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Hassan Ahmed Sial; Ramon Baldrich; Maria Vanrell |
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Title |
Deep intrinsic decomposition trained on surreal scenes yet with realistic light effects |
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Journal Article |
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2020 |
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Journal of the Optical Society of America A |
Abbreviated Journal ![sorted by Abbreviated Journal field, descending order (down)](http://refbase.cvc.uab.es/img/sort_desc.gif) |
JOSA A |
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37 |
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1 |
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1-15 |
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Estimation of intrinsic images still remains a challenging task due to weaknesses of ground-truth datasets, which either are too small or present non-realistic issues. On the other hand, end-to-end deep learning architectures start to achieve interesting results that we believe could be improved if important physical hints were not ignored. In this work, we present a twofold framework: (a) a flexible generation of images overcoming some classical dataset problems such as larger size jointly with coherent lighting appearance; and (b) a flexible architecture tying physical properties through intrinsic losses. Our proposal is versatile, presents low computation time, and achieves state-of-the-art results. |
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CIC; 600.140; 600.12; 600.118 |
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Admin @ si @ SBV2019 |
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3311 |
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Alicia Fornes; Josep Llados; Gemma Sanchez; Xavier Otazu; Horst Bunke |
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Title |
A Combination of Features for Symbol-Independent Writer Identification in Old Music Scores |
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Journal Article |
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2010 |
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International Journal on Document Analysis and Recognition |
Abbreviated Journal ![sorted by Abbreviated Journal field, descending order (down)](http://refbase.cvc.uab.es/img/sort_desc.gif) |
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13 |
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4 |
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243-259 |
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The aim of writer identification is determining the writer of a piece of handwriting from a set of writers. In this paper, we present an architecture for writer identification in old handwritten music scores. Even though an important amount of music compositions contain handwritten text, the aim of our work is to use only music notation to determine the author. The main contribution is therefore the use of features extracted from graphical alphabets. Our proposal consists in combining the identification results of two different approaches, based on line and textural features. The steps of the ensemble architecture are the following. First of all, the music sheet is preprocessed for removing the staff lines. Then, music lines and texture images are generated for computing line features and textural features. Finally, the classification results are combined for identifying the writer. The proposed method has been tested on a database of old music scores from the seventeenth to nineteenth centuries, achieving a recognition rate of about 92% with 20 writers. |
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Springer-Verlag |
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1433-2833 |
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DAG; CAT;CIC |
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FLS2010b |
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1319 |
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Xavier Boix; Josep M. Gonfaus; Joost Van de Weijer; Andrew Bagdanov; Joan Serrat; Jordi Gonzalez |
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Title |
Harmony Potentials: Fusing Global and Local Scale for Semantic Image Segmentation |
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Journal Article |
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2012 |
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International Journal of Computer Vision |
Abbreviated Journal ![sorted by Abbreviated Journal field, descending order (down)](http://refbase.cvc.uab.es/img/sort_desc.gif) |
IJCV |
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96 |
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1 |
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83-102 |
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The Hierarchical Conditional Random Field(HCRF) model have been successfully applied to a number of image labeling problems, including image segmentation. However, existing HCRF models of image segmentation do not allow multiple classes to be assigned to a single region, which limits their ability to incorporate contextual information across multiple scales.
At higher scales in the image, this representation yields an oversimplied model since multiple classes can be reasonably expected to appear within large regions. This simplied model particularly limits the impact of information at higher scales. Since class-label information at these scales is usually more reliable than at lower, noisier scales, neglecting this information is undesirable. To
address these issues, we propose a new consistency potential for image labeling problems, which we call the harmony potential. It can encode any possible combi-
nation of labels, penalizing only unlikely combinations of classes. We also propose an eective sampling strategy over this expanded label set that renders tractable the underlying optimization problem. Our approach obtains state-of-the-art results on two challenging, standard benchmark datasets for semantic image segmentation: PASCAL VOC 2010, and MSRC-21. |
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0920-5691 |
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ISE;CIC;ADAS |
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Admin @ si @ BGW2012 |
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1718 |
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Fahad Shahbaz Khan; Joost Van de Weijer; Maria Vanrell |
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Title |
Modulating Shape Features by Color Attention for Object Recognition |
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Journal Article |
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2012 |
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International Journal of Computer Vision |
Abbreviated Journal ![sorted by Abbreviated Journal field, descending order (down)](http://refbase.cvc.uab.es/img/sort_desc.gif) |
IJCV |
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98 |
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1 |
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49-64 |
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Bag-of-words based image representation is a successful approach for object recognition. Generally, the subsequent stages of the process: feature detection,feature description, vocabulary construction and image representation are performed independent of the intentioned object classes to be detected. In such a framework, it was found that the combination of different image cues, such as shape and color, often obtains below expected results. This paper presents a novel method for recognizing object categories when using ultiple cues by separately processing the shape and color cues and combining them by modulating the shape features by category specific color attention. Color is used to compute bottom up and top-down attention maps. Subsequently, these color attention maps are used to modulate the weights of the shape features. In regions with higher attention shape features are given more weight than in regions with low attention. We compare our approach with existing methods that combine color and shape cues on five data sets containing varied importance of both cues, namely, Soccer (color predominance), Flower (color and hape parity), PASCAL VOC 2007 and 2009 (shape predominance) and Caltech-101 (color co-interference). The experiments clearly demonstrate that in all five data sets our proposed framework significantly outperforms existing methods for combining color and shape information. |
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Springer Netherlands |
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CIC |
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Admin @ si @ KWV2012 |
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1864 |
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Author |
Fahad Shahbaz Khan; Muhammad Anwer Rao; Joost Van de Weijer; Andrew Bagdanov; Antonio Lopez; Michael Felsberg |
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Title |
Coloring Action Recognition in Still Images |
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Journal Article |
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2013 |
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International Journal of Computer Vision |
Abbreviated Journal ![sorted by Abbreviated Journal field, descending order (down)](http://refbase.cvc.uab.es/img/sort_desc.gif) |
IJCV |
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105 |
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3 |
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205-221 |
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In this article we investigate the problem of human action recognition in static images. By action recognition we intend a class of problems which includes both action classification and action detection (i.e. simultaneous localization and classification). Bag-of-words image representations yield promising results for action classification, and deformable part models perform very well object detection. The representations for action recognition typically use only shape cues and ignore color information. Inspired by the recent success of color in image classification and object detection, we investigate the potential of color for action classification and detection in static images. We perform a comprehensive evaluation of color descriptors and fusion approaches for action recognition. Experiments were conducted on the three datasets most used for benchmarking action recognition in still images: Willow, PASCAL VOC 2010 and Stanford-40. Our experiments demonstrate that incorporating color information considerably improves recognition performance, and that a descriptor based on color names outperforms pure color descriptors. Our experiments demonstrate that late fusion of color and shape information outperforms other approaches on action recognition. Finally, we show that the different color–shape fusion approaches result in complementary information and combining them yields state-of-the-art performance for action classification. |
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Springer US |
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0920-5691 |
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CIC; ADAS; 600.057; 600.048 |
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Admin @ si @ KRW2013 |
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2285 |
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