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Arjan Gijsenji; Theo Gevers |
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Title |
Color Constancy Using Natural Image Statistics and Scene Semantics |
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Journal Article |
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2011 |
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IEEE Transactions on Pattern Analysis and Machine Intelligence |
Abbreviated Journal |
TPAMI |
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33 |
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4 |
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687-698 |
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Existing color constancy methods are all based on specific assumptions such as the spatial and spectral characteristics of images. As a consequence, no algorithm can be considered as universal. However, with the large variety of available methods, the question is how to select the method that performs best for a specific image. To achieve selection and combining of color constancy algorithms, in this paper natural image statistics are used to identify the most important characteristics of color images. Then, based on these image characteristics, the proper color constancy algorithm (or best combination of algorithms) is selected for a specific image. To capture the image characteristics, the Weibull parameterization (e.g., grain size and contrast) is used. It is shown that the Weibull parameterization is related to the image attributes to which the used color constancy methods are sensitive. An MoG-classifier is used to learn the correlation and weighting between the Weibull-parameters and the image attributes (number of edges, amount of texture, and SNR). The output of the classifier is the selection of the best performing color constancy method for a certain image. Experimental results show a large improvement over state-of-the-art single algorithms. On a data set consisting of more than 11,000 images, an increase in color constancy performance up to 20 percent (median angular error) can be obtained compared to the best-performing single algorithm. Further, it is shown that for certain scene categories, one specific color constancy algorithm can be used instead of the classifier considering several algorithms. |
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0162-8828 |
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Admin @ si @ GiG2011 |
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1724 |
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Author |
Albert Ali Salah; Theo Gevers; Nicu Sebe; Alessandro Vinciarelli |
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Title |
Computer Vision for Ambient Intelligence |
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Journal Article |
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Year |
2011 |
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Journal of Ambient Intelligence and Smart Environments |
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JAISE |
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3 |
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3 |
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187-191 |
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Admin @ si @ SGS2011a |
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1725 |
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Author |
Koen E.A. van de Sande; Theo Gevers; Cees G.M. Snoek |
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Title |
Empowering Visual Categorization with the GPU |
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Journal Article |
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Year |
2011 |
Publication |
IEEE Transactions on Multimedia |
Abbreviated Journal |
TMM |
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13 |
Issue |
1 |
Pages |
60-70 |
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Visual categorization is important to manage large collections of digital images and video, where textual meta-data is often incomplete or simply unavailable. The bag-of-words model has become the most powerful method for visual categorization of images and video. Despite its high accuracy, a severe drawback of this model is its high computational cost. As the trend to increase computational power in newer CPU and GPU architectures is to increase their level of parallelism, exploiting this parallelism becomes an important direction to handle the computational cost of the bag-of-words approach. When optimizing a system based on the bag-of-words approach, the goal is to minimize the time it takes to process batches of images. Additionally, we also consider power usage as an evaluation metric. In this paper, we analyze the bag-of-words model for visual categorization in terms of computational cost and identify two major bottlenecks: the quantization step and the classification step. We address these two bottlenecks by proposing two efficient algorithms for quantization and classification by exploiting the GPU hardware and the CUDA parallel programming model. The algorithms are designed to (1) keep categorization accuracy intact, (2) decompose the problem and (3) give the same numerical results. In the experiments on large scale datasets it is shown that, by using a parallel implementation on the Geforce GTX260 GPU, classifying unseen images is 4.8 times faster than a quad-core CPU version on the Core i7 920, while giving the exact same numerical results. In addition, we show how the algorithms can be generalized to other applications, such as text retrieval and video retrieval. Moreover, when the obtained speedup is used to process extra video frames in a video retrieval benchmark, the accuracy of visual categorization is improved by 29%. |
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Admin @ si @ SGS2011b |
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1729 |
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Author |
Hamdi Dibeklioglu; M.O. Hortas; I. Kosunen; P. Zuzánek; Albert Ali Salah; Theo Gevers |
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Title |
Design and implementation of an affect-responsive interactive photo frame |
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Year |
2011 |
Publication |
Journal on Multimodal User Interfaces |
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JMUI |
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4 |
Issue |
2 |
Pages |
81-95 |
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This paper describes an affect-responsive interactive photo-frame application that offers its user a different experience with every use. It relies on visual analysis of activity levels and facial expressions of its users to select responses from a database of short video segments. This ever-growing database is automatically prepared by an offline analysis of user-uploaded videos. The resulting system matches its user’s affect along dimensions of valence and arousal, and gradually adapts its response to each specific user. In an extended mode, two such systems are coupled and feed each other with visual content. The strengths and weaknesses of the system are assessed through a usability study, where a Wizard-of-Oz response logic is contrasted with the fully automatic system that uses affective and activity-based features, either alone, or in tandem. |
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Springer–Verlag |
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1783-7677 |
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ALTRES;ISE |
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no |
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Admin @ si @ DHK2011 |
Serial |
1842 |
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Author |
A. Toet; M. Henselmans; M.P. Lucassen; Theo Gevers |
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Title |
Emotional effects of dynamic textures |
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Year |
2011 |
Publication |
i-Perception |
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iPER |
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2 |
Issue |
9 |
Pages |
969 – 991 |
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This study explores the effects of various spatiotemporal dynamic texture characteristics on human emotions. The emotional experience of auditory (eg, music) and haptic repetitive patterns has been studied extensively. In contrast, the emotional experience of visual dynamic textures is still largely unknown, despite their natural ubiquity and increasing use in digital media. Participants watched a set of dynamic textures, representing either water or various different media, and self-reported their emotional experience. Motion complexity was found to have mildly relaxing and nondominant effects. In contrast, motion change complexity was found to be arousing and dominant. The speed of dynamics had arousing, dominant, and unpleasant effects. The amplitude of dynamics was also regarded as unpleasant. The regularity of the dynamics over the textures’ area was found to be uninteresting, nondominant, mildly relaxing, and mildly pleasant. The spatial scale of the dynamics had an unpleasant, arousing, and dominant effect, which was larger for textures with diverse content than for water textures. For water textures, the effects of spatial contrast were arousing, dominant, interesting, and mildly unpleasant. None of these effects were observed for textures of diverse content. The current findings are relevant for the design and synthesis of affective multimedia content and for affective scene indexing and retrieval. |
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2041-6695 |
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ALTRES;ISE |
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Admin @ si @THL2011 |
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1843 |
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