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Ivet Rafegas; Maria Vanrell; Luis A Alexandre; G. Arias |
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Title |
Understanding trained CNNs by indexing neuron selectivity |
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2020 |
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Pattern Recognition Letters |
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PRL |
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136 |
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318-325 |
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The impressive performance of Convolutional Neural Networks (CNNs) when solving different vision problems is shadowed by their black-box nature and our consequent lack of understanding of the representations they build and how these representations are organized. To help understanding these issues, we propose to describe the activity of individual neurons by their Neuron Feature visualization and quantify their inherent selectivity with two specific properties. We explore selectivity indexes for: an image feature (color); and an image label (class membership). Our contribution is a framework to seek or classify neurons by indexing on these selectivity properties. It helps to find color selective neurons, such as a red-mushroom neuron in layer Conv4 or class selective neurons such as dog-face neurons in layer Conv5 in VGG-M, and establishes a methodology to derive other selectivity properties. Indexing on neuron selectivity can statistically draw how features and classes are represented through layers in a moment when the size of trained nets is growing and automatic tools to index neurons can be helpful. |
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CIC; 600.087; 600.140; 600.118 |
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Admin @ si @ RVL2019 |
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3310 |
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Author |
O. Fors; A. Richichi; Xavier Otazu; J. Nuñez |
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A new wavelet-based approach for the automated treatment of large sets of lunar occultation data |
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2008 |
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Astronomy and Astrohysics |
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480 |
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297–304 |
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CAT @ cat @ FRO2008 |
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934 |
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Author |
Maria Vanrell; Jordi Vitria; Xavier Roca |
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A multidimensional scaling approach to explore the behavior of a texture perception algorithm. |
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1997 |
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Machine Vision and Applications |
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9 |
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262–271 |
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OR;ISE;CIC;MV |
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BCNPCL @ bcnpcl @ VVR1997 |
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35 |
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Alicia Fornes; Josep Llados; Gemma Sanchez; Xavier Otazu; Horst Bunke |
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A Combination of Features for Symbol-Independent Writer Identification in Old Music Scores |
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2010 |
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International Journal on Document Analysis and Recognition |
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IJDAR |
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13 |
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4 |
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243-259 |
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The aim of writer identification is determining the writer of a piece of handwriting from a set of writers. In this paper, we present an architecture for writer identification in old handwritten music scores. Even though an important amount of music compositions contain handwritten text, the aim of our work is to use only music notation to determine the author. The main contribution is therefore the use of features extracted from graphical alphabets. Our proposal consists in combining the identification results of two different approaches, based on line and textural features. The steps of the ensemble architecture are the following. First of all, the music sheet is preprocessed for removing the staff lines. Then, music lines and texture images are generated for computing line features and textural features. Finally, the classification results are combined for identifying the writer. The proposed method has been tested on a database of old music scores from the seventeenth to nineteenth centuries, achieving a recognition rate of about 92% with 20 writers. |
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Springer-Verlag |
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1433-2833 |
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DAG; CAT;CIC |
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FLS2010b |
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1319 |
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C. Alejandro Parraga; Jordi Roca; Dimosthenis Karatzas; Sophie Wuerger |
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Limitations of visual gamma corrections in LCD displays |
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2014 |
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Displays |
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Dis |
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35 |
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5 |
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227–239 |
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Display calibration; Psychophysics; Perceptual; Visual gamma correction; Luminance matching; Observer-based calibration |
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A method for estimating the non-linear gamma transfer function of liquid–crystal displays (LCDs) without the need of a photometric measurement device was described by Xiao et al. (2011) [1]. It relies on observer’s judgments of visual luminance by presenting eight half-tone patterns with luminances from 1/9 to 8/9 of the maximum value of each colour channel. These half-tone patterns were distributed over the screen both over the vertical and horizontal viewing axes. We conducted a series of photometric and psychophysical measurements (consisting in the simultaneous presentation of half-tone patterns in each trial) to evaluate whether the angular dependency of the light generated by three different LCD technologies would bias the results of these gamma transfer function estimations. Our results show that there are significant differences between the gamma transfer functions measured and produced by observers at different viewing angles. We suggest appropriate modifications to the Xiao et al. paradigm to counterbalance these artefacts which also have the advantage of shortening the amount of time spent in collecting the psychophysical measurements. |
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CIC; DAG; 600.052; 600.077; 600.074 |
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Admin @ si @ PRK2014 |
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2511 |
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