | |||
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| Author | Fahad Shahbaz Khan; Shida Beigpour; Joost Van de Weijer; Michael Felsberg |
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| Title | Painting-91: A Large Scale Database for Computational Painting Categorization | Type | Journal Article | |||
| Year | 2014 | Publication | Machine Vision and Applications | Abbreviated Journal |
MVAP | |
| Volume | 25 | Issue | 6 | Pages | 1385-1397 | |
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| Abstract | Computer analysis of visual art, especially paintings, is an interesting cross-disciplinary research domain. Most of the research in the analysis of paintings involve medium to small range datasets with own specific settings. Interestingly, significant progress has been made in the field of object and scene recognition lately. A key factor in this success is the introduction and availability of benchmark datasets for evaluation. Surprisingly, such a benchmark setup is still missing in the area of computational painting categorization. In this work, we propose a novel large scale dataset of digital paintings. The dataset consists of paintings from 91 different painters. We further show three applications of our dataset namely: artist categorization, style classification and saliency detection. We investigate how local and global features popular in image classification perform for the tasks of artist and style categorization. For both categorization tasks, our experimental results suggest that combining multiple features significantly improves the final performance. We show that state-of-the-art computer vision methods can correctly classify 50 % of unseen paintings to its painter in a large dataset and correctly attribute its artistic style in over 60 % of the cases. Additionally, we explore the task of saliency detection on paintings and show experimental findings using state-of-the-art saliency estimation algorithms. | |||||
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| Publisher | Springer Berlin Heidelberg | Place of Publication | Editor | |||
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| ISSN | 0932-8092 | ISBN | Medium | |||
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| Notes | CIC; LAMP; 600.074; 600.079 | Approved | no | |||
| Call Number | Admin @ si @ KBW2014 | Serial | 2510 | |||
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| Author | Olivier Penacchio |
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| Title | Mixed Hodge Structures and Equivariant Sheaves on the Projective Plane | Type | Journal Article | |||
| Year | 2011 | Publication | Mathematische Nachrichten | Abbreviated Journal |
MN | |
| Volume | 284 | Issue | 4 | Pages | 526-542 | |
| Keywords | Mixed Hodge structures, equivariant sheaves, MSC (2010) Primary: 14C30, Secondary: 14F05, 14M25 | |||||
| Abstract | We describe an equivalence of categories between the category of mixed Hodge structures and a category of equivariant vector bundles on a toric model of the complex projective plane which verify some semistability condition. We then apply this correspondence to define an invariant which generalizes the notion of R-split mixed Hodge structure and give calculations for the first group of cohomology of possibly non smooth or non-complete curves of genus 0 and 1. Finally, we describe some extension groups of mixed Hodge structures in terms of equivariant extensions of coherent sheaves. © 2011 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim | |||||
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| Publisher | WILEY-VCH Verlag | Place of Publication | Editor | R. Mennicken | ||
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| ISSN | 1522-2616 | ISBN | Medium | |||
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| Notes | CIC | Approved | no | |||
| Call Number | Admin @ si @ Pen2011 | Serial | 1721 | |||
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| Author | Jordi Roca; C. Alejandro Parraga; Maria Vanrell |
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| Title | Chromatic settings and the structural color constancy index | Type | Journal Article | |||
| Year | 2013 | Publication | Journal of Vision | Abbreviated Journal |
JV | |
| Volume | 13 | Issue | 4-3 | Pages | 1-26 | |
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| Abstract | Color constancy is usually measured by achromatic setting, asymmetric matching, or color naming paradigms, whose results are interpreted in terms of indexes and models that arguably do not capture the full complexity of the phenomenon. Here we propose a new paradigm, chromatic setting, which allows a more comprehensive characterization of color constancy through the measurement of multiple points in color space under immersive adaptation. We demonstrated its feasibility by assessing the consistency of subjects' responses over time. The paradigm was applied to two-dimensional (2-D) Mondrian stimuli under three different illuminants, and the results were used to fit a set of linear color constancy models. The use of multiple colors improved the precision of more complex linear models compared to the popular diagonal model computed from gray. Our results show that a diagonal plus translation matrix that models mechanisms other than cone gain might be best suited to explain the phenomenon. Additionally, we calculated a number of color constancy indices for several points in color space, and our results suggest that interrelations among colors are not as uniform as previously believed. To account for this variability, we developed a new structural color constancy index that takes into account the magnitude and orientation of the chromatic shift in addition to the interrelations among colors and memory effects. | |||||
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| Notes | CIC; 600.052; 600.051; 605.203 | Approved | no | |||
| Call Number | Admin @ si @ RPV2013 | Serial | 2288 | |||
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| Author | Jaykishan Patel; Alban Flachot; Javier Vazquez; David H. Brainard; Thomas S. A. Wallis; Marcus A. Brubaker; Richard F. Murray |
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| Title | A deep convolutional neural network trained to infer surface reflectance is deceived by mid-level lightness illusions | Type | Journal Article | |||
| Year | 2023 | Publication | Journal of Vision | Abbreviated Journal |
JV | |
| Volume | 23 | Issue | 9 | Pages | 4817-4817 | |
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| Abstract | A long-standing view is that lightness illusions are by-products of strategies employed by the visual system to stabilize its perceptual representation of surface reflectance against changes in illumination. Computationally, one such strategy is to infer reflectance from the retinal image, and to base the lightness percept on this inference. CNNs trained to infer reflectance from images have proven successful at solving this problem under limited conditions. To evaluate whether these CNNs provide suitable starting points for computational models of human lightness perception, we tested a state-of-the-art CNN on several lightness illusions, and compared its behaviour to prior measurements of human performance. We trained a CNN (Yu & Smith, 2019) to infer reflectance from luminance images. The network had a 30-layer hourglass architecture with skip connections. We trained the network via supervised learning on 100K images, rendered in Blender, each showing randomly placed geometric objects (surfaces, cubes, tori, etc.), with random Lambertian reflectance patterns (solid, Voronoi, or low-pass noise), under randomized point+ambient lighting. The renderer also provided the ground-truth reflectance images required for training. After training, we applied the network to several visual illusions. These included the argyle, Koffka-Adelson, snake, White’s, checkerboard assimilation, and simultaneous contrast illusions, along with their controls where appropriate. The CNN correctly predicted larger illusions in the argyle, Koffka-Adelson, and snake images than in their controls. It also correctly predicted an assimilation effect in White's illusion. It did not, however, account for the checkerboard assimilation or simultaneous contrast effects. These results are consistent with the view that at least some lightness phenomena are by-products of a rational approach to inferring stable representations of physical properties from intrinsically ambiguous retinal images. Furthermore, they suggest that CNN models may be a promising starting point for new models of human lightness perception. | |||||
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| Notes | MACO; CIC | Approved | no | |||
| Call Number | Admin @ si @ PFV2023 | Serial | 3890 | |||
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