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Alicia Fornes; Josep Llados; Gemma Sanchez; Xavier Otazu; Horst Bunke |
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Title |
A Combination of Features for Symbol-Independent Writer Identification in Old Music Scores |
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Journal Article |
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2010 |
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International Journal on Document Analysis and Recognition |
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IJDAR |
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13 |
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4 |
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243-259 |
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Abstract |
The aim of writer identification is determining the writer of a piece of handwriting from a set of writers. In this paper, we present an architecture for writer identification in old handwritten music scores. Even though an important amount of music compositions contain handwritten text, the aim of our work is to use only music notation to determine the author. The main contribution is therefore the use of features extracted from graphical alphabets. Our proposal consists in combining the identification results of two different approaches, based on line and textural features. The steps of the ensemble architecture are the following. First of all, the music sheet is preprocessed for removing the staff lines. Then, music lines and texture images are generated for computing line features and textural features. Finally, the classification results are combined for identifying the writer. The proposed method has been tested on a database of old music scores from the seventeenth to nineteenth centuries, achieving a recognition rate of about 92% with 20 writers. |
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Springer-Verlag |
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1433-2833 |
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DAG; CAT;CIC |
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FLS2010b |
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1319 |
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Author |
Maria Vanrell; Jordi Vitria; Xavier Roca |
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A multidimensional scaling approach to explore the behavior of a texture perception algorithm. |
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1997 |
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Machine Vision and Applications |
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9 |
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262–271 |
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OR;ISE;CIC;MV |
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BCNPCL @ bcnpcl @ VVR1997 |
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35 |
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Author |
Fahad Shahbaz Khan; Shida Beigpour; Joost Van de Weijer; Michael Felsberg |
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Title |
Painting-91: A Large Scale Database for Computational Painting Categorization |
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2014 |
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Machine Vision and Applications |
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MVAP |
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25 |
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6 |
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1385-1397 |
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Computer analysis of visual art, especially paintings, is an interesting cross-disciplinary research domain. Most of the research in the analysis of paintings involve medium to small range datasets with own specific settings. Interestingly, significant progress has been made in the field of object and scene recognition lately. A key factor in this success is the introduction and availability of benchmark datasets for evaluation. Surprisingly, such a benchmark setup is still missing in the area of computational painting categorization. In this work, we propose a novel large scale dataset of digital paintings. The dataset consists of paintings from 91 different painters. We further show three applications of our dataset namely: artist categorization, style classification and saliency detection. We investigate how local and global features popular in image classification perform for the tasks of artist and style categorization. For both categorization tasks, our experimental results suggest that combining multiple features significantly improves the final performance. We show that state-of-the-art computer vision methods can correctly classify 50 % of unseen paintings to its painter in a large dataset and correctly attribute its artistic style in over 60 % of the cases. Additionally, we explore the task of saliency detection on paintings and show experimental findings using state-of-the-art saliency estimation algorithms. |
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Springer Berlin Heidelberg |
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0932-8092 |
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CIC; LAMP; 600.074; 600.079 |
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Admin @ si @ KBW2014 |
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2510 |
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Xavier Otazu; M. Ribo; M. Peracaula; J.M. Paredes; J. Nuñez |
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Detection of superimposed periodic signals using wavelets |
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2002 |
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Monthly Notices of the Royal Astronomical Society, 333, 2: 365–372 (IF: 4.671) |
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CAT @ cat @ ORP2002 |
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272 |
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Xavier Otazu; M. Ribo; J.M. Paredes; M. Peracaula; J. Nuñez |
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Multiresolution approach for period determination on unevenly sampled data |
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2004 |
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Monthly Notices of the Royal Astronomical Society, 351:251–219 (IF: 5.238) |
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CIC |
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CAT @ cat @ ORP2004 |
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451 |
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